The Thinker

The quote finishes with, “I think with an aesthetic like that you can have a pretty good latitude for being creative”.

This is the Igbo culture pertaining to the Igbos of Nigeria. I think that this description is more accurate as it implies a unique iteration of customs and tradition, bound to a part...

Original Poster Circus - Show - France 200 revolutions per minute - This quite peculiar advertisement is for a human spinning top that promises 200 revolutions per minute in the op...

I like to use familial subjects...There is an aspect of a personal chronicle to my work in that it contains my family and the places in which we find ourselves; but in regard to the ...

In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over ag...

The painting bears striking stylistic, compositional and thematic similarities with a well-documented work Mussini painted in 1846, the Two Plinys (Fondazione Monte dei Paschi, Siena...

I like to use familial subjects...There is an aspect of a personal chronicle to my work in that it contains my family and the places in which we find ourselves; but in regard to the ...

The artist says of his work… I think of the subjects in these paintings as voids or impressions where the people and objects used to be, like the footprints of prehistoric peoples l...

This color alone immerses us in the picture of the city. It makes you think and even philosophize. This picture will appeal not only to young people, but also to older people.

Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.”

This feeling is in her whole production that is made by different series: I Nani, etchings and acquatints investigates the deformity and sufferance of being different from the others...

Consisting of the creative and sales department, warehouse and logistics, this is the think tank for our artists and designers. pulpo’s dealer network extends far beyond Weil am Rhei...

Consisting of the creative and sales department, warehouse and logistics, this is the think tank for our artists and designers. pulpo’s dealer network extends far beyond Weil am Rhei...

Consisting of the creative and sales department, warehouse and logistics, this is the think tank for our artists and designers. pulpo’s dealer network extends far beyond Weil am Rhei...

The use of palette knife and think paint portrays the undulating, wildness of the land, creating varied texture throughout the piece.

Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.”

Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.”

I really enjoyed experimenting with smaller compositions, it pushed me to keep a creative mindset and think about the elements in my larger paintings as motifs of their own.

When I create a brushstroke I think of the motion of water in a stream, or the movement of a breeze.

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

“To me the images work on two levels: they are about these specific objects, yet they also invite reverie or recollections. I like to think that the objects are obviously symbolic, b...

When I create a brushstroke I think of the motion of water in a stream, or the movement of a breeze.

I was honored to be behind the lens and I think I did the town and the Old Course proud. As a Scot, this is an important and special picture for me and I know Gary shares my pride.”

I was honoured to be behind the lens and I think I did the town and the Old Course proud. As a Scot, this is an important and special picture for me and I know Gary shares my pride.”

“To me, the images work on two levels: they are about these specific objects, yet they also invite reverie or recollections. I like to think that the objects are obviously symbolic, ...

“To me, the images work on two levels: they are about these specific objects, yet they also invite reverie or recollections. I like to think that the objects are obviously symbolic, ...

"This is a club that now has too many members, but if there was an annual meeting, I doubt that many attendees would create as much interest as these two. I think the image has a Hit...

Ballard says, “I always have this inner voice that dictates what I do and how I think.” The concept of the human body as a “container,” a vessel of thoughts, hopes and dreams, began ...

I want my work to be full of emotion - without this, there needs be a great number of compensating factors for a photograph to be transcendental. I think The Walk of Life will connec...

This is the strongest image I have taken at Skogafoss over the last 10 years. I think we were all done by 7 am. It is always rewarding when the end result is far better than the prec...

The painting is framed in a handmade Italian embossed silver/gold frame which I think sets off the architectural elements of the painting.

Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.”

Before Paula Murray creates a new piece she thinks about how the emotion she is trying to express can appear as a form in porcelain.

We will never know, but the formation of the herd has a nice diagonal shape and it tells a story of a journey unaffected by my presence. I think the anonymity of the individual eleph...

In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over ag...

In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over ag...

In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over ag...

That said, if this gets a lot of acclaim…we can always think again. One should never say never.”

I like to use familial subjects...There is an aspect of a personal chronicle to my work in that it contains my family and the places in which we find ourselves; but in regard to the ...

Perhaps, at this moment we should also think of the metaphoric contents of the word apparition.

I imagine you so close to me we blur into each other’s atoms creating our own rhythms, a whole world of us in a daydream. Every time you think of me, I think of you. “The weight of...

Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.”

Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.”

“Over the years it feels as though the figures I create have their own distinct personalities - I often think about the idea of identity and how we construct our identities and eithe...

An important and fascinating collection of original projects by unique thinkers in the world of architecture and spatial design Architectural practice today goes far beyond the de...

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

When I create a brushstroke I think of the motion of water in a stream or the movement of a breeze.

In his 2010-2014 paintings, the line has become the edge of shapes, providing distinct areas for full expression of color. Gordon also thinks of the single shapes, adjoining shapes,...

In his 2010-2014 paintings, the line has become the edge of shapes, providing distinct areas for full expression of color. Gordon also thinks of the single shapes, adjoining shapes,...

In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over ag...

It is designed to encourage the viewer to think about the vastness and secrets of the sea.

Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.”

As a female artist working in the American South, I’ve always been intrigued by the contradictions that exist here and my relationship to them: the rural and the urban, decay and ‘pr...

In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over ag...

This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set. I think a few cowboys were left a little disappointed with the manner of the cowgirl’...

This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set. I think a few cowboys were left a little disappointed with the manner of the cowgirl’...