Amanda & Björn Sjöling Art

Nadim Karam is a Lebanese artist, architect, and urban planner known for his diverse body of work that includes sculpture, painting, installations, and urban interventions. Born in 1...

Sylwia Jakubowska-Szycik is professor at the Academy of Fine Arts at the Faculty of Sculpture and Intermedia in Gdańsk, she conducts classes in the f...

"Cinnilla" Bronze Sculpture 16" x 13" x 10" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. ...

"Sisters" Bronze Sculpture 14" x 6" x 4" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. H...

This figurative and Symbolism bronze Sculpture by Isabelle Jeandot depicts a spiral with the Golden Number, a plant allegory, symbolizing the emergence of our ancient memories inscri...

Janus. Pair of bronze sculptures. Edition by Artcurial. Numbered 27/250 and 28/250. He was born Henri Étienne-Martin 4 February 1913 in Loriol, Drôme, France. He attended the Ecole des Beaux Arts de Lyon from 1929 to 1933, where he met Marcel Michaud. Martin moved to Paris in 1934, working at the studio of Charles Malfray at the Académie Ranson where he came into contact with such painters as Roger Bissière, Jean Le Moal, Jean Bertholle, Alfred Manessier, Zelman, Véra Pagava...

AP 2 Ernest Trova was an artist whose signature creation, a gleaming humanoid known as “Falling Man,” appeared in a series of sculptures and paintings and became a symbol of an imperfect humanity hurtling into the future. Mr. Trova was largely known as a sculptor, but his “Falling Man,” a standard of Pop Art, began life as a painted figure, taking shape on his easel in the early 1960s. Faceless, armless, with a hint of a belly and, its name notwithstanding, of indeterminate sex, the figure struck a variety of poses, sometimes juxtaposed with other like figures, sometimes with mechanical appendages. In October 1963 his one-man show, “Falling Man Paintings,” was the inaugural exhibition of the Pace Gallery on West 57th Street in Manhattan; it sold out, with the works purchased by the Museum of Modern Art, the Whitney Museum, the architect Philip Johnson and others. In three dimensions, the “Falling Man” figure was made from different materials over the years — nickel and chrome-plated bronze, enamel on aluminum, stainless steel — and often, like the Oscar statuette, was polished to an industrial sheen. It was clearly a space age creation, a forerunner of C3PO, the golden robot in “Star Wars.” “He found the space age both inspiring and dehumanizing,” Arne Glimcher, who founded the Pace Gallery, now PaceWildenstein, said in an interview on Friday. By the end of the 1960s, “Falling Man” had become Mr. Trova’s trademark, provoking Hilton Kramer, the art critic of The New York Times, to write that Mr. Trova had subjected his favorite figure “to almost as many variations as the Kama Sutra describes for the act of love.” Ernest Tino Trova Jr. was born in St. Louis on Feb. 19, 1927. Shortly after his high school graduation his father, an industrial tool designer and inventor, died, and young Ernie, as he was known, went to work, most significantly as a window dresser for a department store. His early paintings were in the Abstract Expressionist mode, but his attentiveness to the mannequins had an influence on his art. Through the 1970s and 1980s he continued with “Falling Man,” though he also became interested in formalized, almost mechanical-seeming landscapes, and the figures began to appear, reduced in size, within the context of abstractly rendered gardens. A self-taught artist with an impish wit and an eccentric turn of mind, Mr. Trova craved the recognition that was available to artists only in New York City, but he never visited for more than a week at a time and made almost no friends among New York artists. He did befriend Ezra Pound. As a fevered fan of Julio Iglesias...

This circular sculpture depicts a small human walking inside a three-sided polygon Möbius band made of trees. Passionate about the spirit, with her timeless and universal expression...

Polished stainless steel Edition of 9 Signed, dated, and numbered with foundry stamp

Irina Daylene’s sculpture eloquently expresses notions of playfulness, femininity, and sexuality. By ingeniously melding the characteristics of a bunny with those of a human woman, Daylene artfully engages with the concept of objectification in a lighthearted and humorous manner. The bunny exudes an air of enjoyment amidst the attention, transforming the narrative into one of empowerment rather than marginalization. The artist has also recently received some media attention, with “Bunny Girl...

Woman With A Child Modern Bronze sculpture with dark brown patina about 20" height 11" width and 8" depth. Signed with initials PJ edition 8/12.

"Haïku" is a bronze sculpture by Isabelle Jeandot, one of a limited edition series of twelve original sculptures. It will be delivered with a certificate of authenticity issued by th...