Alphonse Legros Prints and Multiples

Marcel Mouly (French 1918 - 2008) Untitled lithograph on woven paper with deep saturated colors in excellent condition. Well framed under plexiglass with a double matt, signed lowe...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Red Boats on Orange Year: circa 1970 Medium: Lithograph on Japon Paper with Remarque Drawing, signed in pencil Edition: EA Size: 29 ...

Françoise Gilot Window on Another Dimension, 1981 Lithograph on Arches mould made Johannot paper Signed and numbered in graphite pencil; also bears artist's monogram with date, editi...

Erte (Romain de Tirtoff) 1892-1990 Russian/French. Diva Suite - Diva I & Diva II, both embossed serigraphs with foil stamping. These two large examples of...

Original 1960s fashion design from a Northern Italian fashion house. Sketched and coloured by hand with a pencil sketch of the reverse. The name and description of the outfit is type...

Original 1960s fashion design from a Northern Italian fashion house. Sketched and coloured by hand with a pencil sketch of the reverse. The name and description of the outfit is type...

Pierre Alechinsky A Maiakovski, 1958 (For Mayakovsky) Color lithograph and offset lithograph with text Pencil numbered 10/50 and signed by BOTH artist Pierre Alechinsky and writer C...

Original 1960s fashion design from a Northern Italian fashion house. Sketched and coloured by hand with a pencil sketch of the reverse. The name and description of the outfit is type...

A wartorn composition of a soldier on the left, a Jewish blacksmith in the middle and a little shepherd on the right. This is a lithograph pastel and colored pencil on paper. Saul Rabino (1892-1969)Best known for his paintings and drawings of Jewish culture, Saul Rabino was a Russian-bornartist who spent most of his life in Los Angeles. Born Saul Rabinowitz in 1892 in Odessa, Russia,Rabino studied art at the Russian Imperial Art School. During a brief stay in Paris, he continued hiseducation at the École des Arts Decoratifs. After mastering techniques in painting, sculpture, andlithography, Rabino moved to Los Angeles, where he worked as a WPA printmaker during the1930s. He stayed in Los Angeles for the rest of his life, making work about political turmoil and theJewish community. During the 1940s, he drew allegorical images of war and the plight of Jewsin Eastern Europe. These political works, usually drawings or prints, are dramatic, symbolic, andemotionally rousing. He also made art portraying the scholars and religious leaders of the Jewishcommunity, including portraits that are more delicate than his political pieces and express anobvious admiration for the leaders of his community. Before he died in 1969, Rabino exhibitedat the World’s Fair New York in 1939, the Los Angeles Museum Historical Society of Art, and theLaguna Beach Art Society. His work is in the collection of the Los Angeles Public...

JAMES ROSENQUIST "Ten Days, from The New York Collection for Stockholm" Lithograph in colors on paper,1973 9 x 12 inches (22.9 x 30.5 cm) (sheet) Ed. 114/300 Signed, numbered, and d...

Original 1960s fashion design from a Northern Italian fashion house. Sketched and coloured by hand with a pencil sketch of the reverse. The name and description of the outfit is type...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA CHAINE SIMPSON" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #60, 1900. Plate #238 Unframed Size: 11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "In her recent excellent biography of Lautrec, Julia Frey indicates that 'Henry, the frustrated athlete, was compulsively familiar with the vocabulary and technical aspects of a variety of sports in which he could participate as a spectator: horse and bicycle racing, wrestling, yachting, bullfighting. He watched them all with the same intensity that he watched a line of dancers or a circus bareback rider, attracted by the beauty of movement, but also by the smells, sounds and excitement of the spectacle (Frey, p.353) His 'insider' knowledge of the cycling field shows up abundantly in this poster for the French agent of the Simpson bicycle chain company. In the foreground is the champion cyclist Constant Huret. In the background are Tristan Bernard, the sports impresario who was a close friend of Lautrec, with Louis Bougle, the French agent who adopted the name 'Spoke.' A touch of levity is added by what appears to be a 'bicycle-built-for-ten' in the upper-left corner, in fact it's two five-seaters, known at the time as 'quints.'"(Rennert, PAI-XXII, 35)Henri de Toulouse-Lautrec came from an aristocratic background, having been born the son of an earl.Even as a schoolboy he showed a talent for drawing. By 14 he had suffered two horse back riding accidents, combined with a serious bone disease which eventually left him crippled for life. His body continued to grow but not his legs, he would remain only five feet tall and suffer pain and embarrassment his entire life.At the age of 18, Lautrec moved to Montmartre in Paris to study art seriously. He worked with artists Louis Anquentin, Emile Bernard, Degas, Van Gogh and others. He became a frequenter of the the cafes, cabarets and brothels of the neighborhood, drawing from them inspirations for his artistic themes. As the artist's stature grew, several magazines wanted to publish his work, including Le Rire. His subjects, as well as street life, included some of the most famous music-hall performers, with whom he became friends, such as Yvette Guilbert, La Goulue Jane Avril, May Milton, May Belfort...