Adolf Loos Wall Lights and Sconces
Essentially dubbed the Frank Llyoyd Wright of Europe by Wright himself, Adolf Loos possessed a talent for architecture and interior design as potent as his outspoken criticism of Art Nouveau and excessive ornamentation. A forerunner of the International Style, Loos exercised immense restraint in his building projects as well as his designs for chairs, tables, storage pieces and other furniture, and wrote prolifically on his disdain for taking a decorative approach to architecture.
The son of a stonemason and sculptor, Loos was born in 1870 in what is now Brno in the Czech Republic. He studied architecture in Dresden in 1889, completed a year of military service and moved to the United States by 1893. He visited the World’s Columbian Exposition in Chicago and came to appreciate the American approach to design over his three-year stay before returning to Vienna.
An avid proponent of simplicity, Loos hated fluff above all else. In his best known essay, “Ornament and Crime,” he states “the evolution of culture is synonymous with the removal of ornamentation from objects of everyday use” — a principle evident in both his architectural work and furniture. His writing was profoundly influential for practitioners of the International Style that would emerge later as well as the likes of prolific Swiss-born French architect and modernist prophet Le Corbusier.
Loos challenged the prevailing architecture and decorating styles of his time, and disliked the ornate work associated with the Vienna Secession and Gesamtkunstwerk — the concept of a house as total work of art — an ideal pursued by a collective born from the Secession called the Wiener Werkstätte. To Loos, design should prioritize function, and any ornamentation devoid of a structural purpose was childish and unnecessary.
Loos’s furniture — alongside the work of fellow Austrian architect Josef Hoffman — was the subject of an exhibition at the Museum of Applied Arts in 2014. His architecture projects, including the Viennese Goldman and Salatsch building, the Austrian Steiner House and the Villa Müller in Prague, are celebrated by design enthusiasts all over the world.
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2010s Austrian Jugendstil Adolf Loos Wall Lights and Sconces
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2010s Austrian Jugendstil Adolf Loos Wall Lights and Sconces
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2010s Austrian Jugendstil Adolf Loos Wall Lights and Sconces
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2010s Austrian Jugendstil Adolf Loos Wall Lights and Sconces
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2010s Austrian Jugendstil Adolf Loos Wall Lights and Sconces
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21st Century and Contemporary American Mid-Century Modern Adolf Loos Wall Lights and Sconces
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1950s Italian Mid-Century Modern Vintage Adolf Loos Wall Lights and Sconces
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Early 1900s Austrian Jugendstil Antique Adolf Loos Wall Lights and Sconces
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2010s American Industrial Adolf Loos Wall Lights and Sconces
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21st Century and Contemporary European Adolf Loos Wall Lights and Sconces
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1960s Austrian Jugendstil Vintage Adolf Loos Wall Lights and Sconces
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Mid-20th Century Italian Mid-Century Modern Adolf Loos Wall Lights and Sconces
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1910s Austrian Jugendstil Vintage Adolf Loos Wall Lights and Sconces
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1950s Austrian Mid-Century Modern Vintage Adolf Loos Wall Lights and Sconces
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21st Century and Contemporary European Adolf Loos Wall Lights and Sconces
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2010s American Mid-Century Modern Adolf Loos Wall Lights and Sconces
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1960s Italian Modern Vintage Adolf Loos Wall Lights and Sconces
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Creators Similar to Adolf Loos
- What is Adolf Loos famous for?1 Answer1stDibs ExpertJanuary 10, 2025Adolf Loos is famous for his achievements as a designer. Essentially dubbed the Frank Lloyd Wright of Europe by Wright himself, he possessed a talent for architecture and interior design as potent as his outspoken criticism of Art Nouveau and excessive ornamentation. A forerunner of the International Style, Loos exercised immense restraint in his building projects as well as his designs for chairs, tables, storage pieces and other furniture. He wrote prolifically on his disdain for taking a decorative approach to architecture. Explore a variety of Adolf Loos furniture on 1stDibs.