André Arbus Dining Room Chairs

A set of height fine French Art Deco cherry dining/side chairs.

A set of sculptural light/medium walnut chairs by Bertha Schaefer for Singer and Son. Reupholstered in a golden cream/off white cotton/linen blend. Original Tag. Chairs were made in ...

A set of four fine French Art Deco cherry chairs.

Chair made of solid oak (+ linseed oil) (Outdoor use OK) Dimensions: H. 82 x 48 x 48 cm (SH 45 cm) Warm furniture’s made by Russian designer Denis Milovanov from "Soha" studio. Sim...

Chic and unfussy set of four oak dining chairs with rope seats, attributed to Adrien Audoux and Frida Minet, of Vibo Vesoul. The backs have a simple medallion decor. The front legs a...

Set of eight sculptural dining chairs, designed by Norman Cherner for Plycraft, American, circa 1950s. They have all been refinished and reupholstered in black vinyl. They measure: 3...

A striking set of eight Italian dining chairs from the 1980s, featuring bold geometric lines and beautifully balanced proportions. The black lacquered frames contrast elegantly with ...

A beautifully worn set of four handcrafted dining chairs, likely of French origin, dating to the mid-20th century. These chairs exhibit the timeless charm and utilitarian elegance as...

Pair of French Art Deco Oak arm chairs, attributed to Andre Arbus, French, circa 1940s. They retain their original naugahyde upholstery. Measurements: 39"H x 24"W x 22"D x 19"Seat H ...

French oak stool in the style of Andre Arbus or Jean-Charles Moreau. Original pale blue velvet horsehair cushion on white cerused oak wood legs terminating in a French c1940 curved f...

A set of rushed oak chairs with a very modern design. The backs have a very distinctive construction. The geometric weaving of the rush sets the chairs apart from similar models of t...

Robert Guillerme studied design and architecture at the École Boule, graduating in 1934. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops. In 1948 Jacques Chambron left his work as a painter and decorator on the Rue Nollet in Paris, and relocated his family to join Guillerme. The two had met in 1940 while imprisoned by the Germans in East Prussia and bonded over, among other more obvious things, their shared passion for design. In 1949 the pair discovered Émile Dariosecq, a master cabinet maker who had a shop in the city, and who was willing to produce their designs. The three started Votre Maison. The association was destined to be as influential as prolific. Not only did Votre Maison produce over two thousand models during the later half of the twentieth century, it also left an indelible stamp on design of the 50s, 60s and 70s. The company’s output served as a model for a vast field of livable contemporaneous design. The soul of Guillerme et Chambron’s work was in the company’s name (“Your House"). Their focus was as keenly attuned to functionality—furniture’s use in daily life—as to the creation of innovative design. For the pair of designers the home was envisioned as a place where the family could live both comfortably and in aesthetic harmony. Robert Guillerme, who designed most of the work, possessed a limitless creative ambition, producing designs for everything from grand dressers and sideboards to the smallest elements of a space, such as pedestals, shelving, benches, and lighting. This steady output of beautiful furniture bucked convention not merely in the equal emphasis Guillerme placed on function and aesthetics, but in the almost paradoxical creation...