Stipple Engraving

At this time, he had as patron and sponsor Josephine Bonaparte, who, on acquiring Malmaison and establishing a superb garden of rare plants there, required an artist of outstanding t...

The work is broader than its title implies, including as it does petaloid monocotyledons in general belonging, for example to Commelinaceae, Bromeliaceae, Liliaceae, At this time, he...

At this time, he had as patron and sponsor Josephine Bonaparte, who, on acquiring Malmaison and establishing a superb garden of rare plants there, required an artist of outstanding t...

At this time, he had as patron and sponsor Josephine Bonaparte, who, on acquiring Malmaison and establishing a superb garden of rare plants there, required an artist of outstanding t...

At this time, he had as patron and sponsor Josephine Bonaparte, who, on acquiring Malmaison and establishing a superb garden of rare plants there, required an artist of outstanding t...

The work is broader than its title implies, including as it does petaloid monocotyledons in general belonging, for example to Commelinaceae, Bromeliaceae, Liliaceae, At this time, he...

Pierre-Joseph Redouté (1759–1840) Amaryllis brasiliensis, Original Plate 469 from Les Liliacées, Stipple Engraving with Original Hand Colouring, C.1805 A fine and fresh example of o...

Flora Dispensing her Favors on Earth- Robert John Thornton, 1768-1837, from "The Temple of Flora" London 1799-1810. This aquatint and stipple engraving partially printed in colors, w...

Subtle stipple engraving combined with refined watercolor wash creates depth and detail—particularly in the organic landscape and textures of the attire.

Technique: Etching and stipple engraving Maker: George Garrard, England, published August 21, 1806

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.

An intriguing pair of oval stipple engravings by Irish engraver Thomas Burke (1749–1815), executed in the early 19th century after compositions by the Swiss painter Angelika Kauffman.

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.

This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...

Inspired by the famous Belgium painter and botanist Pierre-Joseph Redoute ( 1759 -1840 ) known for his watercolors of lilies, roses and other flowers many of which were published as ...

Keywords: French Revolution, Egalité, political allegory, liberty equality fraternity, neoclassical print, allegorical engraving, 18th century French art, classical personification, ...

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.

Rendered as a delicate stipple engraving—an intricate technique using fine dots to create soft tonal variation—the composition captures a gentle, romanticized vision of village life,...

Original stipple engraving on a verge type of hand laid paper.

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812...

Artists and Engravers: Mathias de Sallieth (1749 - 1791): Czech etcher/engraver of etchings, stipple engravings and aquatint. Condition: Very good, please study image carefully.

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as...

As he lost his appeal he was rejected, and forced to exhibit himself as a freak . Lithograph after a stipple engraving by Robert Cooper Foxing Image: 18.0 x 11.0 cm In conservation...

He started making colour prints using multiple - methods and later turned to stipple engraving with single plates inked a la poupee.

Bartolozzi used both etching and stipple engraving techniques to create the work which was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Dra...

The portrait is based on a likeness by Sir Thomas Lawrence, the foremost portrait painter of the British Regency period, whose depictions of Wellington helped define his enduring pub...

The engraver translates this painted source into a finely structured composition using delicate stippling and line engraving techniques, achieving a soft tonal quality in the face wh...

The print was created utilizing stipple engraving and etching techniques by the Italian artist Francesco Bartolozzi, who was employed as the royal engraver by King George III of Engl...

(source: wikipedia) Two rare and stunning colour-printed stipple engravings, finished by a contemporary hand.

The plate is an aquatint with stipple engraving, printed in color and finished by hand, the stipple work carrying the bloom on the skins and the soft gray-green modeling of the leaves.

The plate is an aquatint with stipple engraving, printed in color and finished by hand, the stipple work carrying the beaded surface of the drupelets and the soft modeling of the lea...

Comes from Brookshaw's famous book volume "Pomona Britannica", (1804-1812) which consists of 90 aquatint engravings some with stipple printed and hand-colored.

The entire spoon has been silver-gilt and the reverse side of the bowl features stippling, engravings and niello. Such contrast and artistic juxtaposition between utility and ornam...

