The Saturday Evening Post

Very much as you see here.” (The Saturday Evening Post, February 19, 1949, p. 3)

Used as Advertisement in the Saturday evening Post Signed Lower Right

Signature: Signed Lower Right Illustration for the Saturday Evening Post 3/25/1916.

Medium: Oil on Canvas Signature: Signed Lower Right Dimensions: Sight Size 36.00" x 31.00;" Framed 43.00" x 38.00" Cover of The Saturday Evening Post, April 7th, 1934

Medium: Oil on Canvas Sight Size 33.00" x 25.00", Framed 40.00" x 32.00" Signature: Signed Lower Left Cover of The Saturday Evening Post, February 21, 1931

LITERATURE The Saturday Evening Post, October 19, 1957, cover illustration.

Medium: Oil on Canvas Signature: Signed and Dated Lower Right Illustration for the Saturday Evening Post. The illustration depicts a man being booted off the ship.

Story illustration for “The Fugitive” by Charles Trethewey for The Saturday Evening Post, published June 26, 1915, page 14.

Pinkerton, published in The Saturday Evening Post, December 11, 1943, page 32.

Comfort, "Trouble in the Dust," The Saturday Evening Post, vol. 198, April 3, 1926, p. 13, illustrated.

Illustrated in the July 22, 1922 Saturday Evening Post, page 22, entitled "Scrapper O"Doon", about a steel mill, written by R.G.

Washington was a favorite subject of Leyendecker's, with the artist illustrating him five times for the Saturday Evening Post alone.

Signed by Artist Lower Right The Saturday Evening Post, February 11, 1939, cover illustration Literature The Saturday Evening Post, February 11, 1939, cover illustration Thomas S.

Cohn, Covers of the Saturday Evening Post, New York, 1998, p. 245, illustrated.

In 1910, he began a 48-year association with The Saturday Evening Post, which included illustrating seialized characters such as Peter B.

Story illustration for “Partridge” by Ben Ames Williams for The Saturday Evening Post, published March 15, 1924, illustrated page 4.

Date: 1952 Medium: Oil on Canvas Dimensions: 34.00" x 27.00" Signature: Signed Lower Left Cover for The Saturday Evening Post Magazine, May 31, 1952. Clymer's coverscape takes you...

Illustration by Grattan Condon for the February 8, 1930 Saturday Evening Post story entitled "Wide-Open Throttle" by A.W.

Signed Lower Right Story Illustrated featured in The Saturday Evening Post

This golden age of illustration work was most likely done for an interior story illustration for the Saturday Evening Post. Joe Bowler paints it in a loose but academically correct ...

Medium: Oil on Canvas Signature: Signed Lower Right Featured in The Saturday Evening Post

Medium: Oil on Board Signature: Signed Lower Right Featured in the Saturday Evening Post.

Story illustration for “Julie” by Frederick Orin Bartlett for The Saturday Evening Post, published August 21, 1920, page 21.

Story illustration for “Julie” by Frederick Orin Bartlett for The Saturday Evening Post, published August 14, 1920, page 7.

Magazine story illustration for “Hero Come Home” by Ruth Burr Sanborn for The Saturday Evening Post, published September 12, 1942, page 24.

Advertisement published in the December 16, 1939 issue of The Saturday Evening Post Signed Lower Left

Label verso indicates the work illustrated a story titled, Epilogue, appearing in the Saturday Evening Post (c. 1940s)

Medium: Oil on Canvas Study for the November 22, 1930 cover illustration of The Saturday Evening Post.

Leyendecker Baby covers for the Saturday Evening Post. This is a cover illustration/ painting for Collier's Magazine, Unframed -

Cover of The Saturday Evening Post Magazine, February 6, 1960 Caption: "The Cover: Artist John Clymer takes you to the summit of Washington state's Snoqualimie Pass, where they se...

Original cover illustration for The Saturday Evening Post, June 18, 1955 The Post described, “Through this community is sweeping Hurricane Harry, leaving in its path great mental de...

He has designed for books, record covers and magazines including Time, Fortune, Saturday Evening Post, TV Guide, Graphis and Holiday.

