Adam Lehr Art

Frank Dekkers Summer 140 x 200 cm (not framed) oil on canvas On the pictures we also show you the artist receiving the flowers on our opening of this exhibition september 3th 2023 i...

A beautiful oil on canvas painting by the French artist Andre Franchet. He was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

Attributed to Alessandro Magnasco (Genoa 1667 - 1749) - Tavern scene with card players. 74 x 59 cm (without frame) - 84 x 70 cm (with frame). Oil on canvas, in carved and gilded ...

Arthur Kemp Tebby (1866–1935) English Rose Arbor, circa 1890 Oil on wooden panel, signed lower right. Arthur Kemp Tebby was among the finest English painters of gardens and floral landscapes working during the late Victorian and Edwardian periods. A gifted colourist and accomplished plein air painter, Tebby became celebrated for his depictions of English country gardens in full bloom, capturing the fleeting beauty of the seasons with remarkable delicacy and atmosphere. Influenced by both the French Impressionists and the rich tradition of British landscape painting, his works possess a freshness and luminosity that have made them enduringly sought after by collectors. This enchanting painting portrays a magnificent rose-covered arbor in the height of summer, inviting the viewer along a quiet garden path beneath cascades of climbing roses in shades of crimson, blush pink and ivory. Dappled sunlight filters gently through the foliage, illuminating the gravel walkway and creating a harmonious interplay of light and shadow. The abundance of flowering shrubs, carefully observed botanical detail and softly diffused background combine to evoke the tranquillity and romance of an English country garden at its seasonal peak. Executed with Tebby’s characteristic sensitivity, the composition demonstrates his mastery of colour and texture. Delicate brushwork captures the profusion of blooms without sacrificing spontaneity, while subtle tonal transitions lend remarkable depth and atmosphere. The artist’s restrained palette of soft greens, warm earth tones and vibrant floral highlights creates an elegant balance that is both decorative and naturalistic. Painted around 1890, this work belongs to a period when Tebby was producing some of his most accomplished garden scenes, subjects that remain among his most desirable. His paintings celebrate the Victorian passion for cultivated gardens while embracing the increasingly Impressionistic handling of light and colour that distinguished progressive British artists of the era. Beautifully presented in an elegant gilt frame, this charming painting is a quintessential example of late nineteenth-century English garden painting...

Coastal Fisherman Resting Beside Boats, Nets and Lobster Pots Attributed to William Roxby Beverley (British, 1810–1889) Oil on canvas, framed Framed: 13.5 x 16 inches Canvas: 11 x 12...

Marco Ricci (Belluno 1676 - Venice 1730) - Idyllic Landscape with River and Mill. 44 x 60 cm (without frame) - 57 x 74 cm (with frame). Oil on canvas, in carved and gilded wooden f...

A still life of Native American pottery, moccasins, and fur, that was likely arranged during one of the artist's many trips to New Mexico and California. This painting embraces th...

Louis Auguste SECOND, known as FEREOL (Amiens, 1795 - Orleans, 1870) Still Life with Mallard and Hare Oil on paper mounted on canvas Signed and dated at the bottom Exhibition labels in the upper left corner 37 x 27 cm 1854 Louis-Auguste Second, known under the name of Fereol, had an interesting multifaceted artistic career. He was born in an acting environment: himself the son of an actor, he was the cousin of Marie Dorval (the famous romantic actress who was Alfred de Vigny's mistress) and the nephew of Mademoiselle Mars. After having done the military school of Saint-Cyr, he became a second lieutenant in the young imperial guard and took part in the campaign of France in 1814. But he quickly reconverted in the spectacle and becomes in 1817 lyric singer (tenor) at the Opéra-Comique where he officiated until 1838, before exercising his talents at the Théâtre de la Renaissance. He is also a playwright (for example he wrote "Five Years of Intermission" in 1833). A fairly famous figure at the time, his miniature portrait by Paul Gomien was exhibited at the Salon of 1835. Painting is another of his activities, and not the least. A pupil of Xavier Leprince, he exhibited at the Salon in 1824, and this very regularly until 1848. In 1834, he exhibited no less than 7 paintings! These are essentially landscapes, of a fairly classic style, representing views of the North (Douai, Boulogne, etc.), Picardy (Amiens), Paris and its surroundings, Fontainebleau, and above all of Sologne and Orleans, city where he attended high school. At the Salon, he was domiciled in Paris at various addresses in the Batignolles district until 1835, then in Orleans from 1837. Widower in 1832 of his cousin Eugénie Boutet de Monvel whom he had married in 1822, he retired to his property of "L'ormette" in Saint-Denis en Val in the Loiret, before settling definitively in Orléans itself. in 1846. He leads a fairly active social life there (he had already founded the Musical Institute there, for example). His son Félix was born there in 1825, where he was a lawyer before embarking on a career as a doctor. A staunch Bonapartist, holder of the Saint Helena medal, he was awarded the Legion of Honor in 1862. His exaggerated patriotism manifested itself one last time when he committed suicide on September 5, 1870 after learning of the surrender of Sedan. He is the great-grandfather of the brothers Jacques and Pierre Brissaud, the famous painters and illustrators. Representative of the French tradition of hunting still lifes, this painting depicts a hanging...

William Howard Jarvis December Afternoon on the Thames, London Bridge Oil on board Circa 1950 Signed lower left; inscribed verso with original price “45 Guineas” A beautifully atmos...

Mid-century New York City is represented as a moment in time. The artist populates his scene with isolated figures that are more shapes of people as opposed to specific individuals....

Shit happens sometimes. In this piece, the artist wanted to create an unsettling and claustrophobic space where people feel most private and vulnerable. Inspired by artist Tala Madani, she created a cartoon figure to act as the voyeur, a bright and unwelcome disturbance that cannot be ignored. Samantha Van Heest...

A stunning oil painting by Albert Munghard depicting figures by a Dutch Canal, this piece was created after the great Dutch artist of the times Heinric...