Ancient Surfaces

It was made out of the bicolor Corton hard stone. The ancient surfaces are polished and reflects the light in the room.

This fine fireplace surround is finely carved in hard stoned and bears a lovely patina. The ancient surfaces reflects the light of the room.

We can provide the hearth in original antique Burgundy dalles with original ancient surfaces. Measures: 129 cm EW 50,78" 117 cm EH 46,06" 104 cm IW 40,94" 105 cm IH 41,33" 33 ...

We can provide the Hearth in original antique Burgundy flooring with ancient surfaces. Measures; 155 cm EW 61,02" 105 cm EH 41,33" 131 cm IW 51,57" 90 cm IH 35,43" 23 cm S 9,05...

Super elegant French Regency period bicolor hard stone fireplace for traditional and classy timeless living. The ancient surface is silky soft on the touch and reflect the light in ...

It is from Florence. The ancient surfaces has a country gloss look. Perfect for a rich interior design cosy or eclectic thanks to the importance of this piece.

In the images you will also see the smooth ancient surfaces reflecting the light in the room.

The quality of the limestone is high. The ancient surfaces has been waxed. This French rustic fireplace reflects the light of the room and can create a great ambiance.

Wide and very unique French Louis XVI period country limestone fireplace surround, 18th century from Provence. The ancient surfaces have been waxed and polished and the artempo wear ...

This is an exceptional bicolor hard stone original antique fireplace surround from the south of France, near the Italian border. The ancient surfaces has a gloss like marble, Very to...

This diptych, Markings, with a leather-like finish of cold wax and layers of marked tissue paper on wood, reads as an ancient surface immersed in the markings of time.

A beautiful rare color and with ancient surface structure. The perfect fireplace mantle piece for a timeless slow living real deal interior design.

Material and Craftsmanship: Crafted from high-quality bronze, this hairpin showcases the intricate designs and craftsmanship typical of ancient Chinese metalwork. The surface of the ...

Through the use of silicone — a flexible, contemporary material — the artist captures every imperfection of the ancient surface, allowing history to emerge through texture and absenc...

Shaped by flowing lava and weathered by water and wind, each piece bears a distinct, rounded silhouette reminiscent of vertebrae or ancient fossils. Their richly textured surfaces—ma...

These pieces are studio-made, likely European or American, and reflect the era’s fascination with nature-inspired forms and ancient surface treatments. Ideal for collectors of vinta...

Handcrafted using the traditional Japanese Yakisugi scorching technique, this large sculptural timber lamp combines ancient surface treatment methods with refined contemporary form.

Handcrafted using the traditional Japanese Yakisugi scorching technique, this sculptural timber lamp combines ancient surface treatment methods with refined contemporary form.

Handcrafted using the traditional Japanese Yakisugi scorching technique, this sculptural timber Pillar lamp combines ancient surface treatment methods with refined contemporary form.

Handcrafted using the traditional Japanese Yakisugi scorching technique, this sculptural timber lamp combines ancient surface treatment methods with refined contemporary form.

Handcrafted using the traditional Japanese Yakisugi scorching technique, this sculptural timber lamp combines ancient surface treatment methods with refined contemporary form.

Handcrafted using the traditional Japanese Yakisugi scorching technique, this sculptural timber Pillar lamp combines ancient surface treatment methods with refined contemporary form.

ABOUT THE COIN Patina is that beautiful and brilliant time-created varnish, of a green or brownish colour, which covers the surface of some ancient brass coins. It prevents them fro...

Looking at the engraved ridges and markings vividly expressed on each and every piece of tile one can witness ancient history in real-time. Quite visible through the floor's natural ...

Features a symmetrical composition dominated by two large, rounded arches supported by heavy pilasters on the sides and a central, ornate column. The surfaces of the stone appear wea...

ABOUT THE COINS Coin Ø 15mm Coin Ø 18mm Patina is that beautiful and brilliant kind of time-created varnish, of a green or brownish colour, which covers the surface of some ancient...

Coin Ø 15-18mm ABOUT THE COINS Patina is that beautiful and brilliant kind of time-created varnish, of a green or brownish colour, which covers the surface of some ancient brass me...

HISTORY Patina is that beautiful and brilliant kind of time-created varnish, of a green or brownish colour, which covers the surface of some ancient brass medals. It prevents them fr...

Coin Ø 15mm-18mm ABOUT THE COINS Patina is that beautiful and brilliant kind of time-created varnish, of a green or brownish colour, which covers the surface of some ancient brass ...