Date: 1920 Medium: Oil on Canvas Dimensions: 24.00" x 16.00" Signature: Signed Lower Right Cream of Wheat advertisement for the Saturday Evening Post, June 5, 1920. In 1980, Dave ...

Cover of Saturday Evening Post magazine, February 19, 1949 The parents and grandmother are taking a picture of the baby while trying to make him smile.

His many covers for The Saturday Evening Post were amusing, unique and highly collectible.

Finished piece featured in The Saturday Evening Post, July 17, 1954

Clymer painted many memorable covers for The Saturday Evening Post. It has been estimated he painted more than eighty scenes of pure Americana for these covers between 1945 and 1963.

Leyendecker’s final painting, Trimming the Pie (1935, Private Collection), which was featured as the cover illustration for The Saturday Evening Post’s Thanksgiving issue on November...

Medium: Oil on Canvas Signature: Unsigned This is a study for the cover illustration of the 1 January 1927 issue of The Saturday Evening Post.

Medium: Oil on Canvas Signature: Signed Center Life Sight Size 24.50" x 19.00", Framed 30.50" x 25.00" The Saturday Evening Post cover, October 31, 1925

Medium: Oil on Canvas Signature: Unsigned The present work is a study for the cover of the March 18, 1922 cover of The Saturday Evening Post.

Original 1939 Saturday Evening Post Newsstand Poster. Archival linen-backed and in A- condition, ready to frame.

Meidum: Tempera and Gouache on Paper Signature: Unsigned Story Illustration for "Invitation to Murder" by Leslie Ford, published in The Saturday Evening Post, July 17, 1954, page 19

A. R. Wylie for The Saturday Evening Post, published February 26, 1938, pages 6-7.

The Saturday Evening Post, April 7, 1945, Cover Illustration.

After leaving that position he established himself as a freelance illustrator, creating cover art for magazines such as the Saturday Evening Post and This Week and designing advertis...

Adapted posthumously from the circa 1957 original ink and watercolor on paper originally printed in the July 6, 1957 issue of The Saturday Evening Post. Dr. Seuss’s most iconic self...

Medium: Gouache on Board Signature: Signed Lower Right Sight Size 19.00" x 19.00;" Framed 27.50" x 27.50" Featured in The Saturday Evening Post June 24, 1961 “Too Many Masterpieces”...

No use trying to understand the painters.” (The Saturday Evening Post, July 21, 1956, p. 3)

Original illustration for the article “Wall Street Tipsters and Their Methods” by Albert W. Atwood for The Saturday Evening Post, published June 3, 1922 Year: 1922 Dimensions: 9.0...

After Norman Rockwell Reproduction print of "Barbershop Quartet" 1936 Lithograph Signed in Pencil Lower Right Numbered Lower Left 182/200 This is from the cover illustration of "The...

Original 1939 Saturday Evening Post newsstand vintage poster, archival linen-backed in Grade A- condition, ready to frame.

Neidig, featured in The Saturday Evening Post Magazine, June 29, 1918. p17.

Signed lower left From the Estate of Charles Martignette. Most likey for the Saturday Evening Post interior illustration. Recently an Estate of Charles Martignette, Amos Sewell Sa...

Probable unpublished variant of cover for January 21, 1911 issue of The Saturday Evening Post. Dimensions: 30" x 20" Medium: Oil on canvas Signature: Signed Lower Center

Date: 1927 Medium: Oil on Canvas Dimensions: 28.00" x 42.00" Signature: Signed and Dated Upper Right Story illustration "Can't Keep a Good Man Down," by George Pattullo and illustra...

During 'The Golden Age of American Illustration', for the Saturday Evening Post alone, J. C. Leyendecker produced 322 covers, as well as many advertisement illustrations for its inte...

What a pity science can't adapt the music-store-booth idea to one wall of the sitting room — reserving one booth for utter silence.” (The Saturday Evening Post, April 19, 1952, p. 3)

Guptill, "Norman Rockwell, Illustrator," (New York: Watson-Guptill Publications, 1970), 117, 120-21 (illus.). "The Saturday Evening Post" 207, no. 25 (December 22, 1934): 18-19 (ill...

Probable magazine story illustration for The Saturday Evening Post, with their label adhered to verso of frame.