Watanabe Prints

Most of them are partially sepia-toned. –Hiroshi Watanabe

Most of them are partially sepia-toned. –Hiroshi Watanabe

Most of them are partially sepia-toned. –Hiroshi Watanabe

The Day the Dam Collapses is the new detailed yet quietly poetic series from the California-based Japanese photographer. Working for the first time with digital capture, Watanabe col...

The Day the Dam Collapses is the new detailed yet quietly poetic series from the California-based Japanese photographer. Working for the first time with digital capture, Watanabe col...

The Day the Dam Collapses is the new detailed yet quietly poetic series from the California-based Japanese photographer. Working for the first time with digital capture, Watanabe col...

The Day the Dam Collapses is the new detailed yet quietly poetic series from the California-based Japanese photographer. Working for the first time with digital capture, Watanabe col...

The Day the Dam Collapses is the new detailed yet quietly poetic series from the California-based Japanese photographer. Working for the first time with digital capture, Watanabe col...

Most of them are partially sepia-toned. –Hiroshi Watanabe

Erik MADIGAN HECK (*1983, United States) Junya Watanabe (Honeycomb), Old Future, 2015 Chromogenic print Sheet 116.8 x 175.3 cm (46 x 69 in.)

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Erik MADIGAN HECK (*1983, United States) Junya Watanabe, Without A Face, 2018 Chromogenic print Sheet 228.6 x 152.4 cm (90 x 60 in.)