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Adolf Loos Footstools

Austrian, 1870-1933

Essentially dubbed the Frank Llyoyd Wright of Europe by Wright himself, Adolf Loos possessed a talent for architecture and interior design as potent as his outspoken criticism of Art Nouveau and excessive ornamentation. A forerunner of the International Style, Loos exercised immense restraint in his building projects as well as his designs for chairs, tables, storage pieces and other furniture, and wrote prolifically on his disdain for taking a decorative approach to architecture. 

The son of a stonemason and sculptor, Loos was born in 1870 in what is now Brno in the Czech Republic. He studied architecture in Dresden in 1889, completed a year of military service and moved to the United States by 1893. He visited the World’s Columbian Exposition in Chicago and came to appreciate the American approach to design over his three-year stay before returning to Vienna. 

An avid proponent of simplicity, Loos hated fluff above all else. In his best known essay, “Ornament and Crime,” he states “the evolution of culture is synonymous with the removal of ornamentation from objects of everyday use” — a principle evident in both his architectural work and furniture. His writing was profoundly influential for practitioners of the International Style that would emerge later as well as the likes of prolific Swiss-born French architect and modernist prophet Le Corbusier

Loos challenged the prevailing architecture and decorating styles of his time, and disliked the ornate work associated with the Vienna Secession and Gesamtkunstwerk — the concept of a house as total work of art — an ideal pursued by a collective born from the Secession called the Wiener Werkstätte. To Loos, design should prioritize function, and any ornamentation devoid of a structural purpose was childish and unnecessary. 

Loos’s furniture — alongside the work of fellow Austrian architect Josef Hoffmanwas the subject of an exhibition at the Museum of Applied Arts in 2014. His architecture projects, including the Viennese Goldman and Salatsch building, the Austrian Steiner House and the Villa Müller in Prague, are celebrated by design enthusiasts all over the world. 

Find vintage Adolf Loos seating, lighting and other furniture on 1stDibs.

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Creator: Adolf Loos
Original Adolf Loos Thebes Stool
By Adolf Loos, Woka Lamps, Friedrich Otto Schmidt
Located in Vienna, AT
Wohnung Dr. Otto und Auguste Stoessl, Wien XIII, Auhofstr. 235, um 1900-02 Wohnung Haberfeld Manufacturer Friedricht Otto Schmidt Lit.: Rukschcio, Schachel, Adolf Loos, S. 32 und 7...
Category

Early 1900s Austrian Jugendstil Antique Adolf Loos Footstools

Materials

Beech

Gebrüder Thonet Vienna GmbH Lehnstuhl Hocker Footrest in Black with Woven Cane
By Adolf Loos, Gebrüder Thonet Vienna GmbH
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Nigel Coates widens his furnishing proposal for Wiener GTV Design by introducing in his collection an extremely original element: the Lehnstuhl-Hocke...
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21st Century and Contemporary Austrian Modern Adolf Loos Footstools

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Adolf Loos footstools for sale on 1stDibs.

Adolf Loos footstools are available for sale on 1stDibs. These distinctive items are frequently made of wood and are designed with extraordinary care. There are many options to choose from in our collection of Adolf Loos footstools, although brown editions of this piece are particularly popular. We have 1 vintage editions of these items in-stock, while there is 1 modern edition to choose from as well. Many of the original footstools by Adolf Loos were created in the modern style in europe during the early 1900s. Prices for Adolf Loos footstools can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $1,361 and can go as high as $7,507, while a piece like these, on average, fetch $4,434.
Questions About Adolf Loos Footstools
  • 1stDibs ExpertJanuary 10, 2025
    Adolf Loos is famous for his achievements as a designer. Essentially dubbed the Frank Lloyd Wright of Europe by Wright himself, he possessed a talent for architecture and interior design as potent as his outspoken criticism of Art Nouveau and excessive ornamentation. A forerunner of the International Style, Loos exercised immense restraint in his building projects as well as his designs for chairs, tables, storage pieces and other furniture. He wrote prolifically on his disdain for taking a decorative approach to architecture. Explore a variety of Adolf Loos furniture on 1stDibs.

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