'SN3' Wood and Metal Stool in the Manner of Pierre Chareau Handcrafted in the Los Angeles and French workshops of noted French designer and antiques dealer Denis de le Mesiere...

Kaare Klint for Rud. Rasmussens Snedkerier, set of ten armchairs, model '3758A', Niger leather, mahogany, brass, Denmark, design 1930, made 1950s These dining chairs in Niger leathe...

A PAIR OF ITALIAN RENAISSANCE STYLE WALNUT SIDE CHAIRS 19TH CENTURY, INCORPORATING EARLIER ELEMENTS In solid walnut with straight seats, gilt acanthus leaf finials, carved front st...

Kaare Klint & Rud Rasmussen snedkerier. A stunning pair of rare Kaare Klint Model no. 4118S two-seater box-shaped sofas with profiled cross legged mahogany frame. (Also called X-Bas...

Gerrit Rietveld (1888–1964) was a key figure in the De Stijl movement, known for his radical use of geometry, line, and primary colour. A trained cabinetmaker, he brought a sculptura...

Kaare Klint for Rud Rasmussen. Safari chair new upholstered with Vintage aniline leather. Straps maintained in the original patinated lea...

Oak framed Classic sofa designed by Kaare Klint and made by Mastercabinetmakers Rud Rasmussen. Beautiful crisscross frame-work. Original upholstery which will make a statement in any...

Kaare Klint Red Chair in mahogany, niger leather and brass. Executed by Rud. Rasmussen.

Kaare Klint for Rud. Rasmussens Snedkerier, pair of dining armchairs, model '3758A', fabric, oak, Denmark, design 1930, made 1940s These dining chairs were designed in 1930 and mad...

We love the elegant simplicity of this pair of antique Napoleon III slipper chairs, discovered in the South of France and newly upholstered LaRue Stripe fabric in midnight. With high...

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Shipping services: Ask for our competitive shipping quote. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Kaare Klint 'Red Chair' in Cuban mahogany, Niger leather and brass nails. Executed by Rud. Rasmussen 1936-1940. Underside with manufacturer's paper label RUD. RASMUSSENS/SNEDKERIER/...

An outstanding large scale French 1920s Napoleon III style slipper chair. This slipper chair is truly magnificent. It is upholstered ...

Kaare Klint easy chair with legs of mahogany. Seat, sides and back upholstered with blue wool. Executed by Rud. Rasmussen. Reverse with paper...

The slipper chair reflects the Napoleon III style of the mid-19th century with gold brocade fabric with deep cushion affect and exuberant fringe. Fr...