Algot P. Torneman Furniture

A modernist cocktail table designed by Guy Lefevre for Maison Jansen. Brushed nickel with a smoked glass top.

Stylish and sophisticated Swedish mid-century teak & oak bedside tables. Designed by Yngvar Sandström for Nordiska Kompaniet in the 1960s. Crafted with premium materials, these bedsi...

Teak coffee or side table designed by Rud Thygesen for Heltborg Møbler, Denmark. The rich teak contrasts beautifully with the aluminum inlays at the corners and on the base. 23.5 wi...

Mid-Century Enameled Oak Coffee Table by Törneman for NK Sweden, 1960s. Swedish Mid-Century Modern Triva Dura coffee or cocktail table designed by David Rosén with abstract table to...

Pine “Lovö” console or small coffee table by Axel Einar Hjorth. Sleek lines in a solid, chunky design.

This refined and sophisticated modernist cocktail table was realized by the esteemed maker Saporiti in Italy, circa 1980. It features five cylindrical pillars- three in cream and two...

The Cocktail or End Table designed by Ernst & Jensen for Erik Jorgensen is a stunning piece that seamlessly blends form and function. Crafted with meticulous attention to detail, this table embodies the essence of Scandinavian design. Its clean lines and minimalist aesthetic create a sense of understated elegance that effortlessly complements any interior space. The table features a sleek tabletop, expertly constructed with high-quality painted aluminum, exuding a sense of sophistication and refinement. The choice of material allows for versatility, enabling the table to seamlessly integrate into various design styles, from contemporary to classic. The table's base is a work of art in itself, showcasing a harmonious balance between strength and delicacy. Also aluminum, the legs provide stability and durability, while their graceful curves or geometric angles add visual interest and sculptural appeal. Whether used as a cocktail table for entertaining guests or as an end table for displaying treasured items, this piece offers both practicality and style. Its thoughtfully designed proportions ensure functionality without sacrificing aesthetic appeal, making it a versatile and timeless addition to any living room, lounge, or office space. The Ernst & Jensen for Erik Jorgensen Cocktail or End Table is a testament to exceptional craftsmanship, where Danish design sensibilities meet functional elegance, resulting in a furniture piece that elevates the ambiance of any room it graces. Constructed of all aluminum with black finish. Photographed with Herman Miller Eames chair, Macbook Pro...

Coffee table model Plommonet designed by Kerstin Hörlin-Holmquist. Produced by Nordiska Kompaniet in Sweden.

Swedish architect David Rosén worked alongside renowned designers such as Axel Einar Hjorth and Josef Frank at Nordiska Kompaniet, one of Sweden’s most respected design houses. Rosén...

A Large staggered and layered cocktail/coffee table in Burr Elm and Brass with an Ice bucket in centre with brass trim. The staggered sections also have brass bands between. The colo...

A table designed by Axel Einar Hjorth for Nordiska Kompaniet, Sweden , Circa 1930th. Model "Radio". Stained birch. Manufacturer label with numbers attached.

Designed by George Greenamyer for Vladimir Kagan. Ceramic base measures 14.5"W x 14.5"D x 15.25"H. Signed. From Greenamyer's web site: In 1964 I was one of 5 artists who founded the Pulpit Rock Artists Community in Woodstock, CT, to create studio space for new graduates. I exhibited my ceramic sculpture and I was commissioned to make ceramic furniture by Vladimir Kagan Associates. My teaching career started in 1968. My welding and foundry background was a key factor in my being offered a full-time position and being told to develop a sculpture department. In 1981 I became a full professor. I had the opportunity in the late 80s to design, with my shop technician, a "state of the art" metalworking and foundry facility. My classes were in welding, blacksmithing, foundry and 3D design. I have also taught workshops at Haystack in Maine, Penland in North Carolina and at other colleges. In 2005, I was designated professor emeritus. I still teach one welding class In the early 70s, I switched from ceramic to metal sculpture, which I exhibited where ever I could. In 1976, I completed my first major public art commission for the Massachusetts Bay Transportation Authority. In 1977, I won an Artists Fellowship Grant from the Massachusetts Arts and Humanities Foundation and a Louis Comfort Tiffany Foundation Grant. In 1979 I was a research fellow at the Center of Advanced Visual Arts at MIT to pursue my interest in kinetics. In the early 80s I had a large solo show at the Lopoukhine Gallery in Boston, the Laumeier Sculpture Museum in St. Louis and the Neil Gallery in New York City, where I was represented for 3 years. My sculpture is in the permanent collection of several Massachusetts museums: the Fuller Art Museum, Brockton; the Art Complex Museum, Duxbury; the DeCordova Museum and Sculpture Park, Lincoln and on the campus of Boston University and Massachusetts College of Art and Design. During the mid 80s to early 90s, I did the ice sculpture component of seven ice sculpture/performances in collaboration with other artists at First Night, Boston, and the Laumeier Sculpture Park in St. Louis, MO. In 1995, I was one of 18 artists who created a miniature golf hole for Strokes of Genius and in 2007, one of 12 artists that created sites for model trains called Trainscapes, both at the DeCordova Museum and Sculpture Park in Lincoln, MA. In the mid-80s I made the choice to focus my career efforts on public art commissions obtained through national competitions. Public art commissions allowed me to produce work in a size I could never afford. I liked the challenge of solving the design problems of the site and selecting a narrative that makes sense to the project and the committees. I could incorporate kinetics (sometimes fiber optics) and hired a mechanical and a structural engineer...