Albert Marionnet Furniture

Treasury of Art Nouveau Design & Ornament, a pictorial archive of 577 illustrations, selected by Carol Belanger Grafton. Softcover book, published in 1980 by Dover Publications, Inc....

Wonderful French lady figure Art Nouveau ormolu-mounted gilt bronze crystal vase Measures: 11" tall.  

A gorgeous Arts & Crafts period "Chinese" pattern gilt bronze inkwell By Tiffany Studios (signed to the underside) New York, USA, Early 20th Century Measures: 5"W x 5"D x 3.13"H. ...

Top condition and pure elegance Art Nouveau vase. For the collectors of museum quality and condition Art Nouveau ceramics. This stunning Art Nouveau vase is decorated with the mos...

French ceramic decorative dish with flower motif (circa 1970s) by Albert Thiry. An oblong-shaped ceramic dish has a chalk-white glaze surface. Within the dish's recess, a thistle flo...

A charming antique French faience Quimper double inkwell and pen tray desk set, circa 1900. This gorgeous inkwell is hand painted with a traditional Breton man surrounded by bagpipes...

An Art Noveau or Jugend patinated bronze pen and inkwell with an owl sitting in the center. The owl have inset glass eyes. Made ca.1900. Possibly Swedish. Symbolism of the owl: The...

More of an indictment of the Spanish conquest of North America than a celebration, this quite extraordinary, large bronze inkwell depicts a Conquistador, holding sword and whip, seat...

A brooch in gilded bronze by French art jeweler Line Vautrin circa 1950s-1960s. The unusual model depicts the mathematical sign of infinity, on which appears in relief inscription of...

Napoleon Bonaparte bronze desk inkwell, signed Pinedo with foundry mark. Mounted over a Green Alps marble. Antique signed 19th large bronze ...

Wonderfully charming and boasting a high level of detail, this bronze walrus also serves as an inkwell. The incredible artistry of Viennese bronze work i...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...