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Woodline 6500

Woodline 6500 Double Letter Desk Tray in Walnut and Brass
By William Sklaroff
Located in San Diego, CA
A very nice Woodline 6500 double letter desk tray in walnut and brass, circa 1980s. The desk
Category

Late 20th Century American Mid-Century Modern More Desk Accessories

Materials

Brass

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Recent Sales

Woodline 6500 Double Letter Desk Tray in Walnut and Brass
Located in San Diego, CA
A very nice Woodline 6500 double letter desk tray in walnut and brass, circa 1980s. The desk
Category

Late 20th Century Thai Mid-Century Modern More Desk Accessories

Materials

Brass

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A Close Look at mid-century-modern Furniture

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

Materials: brass Furniture

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstleralso an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.

Finding the Right desk-accessories for You

Whether you’ve carved out a space for a nifty home office or you prefer the morning commute, why not dress up your desk with antique and vintage desk accessories? To best tiptoe the line between desk efficiency and desk enjoyment, we suggest adding a touch of the past to your modern-day space.

Desks are a funny thing. Their basic premise has remained the same for quite literally centuries: a flat surface, oftentimes a drawer, and potentially a shelf or two. However, the contents that lay upon the desk? Well, the evolution has been drastic to say the least.

Thank the Victorians for the initial popularity of the paperweight. The Industrial Revolution offered the novel concept of leisure-time to Europeans, giving them more time to take part in the then crucial activity of letter writing. Decorative glass paperweight designs were all the rage, and during the mid-19th-century some of the most popular makers included the French companies of Baccarat, St. Louis and Clichy.

As paper was exceedingly expensive in the early to mid-19th-century, every effort was made to utilize a full sheet of it. Paper knives, which gave way to the modern letter opener, were helpful for cutting paper down to an appropriate size.

Books — those bound volumes of paper, you may recall — used to be common occurrences on desks of yore and where there were books there needed to be bookends. As a luxury item, bookend designs have run the gamut from incorporating ultra-luxurious materials (think marble and Murano glass) to being whimsical desk accompaniments (animal figurines were highly popular choices).

Though the inkwell’s extinction was ushered in by the advent of the ballpoint pen (itself quasi-obsolete at this point), there is still significant charm to be had from placing one of these bauble-like objets in a central spot on one’s desk. You may be surprised to discover the mood-boosting powers an antique — and purposefully empty — inkwell can provide.

The clamor for desk clocks arose as the Industrial Revolution transitioned labor from outdoors to indoors, and allowed for the mass-production of clock parts in factories. Naturally, elaborate designs soon followed and clocks could be found made by artisans and luxury houses like Cartier.

Find antique and vintage desk accessories today on 1stDibs.