Maison Veronese

A spectacular, elegant and quite minimal, amber murano glass ceiling fixture by Veronese, Italy 1970. This neo-classical fixture features 10 sensual arms of lights, wich can be light...

Extremely rare, signed and documented Murano galleon chandelier by Seguso, Vetri d’Arte, Venice. This unique fantasy hanging light, supplied by Vero...

Gold sconce in crystal leaf. New and made-to-order. Product of France.

Large focal point chandelier from Veronese available in two finishes; a light iridescent gold or a warm amber. Shipped from France.

Jacques de Rumigny (1922–1981) for Maison Veronese Coroso glass chandelier with gold inlays, 12 arms H. 63 cm (without chain) – W. approx. 80 cm Circa. 1957 Biographical Informatio...

OLYMPIA is a retro chandelier with a contemporary twist that is reminiscent of the Greek Doric columns. With a subtle mix of crystal and gold leaf, glass sheaths, gold grooved glass extending from the chandelier arms. The bobeches shaped discs cutting through the top of the chandelier arms are a tribute to the disc throwers...

This breath-taking glass palm table lamp is of exquisite beauty and extravagance. It seamlessly blends modern design with a touch of nature, featuring gracefully 12 cascading glass "...

Very popuar in the 70s, polyèdre is a characteristic element of Murano glass design, such as triedre, tronchi and corteccia. Its 24 facets distinguish this particular vintage suspens...

This unique set of two very large Veronese chandeliers was made to order in the early 1970s for the reception room of a large mansion in Lyon, France. Each chandelier features 18 arm...

1970s Murano glass sconces. Possibility of two pairs.

Table lamps in Murano glass with gold inclusion, on polished brass base. Circa 1980's Italy

This translucent blown glass chandelier with 6 sconces dates from the late 1930s and early 1940s. It was produced by the Veronese house and Attributed to André Arbus. Morano glass...

Véronese was established in 1931 by Marcel Barbier. The firm was unique in having a design office in Paris and a glasswork on Murano. They developed a product line of clear translucent glass that was promoted through extensive advertising, and sold from striking modern showrooms in Paris and Nice. Their master glassblower was Giovanni Veronese, but the name was probably meant to evoke the 17th century Venetian painter Paolo Veronese, who depicted glassware and other luxury goods. Launched during the Depression, Véronese devised a lean business model. Rather than having an in-house art director they commissioned designs from independent architects, like Marcel Roux...