Chinese Stoneware

Vintage Chinese Stoneware Vase adds artisanal charm and sculptural elegance with hand-painted landscape detail and graceful scroll handles.

Contemporary Chinese stoneware vase with black ground with hand painted orange circles.

1940's Chinese stoneware vase with raised rib texture. Two small handles.

This Chinese stoneware sculpture is decorated with bold honeycomb relief and flowing brown glazes over warm buff stoneware.

A Chinese molded stoneware figure on a custom display stand likely from Han Dynasty (202BC-220AD).

This is a very old interesting Chinese stoneware Longquan Celadon bowl or plate with incised decoration, which we date to the Yuan Dynasty, circa 1300.

A stoneware shrine model with a figurine made in Ming dynasty (15th-17th century) in China and used as funeral burial objects.

This vintage Chinese planter features a deep, hand-applied glaze that transitions from a warm, mottled brown at the rim to concentrated blue and black pooling toward the base. The ve...

A circular glazed stoneware adorned with cloud engravings. 12th-14th century – Sung period. This object is shipped from Italy. Under existing legislation, any object in Italy creat...

A 19th century Chinese stoneware jar. Three wonderful hand-painted motives surround the exterior.

Stoneware Moonflask with Ge-Style Crackle Glaze This Chinese stoneware moonflask features a Ge-style glaze, known for its fine, intentional crackle pattern, first developed during t...

The design reflects Japanese ceramic influence and stands as a fine example of Chinese stoneware craftsmanship from the period.

Three Chinese stoneware storage jars with olive brown glazes, Southeast China, late 19th century.

Heavily potted Chinese stoneware was produced from the time of the Song dynasty onward.

The interior remains unglazed, revealing the warm buff tone of the underlying clay—typical of mid-century Chinese stoneware vessels. Elegant in both form and color, this planter add...

A pair of Chinese stoneware horseshoe cross chairs circa Ming dynasty (15th-17th century).

A Chinese stoneware day bed model circa Ming dynasty (15th-17th century).

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.