The Thinker

“To me the images work on two levels: they are about these specific objects, yet they also invite reverie or recollections. I like to think that the objects are obviously symbolic, b...

When I create a brushstroke I think of the motion of water in a stream, or the movement of a breeze.

I was honored to be behind the lens and I think I did the town and the Old Course proud. As a Scot, this is an important and special picture for me and I know Gary shares my pride.”

I was honoured to be behind the lens and I think I did the town and the Old Course proud. As a Scot, this is an important and special picture for me and I know Gary shares my pride.”

Before Paula Murray creates a new piece she thinks about how the emotion she is trying to express can appear as a form in porcelain.

“To me, the images work on two levels: they are about these specific objects, yet they also invite reverie or recollections. I like to think that the objects are obviously symbolic, ...

“To me, the images work on two levels: they are about these specific objects, yet they also invite reverie or recollections. I like to think that the objects are obviously symbolic, ...

"This is a club that now has too many members, but if there was an annual meeting, I doubt that many attendees would create as much interest as these two. I think the image has a Hit...

Ballard says, “I always have this inner voice that dictates what I do and how I think.” The concept of the human body as a “container,” a vessel of thoughts, hopes and dreams, began ...

I want my work to be full of emotion - without this, there needs be a great number of compensating factors for a photograph to be transcendental. I think The Walk of Life will connec...

This is the strongest image I have taken at Skogafoss over the last 10 years. I think we were all done by 7 am. It is always rewarding when the end result is far better than the prec...

Consisting of the creative and sales department, warehouse and logistics, this is the think tank for our artists and designers. pulpo’s dealer network extends far beyond Weil am Rhei...

Consisting of the creative and sales department, warehouse and logistics, this is the think tank for our artists and designers. pulpo’s dealer network extends far beyond Weil am Rhei...

Consisting of the creative and sales department, warehouse and logistics, this is the think tank for our artists and designers. pulpo’s dealer network extends far beyond Weil am Rhei...

The painting is framed in a handmade Italian embossed silver/gold frame which I think sets off the architectural elements of the painting.

Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.”

We will never know, but the formation of the herd has a nice diagonal shape and it tells a story of a journey unaffected by my presence. I think the anonymity of the individual eleph...

In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over ag...

In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over ag...

“Over the years it feels as though the figures I create have their own distinct personalities - I often think about the idea of identity and how we construct our identities and eithe...

In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over ag...

Perhaps, at this moment we should also think of the metaphoric contents of the word apparition.

That said, if this gets a lot of acclaim…we can always think again. One should never say never.”

I like to use familial subjects...There is an aspect of a personal chronicle to my work in that it contains my family and the places in which we find ourselves; but in regard to the ...

I imagine you so close to me we blur into each other’s atoms creating our own rhythms, a whole world of us in a daydream. Every time you think of me, I think of you. “The weight of...

Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.”

Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.”

There are also Western qualities to be found in the pictures: most apparent is the expressive light-shadow model and the accurate depiction of crinkles in the clothing. For compariso...

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

An important and fascinating collection of original projects by unique thinkers in the world of architecture and spatial design Architectural practice today goes far beyond the de...

In his 2010-2014 paintings, the line has become the edge of shapes, providing distinct areas for full expression of color. Gordon also thinks of the single shapes, adjoining shapes,...

In his 2010-2014 paintings, the line has become the edge of shapes, providing distinct areas for full expression of color. Gordon also thinks of the single shapes, adjoining shapes,...

In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over ag...

It is designed to encourage the viewer to think about the vastness and secrets of the sea.

Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there.

Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.”

In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over ag...

This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set. I think a few cowboys were left a little disappointed with the manner of the cowgirl’...

This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set. I think a few cowboys were left a little disappointed with the manner of the cowgirl’...

It was luck really, but I think we leveraged what we were given and that ultimately is the acid test.

The quote finishes with, “I think with an aesthetic like that you can have a pretty good latitude for being creative”.

Perhaps, at this moment we should also think of the metaphoric contents of the word apparition.

The lithograph showing here, The Wedding, dated 1946, would have been made shortly after his discharge from the service. It's tempting to think it had personal significance. It is ce...

I like to use familial subjects...There is an aspect of a personal chronicle to my work in that it contains my family and the places in which we find ourselves; but in regard to the ...

The wide range of colors in the frame elevates the photograph and I think it’s as powerful as we could ever have hoped for.

I appreciate the human form and the emotions within, so I explore acrylic mediums to convey the limitless individuality the human form embodies. I think of my drawings as portraits o...

Gordon is interested in the visual conversation between colours, shapes and lines, looking for the tension between the shape and the grid. He thinks of the shapes, adjoining shapes...

Let's be real, riding horses, roping cattle, and living off the land is one of the coolest things I can think of. It's a selfless lifestyle that not many of us are cut out for.

Roberts's visit, this court was used as a bazaar, and was crowded with pilgrims and merchants. He thinks that the building must have been extremely beautiful previous to the fire of ...

Gordon is interested in the visual conversation between colours, shapes and lines, looking for the tension between the shape and the grid. He thinks of the shapes, adjoining shapes...

The author rejects this practice: "The French prefects seem to think, that because the Roman Ediles distributed bread, it is their duty to continue this traditional beneficence of th...

“To me, the images work on two levels: they are about these specific objects, yet they also invite reverie or recollections. I like to think that the objects are obviously symbolic, ...

Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there.

When I took the photo, I had the opportunity to think about the years ahead. How long I wanted to work in my main job and when I would be able to fully pursue my passion for painting.

a little tipping the scales I think. The instincts of little boys and politicians alike :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity s...

It was luck really, but I think we leveraged what we were given and that ultimately is the acid test.