Unglazed Clay

The color palette reflects natural earth tones often associated with global folk pottery traditions, drawing inspiration from tribal, Southwestern, and ethnographic decorative styles...

The blue and white glazed body is decorated with deep relief carved ridges with a thin band of unglazed raw clay at the foot. The white glaze in sections is dull, streaky, and uneve...

The surface is finished in a deep, mottled midnight blue-black glaze with subtle cobalt undertones and a tactile, volcanic texture characteristic of Bang’s stoneware. The unglazed in...

The base of the bowl is unglazed, and the exposed clay shows an iron rich red color.

The interior is fully glazed and displays a pronounced tactile texture, with visible throwing lines and glaze movement that emphasize the handmade nature of the piece. The base is le...

The base features the characteristic unglazed red clay and original Gainey Ceramics stamp.

This stoneware planter has an unglazed natural warm brown clay interior and exterior. 

The piece is in great vintage condition, showcasing an unglazed reddish-brown clay foot that speaks to its artisanal creation.

The lower half remains unglazed, exposing the pale clay body with organic drip lines and weathered surface markings.

The unglazed treatment of clay, as well as its reduction of form is likely inspired by Jason Wason’s interest in Suzu ware, after his residency in Seto, Japan.

The base shows the unglazed earthy tone of the clay. There is a unique "chop mark or signature" impressed into the body of the vase, suggesting it is a signed piece by a particular ...

Laura’s pieces balance functionality and sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest ...

Laura’s pieces balance functionality and sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest ...

Laura’s pieces balance functionality and sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest ...

Marbled creams & brown/reddish brown clays. Comingled solid clays unglazed on rockers indicative of this rare form.

The sculptural candelabra is made of unglazed, white stoneware clay with and red to earthernware temperatures.

Laura’s pieces balance functionality and sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest ...

Laura’s pieces balance functionality and sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest ...

Laura’s pieces balance functionality and sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest ...

Laura’s pieces balance functionality and sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest ...

The broad foot is neatly cut, leaving the reddish clay body unglazed; the exposed areas show oxidation typical of excavated pieces.

Unusual and unique cylindrical vase in chamotte clay. Partially unglazed exterior decorated with black arrow and see-through horizontal piercings.

Laura’s pieces balance functionality and sculpture, celebrating asymmetry, raw textures, and the intrinsic qualities of clay. Often left unglazed to honor the material in its purest ...

The signature is an incised 18, in the unglazed white clay of the bottom. Small glaze pops throughout from firing procedure and seams from the mold.

Its top half has a white glossy glaze while the bottom half is unglazed. Sculpture clay with high-fire glaze and secondary luster firing.

The bottom is concave and glazed in off-white, with the unglazed foot, showing pinkish beige clay; it is not a glaze defect, as it was left unglazed intentionally when the vase was p...

The glaze is applied evenly overall, though the foot remains unglazed, revealing the reddish clay body. Such characteristics are commonly seen in celadon wares from the late Yuan to ...

The foot ring is cut short and unglazed, revealing the granules clay and an area with dark kiln grits attached.

A large stoneware stable lamp by the popular Danish ceramist Eigil Henriksen. It is executed in unglazed chamotte clay and decorated with brown monochrome leaves.

The short foot ring was unglazed, showing the red fired clay with some kiln grits.

It was hand-coil built from a coarse clay, fired to an iron-rich deep earthy color. The surface is partially covered with a thick ash glaze that is splashed and pooled on one side of...

Christina Muff, Danish contemporary ceramicist (b. 1971). Golden brown unglazed stoneware clay vessel with specks. Organically shaped.

Free-flowing abstract strokes of brown interact with the milky grey glaze that largely forms the background; with the unglazed deep colored clay partially exposed in places.

The underside base is an unglazed, earthy clay brown where the signature normally appears, however, in this case it seems to have been blotted out in production.

The underside base is an unglazed, earthy clay brown where the signature appears: 'Thiry'.

The surface of the bed was decorated in green and yellow glaze and the top was left unglazed. Underside the base is unglazed, exposing the fired clay.

The short foot ring is slightly recessed from the body. It was unglazed, showing the red fired clay with some kiln grits.

The outside finish can be in different styles: recycled grey steel, off-white, or wabi-sabi with raw, unglazed, and untreated clay. About John Brevard John Brevard is an American ar...

Underside the base is unglazed, exposing the red fired clay.

Subtle tonal variations and discoloration across the glossy surface indicate long-term natural oxidation and gradual interaction between the glaze and underlying clay body. The ungla...

The bottom part show the dark brown unglazed chamotte clay. The lamp is hand marked on bottom: Sejer Unic Danmark Included is a new lamp shade designed and made in Denmark.

The upper body was covered in a glassy green oribe glaze with fine crackles, highlighted with three incised geometrical symbols. The lower body is unglazed and exposed the white clay...

The glaze, characterized by its rich amber hue, covers most of the vessel, while the lower part remains unglazed, exposing the rough, textured clay beneath.

The very top and bottom show the dark brown unglazed chamotte clay. The lamp is handmarked on bottom: Sejer Stentøj (stoneware) Unic Danmark Included is a new lamp shade desig...