Adrien Sénéchal Art

Arches Poster Paper - Perfect Condition A+ When The Mourlot Studio opened a branch in New York City, after a successful exhibition organized by the Smithsonian Institute in 1963, it...

The Old Lyme Congregational Church located on Ferry Road, a quintessentially New England landmark, was captured by Walter DuBois Richards. The church was a favorite subject of Old Ly...

Gothic Decorative Motifs is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork represents Gothic Decorative motifs i...

Artist: Christo Title: The Umbrellas, Joint Project for Japan and the U.S.A. Medium: Offset lithograph in colors on wove paper Date: 1987 Edition: Unnumbered Sheet Size: 36 3/4" x 27...

John Taylor Arms created this superb architectural image of La Colegiata in 1935 in an edition of 153. It is #12 in his Spanish Churches series and is referenced as Fletcher #284. One of the most characteristic examples of transitional Romanesque architecture in Spain, the church of Santa María la Mayor is inspired by the Cathedral of Zamora, in turn inspired by the Old Cathedral of Salamanca. The tower-dome is usually listed as one of the four most typical in León together with those in the cathedrals of Salamanca, Plasencia and Zamora. The church was begun around 1170, and was finished in the mid-13th century. Two different directors of the work have been identified, according to the different types of stone used (limestone in the old sections, sandstone in the most recent ones), and by the barrel vaults...

“LA CASA VIVENDA” Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casa Vivenda” circa 1991. Image size 18.38 x 25 inches and the paper size 21.75 x 29.38 inches. Printed in an edition of 100 this impression is inscribed “70/100” - the 70th impression of 100. This impression is pencil signed in the lower right and inscribed in the lower left. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

This beautiful original lithograph depicting a Greek landscape by Charles Lapicque was printed in Paris at the Atelier Mourlot in 1964. The artist produced some of his first landscap...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...

Decorative Motifs of the Indian Renaissance is a vintage chromolithograph realized by an anonymous artist in th early 20th Century. Good conditions.

Decorative Motifs of the Indian Renaissance is a vintage chromolithograph realized by an anonymous artist in the early 20th Century, Good conditions.

This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...

Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper Clean, modern lithograph of the Ennis House in Los Angeles by Frances Myers (American, 1936-2014). The Ennis House sits at the top of a small hill, cutting a strong line against a soft peach-colored sky. Wright's strong sense of balance is highlighted in this composition, with patterns and lines guiding the viewers eye in various directions around the piece. Numbered, titled, signed and dated along the bottom edge: 7/50 Ennis House - Los Angeles Frances Myers 1980 Paper size: 29.5"H x 38"W Print size: 24"H x 32"W Shipped rolled in a tube. Myers was born on April 16, 1936, in Racine, Wisconsin. She began her studies at the San Francisco Art Institute, but soon transferred to the University of Wisconsin–Madison where she earned a BS in 1962, and an MFA in 1965. Myers employed a variety of printmaking techniques in her career including "relief, photo-etching, and mixed media processes." Myers is best known for her prints depicting various buildings. She once said, “I don’t want to invent a building, I want to bring new life to a building.” Growing up in Racine, Myers was exposed to many of Frank Lloyd Wright's architectural works, and she paid tribute to this in her 1980 work The Frank Lloyd Wright Print...