Victorian Lithograph

Published by George Bell and Sons in London as part of the second series of Alpine Plants, it is a prime example of the fine art of Victorian botanical illustration. The lithograph c...

Chalon was highly regarded for his ability to capture the beauty, movement, and anatomical precision of horses, while Hullmandel's workshop produced some of the finest lithographs of...

Titled " A Sketch of the Row in Parliment Street," this hand colored print was published in London by Thomas McLean, circa approximately 1830. Drawn by William Heath (1795 to 1840)...

hand-colored botanical lithographs was published in 1897 in Favourite Flowers of Garden and Greenhouse by Edward Step, one of the most charming and decorative late Victorian botanica...

The lithograph exemplifies the Victorian passion for natural history, where scientific accuracy and artistic beauty come together to create timeless works of botanical art.

Keywords: Edward Joseph Lowe, antique fern prints, Victorian botanical art, Pteridomania, Polypodium, hand-colored lithographs, fern illustrations, botanical collection, natural hist...

These fine prints exemplify the perfect balance of scientific precision and artistic beauty that defined Victorian botanical illustration. The left lithograph features the dainty So...

As a literary character, he exemplifies the blend of satire and sympathy that defines Dickens’ view of Victorian society. This original lithograph is a collectible piece of Dickensi...

Keywords: Edward Joseph Lowe, antique fern prints, botanical lithographs, Victorian botany, Pteridomania, Polypodium, tropical ferns, hand-colored lithographs, botanical illustration...

A wide mat border enhances the sculptural qualities and emphasizes their elegant Victorian character. Technique: Hand-colored lithographs Maker: Edward Joseph Lowe, London, 1856

A wider mat border enhances the delicate botanical forms and highlights the refined Victorian character. Technique: Hand-colored lithographs Maker: Edward Joseph Lowe, London, 1856

A larger mat border enhances the delicate botanical forms and reinforces the elegant Victorian aesthetic. Technique: Hand-colored lithographs Maker: Edward Joseph Lowe, London, 1856

The map’s horizontal format also works beautifully as a statement piece above a desk, console, or in a study. Technique: Lithograph Maker: Published in London, United Kingdom, 1885 ...

Technique: Lithograph Maker: Edward Weller, London, 1885 Keyword Block antique map, Newcastle upon Tyne map, Gateshead map, Victorian city map, 1885 map, Newcastle city plan, River ...

Artist: John James Audubon (American, 1785-1851) Title: "Long-billed Curlew (City of Charleston)" (Plate 355, No. 71) Portfolio: The Birds of America (First Royal Octavo Edition) Yea...

Artist: John James Audubon (American, 1785-1851) Title: "Great White Heron" (Plate 368, No. 74) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: O...

David Roberts RA The Doorway, Baalbec 1796 - 1864 First edition lithograph Full plate 81 Presented in a acid free mount Hand coloured lithograph printed in 1847 by F.G. Moon and Son.

David Roberts RA Ancient Watch Tower 1796 - 1864 Subscription and first edition lithograph in stock Half plate: 93 Presented in a acid free mount

David Roberts RA Remains of the Triumphal Arch, Petra 1796 - 1864 Subscription and First Edition lithographs Full plate: 100 Presented in a acid free mount

David Roberts RA The Acropolis, Lower End of the Valley 1796 - 1864 Subscription and first edition lithographs in stock Full plate: 102 Presented in a acid free mount

Artist: John James Audubon (American, 1785-1851) Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate 346, No. 70) Portfolio: The Birds of America (First Ro...

Artist: John James Audubon (American, 1785-1851) Title: "Glaucus Gull - Burgomaster" (Plate 449, No. 90) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 ...

Artist: John James Audubon (American, 1785-1851) Title: "Ivory Gull" (Plate 445, No. 89) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Original...

Artist: John James Audubon (American, 1785-1851) Title: "Key-West Dove" (Plate 282, No. 57) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Origi...

Artist: John James Audubon (American, 1785-1851) Title: "Wilson’s Petrel - Mother Carey’s Chicken" (Plate 460, No. 92) Portfolio: The Birds of America (First Royal Octavo Edition) Ye...