ABOUT THE COINS Patina is that beautiful and brilliant kind of time-created varnish, of a green or brownish colour, which covers the surface of some ancient brass medals. It prevent...

Coin Ø 15-18mm ABOUT THE COINS Patina is that beautiful and brilliant kind of time-created varnish, of a green or brownish colour, which covers the surface of some ancient brass me...

The bezel follows the natural contours of the ancient coin while preserving the visibility and relief of the original surfaces.

Patina is that beautiful and brilliant kind of time-created varnish, of a green or brownish colour, which covers the surface of some ancient brass medals. It prevents them from deter...

THE DANCING FAUN OF POMPEII After the model of Antiquity Grand Tour, Italy cast ca. 1880 With a fine verdigris patination and "ancient" surface treatment 31" H x 11 1/4" W x 10" D ...

Distressed tile motifs dance across the surface, echoing ancient charm. Against a backdrop of serene winter white, the mahogany border adds depth and warmth.

The broad gold band is richly worked with intricate twisted-wire scrollwork, applied granulation and beadwork, creating a highly dimensional surface inspired by ancient goldsmithing ...

Period: 19th century or earlier Origin: Tibetan / Himalayan region Material: Natural hand-cut carnelian (banded agate) Bead Size: Approx. 11–23 mm (varied due to hand-cutting) Length...

Scavo glass, developed to evoke the pitted surface of ancient excavated glass, became one of his signature finishes.

The work rewards sustained looking, the white-on-white relief shifting in depth and shadow across the surface, the ancient craft carrying the weight of both its origins and its undoi...

There is no evidence of active woodworm, and the piece can be used with confidence. The entire surface has developed a deep black coloration. Light falling across its irregular text...

The tabletop rests upon matching solid travertine pedestal legs, creating a seamless, monolithic silhouette that feels both ancient and contemporary. The surface is expertly honed to...

One of the largest of the Millennium Collection, distinguished by its dramatic rounded form and richly layered metallic surface. The hand-crafted earthenware body is finished with a ...

Standing at over two feet tall, the sculpture commands attention with its graceful proportions, flowing hair, and elegantly draped garment cascading over the shoulder. The creamy cer...

Large-scale root slabs with naturally embedded amber, visible bark, and such material density belong to the rare characteristics of Ancient Kauri. The surface reveals a landscape sha...

The internal energy of the subject is captured through the subtle interplay of sub-surface luminous flesh, ancient fossilized light, liquid gold accents, and a grounding layer of rel...

The technique gives the glass a textured, weathered surface, reminiscent of ancient, excavated artifacts.

These vibrant colors cascade across the geometric grid like oxidized patina on ancient ruins, giving the flat surface an immense sense of depth and history.

The tabletop rests upon matching solid travertine pedestal legs, creating a seamless, monolithic silhouette that feels both ancient and contemporary. The surface is expertly honed to...

I am drawn to bronze — an ancient material with a living surface that changes, deepens, and gains character over time, much like the landscapes and creatures that inspire me.

Rhythmic vertical strokes suggest architectural ruins or ancient geological formations. The surface feels tactile and weathered.

Their circular bulla forms — originally protective amulets worn in antiquity — are richly ornamented with twisted wirework, beaded borders, and intricate granulation intended to emul...

Each piece features elegant side handles topped with stylized zoomorphic forms, evoking ancient Mediterranean ceremonial vessels. The surfaces display a rich crackled finish in ivor...

Part artwork, part mirror, and part sculptural relief, each piece transforms throughout the day as changing light conditions animate its reflective surfaces. Inspired by ancient abs...

Part artwork, part mirror, and part sculptural relief, each piece transforms throughout the day as changing light conditions animate its reflective surfaces. Inspired by ancient abs...

Specifications: -Culture: Hallstatt Cultural Sphere, Central Europe -Period: Late Bronze Age / Early Iron Age -Date: Circa 800–600 BC -Material: Natural alluvial gold alloy (approxim...

The result is an abstract composition with a strongly tactile and almost archaeological character, where the surface acquires a visual quality reminiscent of an ancient patina or a d...

Repeated across the field, this ancient vocabulary transforms the surface into an inexhaustible expression of prosperity.

It reveals the mysterious life of the Amlash family symbolic characters inspired by deities of luck and abundance while reflecting layers of culture and artistic heritage. A series o...

The effect recalls the softly weathered surfaces of ancient frescoes uncovered in Pompeii, echoed in Richet’s matte enamel technique.

The shrine base retains much of its original lacquer and gilded decoration, creating a striking contrast with the weathered surface of the ancient sculpture. Amida Nyorai is the cent...