Handcoloured copperplate stipple engraving from Dumont de Sainte-Croix's "Dictionary of Natural Science: Ornithology, " Paris, France, 1816-1830.

This beautiful botanical was created using several engraving techniques, including aquatint, mezzotint, stipple and line engraving methods.

Comes from Ottley's one volume "The Italian School of Design", (1823) (First edition), which consists of 84 engravings made from a variety of techniques including stipple engraving, ...

19th century stipple botanical engraving of fruit and foliage, attributed to Louis Charles Ruotte, after Jean Louis Prevost.

He used a variety of techniques to create his engravings, including stippling and mezzotint, and was known for his ability to create subtle tonal variations that brought his images t...

Sight: 45 ½ by 27 ½ inches Frame: 53 by 35 inches Line, stipple and mezzotint engraving. Published by William Lucas & Co., London, 1869.

The fine stipple and line engraving technique and delicate shading illustrate the craftsmanship typical of French printmakers of the era.

Angelica Kauffman's four Elements of Art, Invention, Composition, Design and Colour, were commissioned by the Royal Academy for the ceiling of its Council Chamber at Somerset House, ...

The Dean of Westminster Bringing the Crown – Coronation of George IV, 1821 – Stipple and Mezzotint in Colours by Sir George Naylor A finely executed stipple and mezzotint engraving ...

His legacy remains influential in Middle Eastern history, seen both as a reformer and as a ruler with imperial ambitions that extended into Sudan, Arabia, and the Levant. The engrav...

The plate is an etching and engraving with stipple work, printed in black and finished by hand in watercolor and bodycolor.

George Brookshaw (1751-1823) Plate LVIII West St. Peters Aquatint, engraving with some stipple, printed in colors with hand finishing, 1809 Signed in the plate Engraved signature on ...

George Brookshaw (1751-1823) Plate XLIX Blue Muscadine Aquatint, engraving with some stipple, printed in colors with hand finishing on J Whatman 1809 paper 1804-1812 Signed in the ...

Lindsell, London: [1804-] 1812 Folio edition Stipple engravings, printed in color, finished by hand 17.5 x 14 inches, plate mark, average approximate 22 x 17 inches, overall, average...

Plate XXXVIII Claremont, Homerton's white, Ford's black and the Genoa nectarines. Aquatint, engraving with some stipple, printed in colors with hand finishing 1804-1812 Engraved sign...

Plate LXXVIII Pears (Valley, Petit Russelet, Doyenne, or Saint Michael, and the Russselet de Rheims, or Gross Russelet varities). Aquatint, engraving with some stipple, printed in c...

By François Bellay after Jacques François Joseph Swebach-Desfontaines Voyage en poste; Galerie du Palais Royal Paris: J P Quénot, c1830. Stipple point engraving with extensive hand ...

London: William Miller, 1801. Six (6) stipple point engravings with hand coloring in watercolor on white wove paper, one plate (Plate 12) with accompanying text page, 8 1/8 x 10 3/4...

Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark.

Antique Still Life Print – Fish, Crabs, Fruit and Pewter Jug – Beckett & Robinson, c.1800 This fine antique stipple and line engraving with original hand coloring presents a dramati...

For a more regal display, consider a gilt frame with a double mat in cream and soft gray to echo the dignified tones of the print. Technique: Engraving (stipple/lithograph style) Ma...

They are ideal for a study, library, or gallery wall where their academic and artistic associations can be appreciated. Technique: Stipple and line engraving Maker: H. Meyer & H.

The soft shading and delicately applied watercolor add depth and dimension, highlighting the fine textures of both fabric and furniture. The engraving technique employed is a clas...

The central faceted amethyst is mounted within a stunning gold mount adorned with scrolled motifs, filigree, hand engraving and stippled areas. This pendant would make for a versati...

Ornament applied, pierced, and chased, and heightened with stippling and engraving. Turn-of-the-century sumptuousness – very much a statement piece.

Modish floral ornament in form of chased and applied water lilies and pads heightened with engraving on stippled ground. Chinese marks. Weight: 2 troy ounces.