THE POOL OF BETHESDA- JERUSALEM Subscription and first edition lithographs in stock Full plate: 12 Presented in a acid free mount Published by F.G. Moon & Son, London 1842-49. Sub...

Subscription lithograph Full plate: 77 Presented in an acid free mount Original hand coloured subscription edition and modern hand-coloured lithograph for the first edition of David...

First edition lithograph Full plate: 218 Presented in an acid free mount

Founded by Thomas Gibson Bowles, who aimed to expose the contemporary vanities of Victorian society, it featured regular full-page, colour lithographs of famous (or infamous) contemp...

First edition lithographs in stock Full plate: 118 Presented in a acid free mount

First edition lithograph in stock Full plate: 94 Presented in a acid free mount

Subscription and first edition lithographs in stock Full plate: 196 Presented in a acid free mount

First Edition and Subscription Edition lithographs available Full plate: 120 Presented in a acid free mount

First Edition and Subscription Edition lithographs available Full plate: 98 Presented in a acid free mount

Chromolithograph, 1868. From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of Ornament, in instalments for subscri...

Chromolithograph, 1868. From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of Ornament, in instalments for subscri...

Reverend James Edgar Sheppard KCVO (1845-1921) was a Canon of Windsor from 1907 to 1921 and Chaplain in Ordinary to Queen Alexandra, Queen Victoria and King Edward. This lithograph ...

Founded by Thomas Gibson Bowles, who aimed to expose the contemporary vanities of Victorian society, it featured regular full-page, colour lithographs of famous (or infamous) contemp...

Set of 5 aquatints depicting scenes of Harrow School published in 1816. Harrow School was established in 1572 by John Lyon a yeoman farmer from the village of Preston. Elizabeth I ...

Artist: Pierre Corneille Van Geel (Flemish, 1796-1838) Title: "Iris" Portfolio: Sertum Botanicum Year: 1828 (First edition) Medium: Original Hand-Colored Lithograph on wove paper Lim...

These lithographs remain Vanity Fair’s greatest legacy. The two most famous artists who worked for Vanity Fair were “Ape” (Carlo Pellegrini) and “Spy” (Leslie Ward), but many other a...

Front Elevation of The Great Temple of Aboo Simbel First edition lithograph Full plate: 169 Presented in a acid free mount £2,600 Scroll down for more information. Roberts reached A...

Artist: John Gould (English, 1804-1881) Title: "Platalea Leucorodia (Spoonbill)" (Vol. 4, Plate 32) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colore...

Colour lithograph, 1890. 210mm by 285mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Artist: John James Audubon (American, 1785-1851) Title: "Ocelot, or Leopard-Cat" (Plate LXXXVI - 86, part No. 18) Portfolio: The Viviparous Quadrupeds of North America (Imperial Bowe...

'A Connoisseur' Vanity Fair portrait of John Seymour Lucas (1849-1923) who was a Victorian English historical and portrait painter as well as an accomplished theatrical costume des...

'Budapest' Colour lithograph. 1901. 305mm by 240mm (sheet). Late 19th century German lithograph plan of Budapest, Hungary. Central horizontal fold.

General View of the Island of Philae, Nubia First edition lithographs in stock Full plate: 151 Philae is at the head, and is the most eastern of the group of islands and rocks which...

'Prag' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of Prague, Czechoslovakia. Central vertical fold. Printed street index on the ...

'Paris' Colour lithograph. 1895. 250mm by 305mm (sheet). Late 19th century German lithograph plan of Paris, France. Central vertical fold. Printed street index on the reverse o...

Artist: John James Audubon (American, 1785-1851) Title: "Whooping Crane" (Plate 313, No. 63) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Orig...

To see our other views of Oxford and Cambridge, particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from ...

Artist: John Gould (English, 1804-1881) Title: "Chrysocolaptes Xanthocephalus (Yellow-faced flameback)" (Vol. 6, Plate 37) Portfolio: The Birds of Asia Year: 1850-1883 Medium: Origin...

Chromolithograph, 1878. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with stunning chromolithographs inspired...

Chromolithograph, 1878. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with stunning chromolithographs inspired...

Chromolithograph, 1878. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with stunning chromolithographs inspired...

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...