Wedgwood Ewers

This breathtaking pair of wine and water ewers are made after models by John Flaxman. These exquisitely detailed and lushly rendered ewers are fashioned in a shield shape with spraye...

Both with impressed Wedgwood mark.  

Both ewers in the pair are impressed with the Wedgwood mark.

Both ewers in the pair are impressed with the Wedgwood mark.

Pair of Black Basalt Sacred to Bacchus and Neptune Ewers Wedgwood Dated 1870 These extraordinary ewers are masterfully crafted in the renowned Sacred to Neptune and Sacred to Bacchu...

An extremely rare majolica glazed earthenware Swan ewer from Wedgwood, circa 1875. Standing nearly 14" high, the swan shows his outspread wings holding a turquoise glazed vessel.

In addition to the eighteenth century Jasper versions, this set has also been reproduced by Wedgwood in Black Basalt and Majolica. Water Ewer: Sacred to Neptune Set on a plinth, the...

Wedgwood basalt ewer "Sacred to Bacchus" by John Flaxman, circ 1860's.

Pair of 19th century Wedgwood black basalt ewers.

A beautiful 19th century Wedgwood Jasperware urn, featuring the iconic combination of a deep blue ground with finely detailed white relief decoration. The elegant Neoclassical design...

From Wedgwood, a deep blue Neo-Classical style pitcher, in the Etruscan shape and pattern, date marked 1930s. White sprigged figural decoration applied over a deep blue ground. The ...

Middle Eastern Egyptian style (1st qtr 20th Cent-probably Czech) amphora vase with figures & motifs trimmed in black with a spout and open cage top.

Pair of Sevres ewer-form mantel decorations, 19th century, hand-painted with scenes front and back, bronze mounts with cherubs at top and seashells around bases.

Pitcher with mythological scenes, Wedgewood ceramics manufacturer. Second half of 1800. Good conditions.

Pair of Wedgwood dark blue and white jasperware vases. Insides of vases have a shiny glazed finish. 6” tall x 5.5” across top x 4.5” across bottom. Stamped on the underside.

A charming and highly decorative 18th century French faience ewer, beautifully hand-painted with a lively polychrome palette of cobalt blue, soft greens, and warm ochre tones. The gl...

This is a good Jasperware stoneware small Blue and white vase, made by Wedgwood, England and dating to the 19th Century. The vase has a classical baluster shape tapering into the n...

This charming Wedgwood teapot is crafted of tri-color jasperware, one of the firm’s rarest creations. The teapot’s classic form displays beautifully applied figures in lilac and sage...

This exceptional and rare Wedgwood tri-colored jasper vase exemplifies that renowned firm’s classical artistry. Crafted of jasper, perhaps the greatest of Josiah Wedgwood’s porcelain...

This striking Wedgwood crimson dip bas-relief covered jug features an applied white jasper neoclassical decoration of grapevines bordering the rim. Delicately rendered maidens, child...

Etruria, Staffordshire, circa 1925, turned Wedgwood shape no. 317, stoneware with crimson Jasper dip ground, decorated with sprigged white Jasper bas-relief depictions of muses and A...

PRESENTING A LOVELY Wedgwood Jasperware Pale Blue Centerpiece Bowl. Made by Wedgwood in England in 1957 and fully and properly marked/stamped on base. Marked: “Wedgwood, Made in En...

19th Century Wedgwood Jasperware twin handled campagne urn and cover, in the Neoclassical style, decorated with a frieze of Greek figures, with palmette borders in white on a blue ba...

Tricolor jasperware was one of Wedgwood’s most celebrated innovations, and this exquisitely rare vase is an extraordinary example of this wondrous technique. The tall neck of the gra...

A wedgwood black and gilt basalt covered Potpourri vase, circa 1870.

With neoclassical decoration. Impressed Wedgwood.

Lilac ground. Each encircled by frieze of classical figures beneath floral swags, the largest flanked by serpent handles with mask terminal and Cupid finial, impressed WEDGWOOD, MADE...

An exquisite and quite rare pair of 19th century English, Staffordshire, Jasperware blue ground Wedgwood vases with neoclassical subjects on rounded plinths, stylistically attributed...

Etruria, Staffordshire, c.1780, thrown in four parts and bolted to a plinth built of five small slabs, decorated by molded handles with horned returns to high relief goats’ masks wit...