Angela Fraleigh Art

Acrylic paint on canvas 2019 Signed Unique work The world of William Bakaïmo is a great dreamlike bestiary where humans are not humans, where animals...

This large figurative oil painting is a reinterpretation of a painting by Francisco de Goya, Retrato ecuestre de Fernando VII, 1808. A unique oil painting on the finest quality Belgi...

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil p...

Ksenya Istomina 'Midday Nap' 60 x 80 cm ( Frame is included in price, size framed in a black frame form the pictures is: Oil on linen, framed Painted after life, the artist always ...

This large figurative oil painting is a reinterpretation of a painting by Francisco de Goya, Retrato ecuestre de Fernando VII, 1808. A unique oil painting on the finest quality Belgi...

Rooted in introspection and emotional nuance, Xenia Gray’s figurative mixed media works capture the quiet tension between solitude and connection. Her paintings often depict the huma...

The series of works Utopia of TOLINA features paintings and drawings inspired by the imagination of the artist’s five-year-old son, who created a constantly shifting city — a refuge ...

Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. "No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake No Pasaran oil on linen 48h x 30w in 121.92h x 76.20w cm WIL047 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

Ksenya Istomina 'Sweet Dreams in the Moonlight' 100 x 80 cm Oil on linen Painted after life, the artist always works with a real scenery. Her realistic but impressionistic paintings...

Dimensions variable: medium oval 7.5cm x 9.5cm; large oval 9cm x 11cm. Derrick Guild is a Scottish artist whose paintings fragment Old Master works to explore the social fabric bene...

A pretty baroque-style painting.

Julia Adams Sweet Things Happen Original Interior Painting Oil, Acrylic and Ink on Canvas Canvas Size: H 30cm x W 30cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. Sweet Things Happen by Julia Adams is an original mixed media painting, it features an enticing looking traditional english afternoon tea setting in cheerful pastel colours. Discover original artworks by Julia Adams available to buy online and in our art gallery in Deddington. Julia Adams comments: I use a variety of mixed media to produce my work – household glosses, spray paints, acrylics, inks and various printing techniques, rarely using a paintbrush! I like to apply paint with real freedom and spontaneity to produce paintings that have energy and depth, exploring my passion for surface quality, colour, texture and tactility.” “My series of ‘Interior Spaces’ paintings have been very popular and are constantly evolving. As a starting point I use a found image or one of my own photographs, adding or removing elements as I feel necessary to enhance the composition. I then start to play with my materials, constantly adding and subtracting. I will often include abstract stencilling to add a sense of drama, and introduce rivets to add further interest. I also enjoy including text, whether stencilled or found words in magazines. Size: H:30 cm x W:30 cm Bon Appetit...