Alfred Stevens Prints and Multiples

Etching and aquatint in colours, 1964, on Richard de Bas wove paper, signed in pencil and numbered 41/50 from the edition of 50, printed by Pennequin for Atelier Crommelynck, publish...

Salvador Dali - Nude with Guitar - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

A fine impression with large full margins published by Associated American Artists.

A fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...

Created in 1962, this linocut on Arches wove paper is hand-signed by Pablo Picasso (Malaga, 1881 - Mougins, 1973) in pencil in the lower right margin and is numbered from the edition of 50 in the lower left margin. Catalogue Raisonné: Pablo Picasso Homme barbu couronné feuilles de vigne...

Pablo Picasso - Original Lithograph Title: Painter and his Model Edition of 180 From the book "Regards sur Paris" (Paris: Andre Sauret, 1962) Unsigned, as issued Dimensions: 39 x 30 cm References: Mourlot 354, Bloch 1035 Pablo Picasso Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focussed, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art. Early life Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms. Updates in style During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time. Russian ballet In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa...

"High Green, Version I" is an aquatint print by Richard Diebenkorn, made in 1992. It is number 46 from an edition of 65. The work is signed in pencil, lower right, "RD 92". The artwo...

Artist: Henri Patrice Dillon (French, 1850-1909) Title: "Pluviose (Rainfall)" Portfolio: Revue de l'Art Ancien et Moderne *Signed by Dillon in the...

La Capeline de Paille d'Italie (The Italian Straw Hat). 1923. Lithograph. Duthuit 430. 17 3/4 x 15 3/4 (sheet 23 1/8 x 17 7/8). Trial proof, apart fr...

Artist: Henri Goetz, French/American (1909 - 1989) Title: Untitled I Medium: Aquatint Etching, Signed and numbered in pencil Edition: 24/40 Image Size: 13.5 x 18.5 inches Size: 20.5 ...

Joan Miro Terres Grand de Feu (one plate from Artigas) Medium: Original lithograph Size: 14.1875 x 19.625 in Year: 1956 Edition: 1,500 Unsigned Printed text on verso as issued Portf...

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...