Vintage Chief

Elias Canneman (1933-1970) is the name of a former chief architect of the Dutch National Trust for Historic Buildings.

United States Army, Office of the Chief of Military History, Washington, DC, 1968.

In addition, he served (beginning in 1982) as the chief professor of art and the designer of the art curriculum at his alma mater.

In the judgement of Anne Distel, chief curator of the Musée d'Orsay, "The technical perfection and the nobility of the tone, which carried the cachet of the original, but was imbued ...

In the judgement of Anne Distel, chief curator of the Musée d'Orsay, "The technical perfection and the nobility of the tone, which carried the cachet of the original, but was imbued ...

Between 1953 and 1954, Gardberg also served as chief designer at Paris’s Galeries Lafayette, reflecting his influence beyond Finland.

She earned her Bachelor of Fine Arts degree at Arizona State University in 1984, where she worked under master printers, such as Dan Britten and Wayne Kimball. In 1986 she became chi...

Already a master engraver, he worked for several years for the Muranese firm of Cappellin & Co. then moving to Milan to become chief engraver for the newly established firm Fontana ...

He relished his position at Whitefriars. "As chief designer at Whitefriars, I have more scope than probably any other glass designer in Britain," he said in 1974.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

The exquisite aesthetics of the magazine was due to its editor-in-chief, Tériade, who sought to develop a platform for dialogue between image and text, visual arts and literature.

The exquisite aesthetics of the magazine was due to its editor-in-chief, Tériade, who sought to develop a platform for dialogue between image and text, visual arts and literature.

The exquisite aesthetics of the magazine was due to its editor-in-chief, Tériade, who sought to develop a platform for dialogue between image and text, visual arts and literature.

The exquisite aesthetics of the magazine was due to its editor-in-chief, Tériade, who sought to develop a platform for dialogue between image and text, visual arts and literature.

The exquisite aesthetics of the magazine was due to its editor-in-chief, Tériade, who sought to develop a platform for dialogue between image and text, visual arts and literature.

The exquisite aesthetics of the magazine was due to its editor-in-chief, Tériade, who sought to develop a platform for dialogue between image and text, visual arts and literature.

The exquisite aesthetics of the magazine was due to its editor-in-chief, Tériade, who sought to develop a platform for dialogue between image and text, visual arts and literature.

The exquisite aesthetics of the magazine was due to its editor-in-chief, Tériade, who sought to develop a platform for dialogue between image and text, visual arts and literature.

In the early 1970s, he was the chief designer of Mic Mac, where he was allowed to showcase his own creations, often with a strong Asian theme.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

He was chairman of the Riflemen's Union as well as chief editor of its magazine Trimitas from 1929 until 1934.

Designed performances in the Riga National, Art (Dailes) and post-Youth (under the chief director O. Shkatov) theaters, in the independent theater "Kabata", painted multi-meter stree...

Designed performances in the Riga National, Art (Dailes) and post-Youth (under the chief director O. Shkatov) theaters, in the independent theater "Kabata", painted multi-meter stree...

Romare Bearden began the sketch for this work while lunching with Susan Taylor, writer, journalist and former editor-in-chief of Essence magazine. In 2004, "The Lamp" became a United...

She worked for La Femme Chic and Mariages magazines and also for editions Louchel. She has been the Chief Redactor of L'Officiel de la Couture a leading french mode magazine for over...

He graduated from Politecnico di Milano in 1959 with a degree in architecture and worked as a designer with Marcello Nizzoli.[1] He was the editor-in-chief of Domus magazine from 197...

She worked for La Femme Chic and Mariages magazines and also for editions Louchel. She has been the Chief Redactor of L'Officiel de la Couture a leading french mode magazine for over...

She worked for La Femme Chic and Mariages magazines and also for editions Louchel. She has been the Chief Redactor of L'Officiel de la Couture a leading french mode magazine for over...

Adolfo Faustino Sardiña (February 15, 1923 – November 27, 2021), professionally known as Adolfo, was a Cuban-born American fashion designer who started out as a milliner in the 1950s...

She worked for "La Femme Chic" and "Mariages" magazines and also for editions Louchel. She was the Chief Redactor of "L'Officiel de la Couture" a leading french mode magazine for ove...

She worked for La Femme Chic and Mariages magazines and also for editions Louchel. She has been the Chief Redactor of L'Officiel de la Couture a leading french mode magazine for over...

She worked for "La Femme Chic" and "Mariages" magazines and also for editions Louchel. She was the Chief Redactor of "L'Officiel de la Couture" a leading french mode magazine for ove...

She worked for "La Femme Chic" and "Mariages" magazines and also for editions Louchel. She was the Chief Redactor of "L'Officiel de la Couture" a leading french mode magazine for ove...

She worked for "La Femme Chic" and "Mariages" magazines and also for editions Louchel. She was the Chief Redactor of "L'Officiel de la Couture" a leading french mode magazine for ove...

She worked for "La Femme Chic" and "Mariages" magazines and also for editions Louchel. She was the Chief Redactor of "L'Officiel de la Couture" a leading french mode magazine for ove...

Chief of Protocol, 1961 Chromogenic Lambda Print Estate edition of 150 The Honorable Angier Biddle Duke, Chief of Protocol for the State Department during the Kennedy Years, Novembe...

Dimensions: 32.28 in W x 36.22 in D x 41.14 in H; Seat height 16.93 in; Seat depth 19.29 in; Arm height 20.67 in 82 cm W x 92 cm D x 104.5 cm H; Seat height 43 cm; Seat depth 49 cm; ...

This map was originally drawn during the Great Depression by Ed Poland, Chief Cartographer of many years here at Kroll Map Company.

In 1928 he was employed by the Copenhagen City Planning Board and later became its chief architect from 1966-75. In the 1940s and 1950s he worked as a consultant to the architects Vi...

Also killed in or around the two cars in what was to become known as the "Kansas City Massacre" were FBI agent Raymond Caffrey, police chief Otto Reed, detectives W.J. "Red" Grooms a...

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.

Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director.