Amir Kerr Figurative Paintings

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil p...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

This large figurative oil painting is a reinterpretation of a painting by Francisco de Goya, Retrato ecuestre de Fernando VII, 1808. A unique oil painting on the finest quality Belgi...

Figurative oil painting of fantastical beings on a colorful and earthy-toned background. Oil painting with multiple layers and textures, vertical on 52" x 32" canvas. I like to explo...

Mirrich (2019) is a vibrant mixed media work by Inés Silvalde, created with acrylic paint, relief paste, and marker on panel. Measuring 27 x 21 x 3 cm and presented in a natural wood...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

'White Diamond Dust' by Hunt Slonem, 2022. Oil and acrylic with diamond dust on canvas, 36 x 48 in. This painting features Slonem's signature bunnies outlined in black over a white, diamond dusted background. Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent. Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973. Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art. His work has been exhibited globally, including in Madras, Quito, Venice, Gustavia, San...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

This painting is phenomenal example of Hunt Slonem's floral arrangements placed in a antique frame chosen by Hunt himself. Hunt Slonem's artistic trajectory has always been charact...