Angelo Dall'Oca Bianca Portrait Paintings

Philosophers - Ciro De Rosa Italia 2008 - Oil on canvas cm.60x90 The beautiful painting created by Ciro De Rosa is a work that portrays three elderly philosophers with readings, it i...

19th Century Cesare Ciani Credited Italian Macchiaiolo Painting A beautiful, intense painting attributed to the great Macchiaioli painter Cesare Ciani. It depicts with rare realism ...

Portrait of an Elderly Fisherman Italian School, 19th century oil on canvas, framed Framed: 14 x 12 inches Canvas: 10.5 x 9 inches Provenance: private collection Condition: several s...

“Hon. George King, 1788” by John Russell (1745-1806) Regarded as Britain’s foremost pastellist, John Russell is well known for his portraits of the wealthy middle class. In particul...

Giuseppe Bernardino Bison (Palmanova 1762 - Milan 1844) - Holy Family. 32 x 26 cm (without frame) - 36 x 30 cm (with frame). Pencil and white chalk on paper, in a gilded wood fram...

Oil on canvas Image size: 15 x 19 inches (38 x 48.25 cm) Handmade gilt pierced frame This is a beautiful early 19th Century Italian Old Master oil painting with the subject matter ...

Portrait of a gentleman, miniature on ivory signed " Menghini ft." for Benedetto Menghini, Roman miniaturist active between 1810 and 1830. An artist considered very skilled for good...

Youth and wisdom -Ciro De Rosa Italia 2007 - Oil on canvas cm.60x50 The painting by Ciro De Rosa is a beautiful reinterpretation of the famous biblical painting "The Sacrifice of Isaac...

Rare and important pencil drawing by one of the most important Italian Avangarde Lorenzo Viani. It represent one of his typical subject: the portrait of the people of Viareggio, his ...

Cavalier King Charles at Rest Otto Eerelman (Dutch, 1839-1926) Watercolor on paper 10 1/2 x 8 (18 x 15 1/2 frame) inches Signed lower right. Gallery label on the reverse "Frans Heerk...

A refined and unique portrait of a young noblewoman or aristocrat, executed in pastel on paper, signed by Edmond Jewrin and dated 1843. She is depicted in three-quarter view, seated in an armchair, with an innocent expression, her head slightly inclined to the left, looking directly at the viewer. She wears a beautiful white lace dress with bare shoulders, her arms resting in her lap. The leaf headdress is not merely an aesthetic embellishment, but rather part of the coded language of fashion and Romanticism of the period, symbolizing fidelity, marriage, and unwavering affection. Furthermore, during the 1840s and 1850s, there was a strong influence of classical mythology on formal court hairstyles. Adorning the hair with garlands of leaves (in the style of a laurel wreath or Bacchus wreath) evoked nymphs and goddesses of nature, projecting an image of purity, youth, and connection with nature. Despite the neutral, flat background in pastel blue, the artist manages to create space using a careful and precise technique, which meticulously captures the sitter's sweet facial features. It follows in the footsteps of the great 19th-century portrait painters of the Central European school, such as Franz Xaver Winterhalter. It retains its original oval, gilded wooden frame, protected by glass. The 19th century has sometimes been called "The Century of the Portrait." From its very inception, portraiture was associated with figures of economic, social, or political power who wished to display and perpetuate their influence, but it experienced its golden age during this century, especially in the last third, as it became a coveted form of distinction among those who could afford it. It extended to all kinds of techniques: painting, sculpture, medal making, miniatures, watercolor, drawing, etching, lithography, photography… Moreover, the influence of photography and the arts' growing move towards realism led to increasingly naturalistic depictions of effigies. A magnificent work that visually enriches any setting, adding distinction and historical narrative. Technical Data Technique on support: Pastel on paper Author: Signed Edmond Jewrin, Central European School Title of the work: “Female Portrait” Year: 1843 Good condition for its age and use. Frame restoration possible (quote available upon request). Overall dimensions: 95 x 80 x 6 cm. Dimensions without frame: 72 x 58 cm. Pastel on paper “Aristocratic Portrait...

Attributed to Francesco Bonsignori Italian 1455-1519 Christ as a Boy Oil on wood panel Image size: 12 1/4 x 16 inches (31 x 40.5 cm) Original gilt frame  In this painting on panel, ...