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Anthony Benjamin Art

British, 1931-2002
Anthony Benjamin (1931– 2002) FRSA, RE was an English painter, sculptor and printmaker. Benjamin studied with the best. In 1951 he worked in Paris under Fernand Léger and in 1959 he studied with Stanley William Hayter at Atelier 17. Benjamin worked in Rome, St Ives, London, California and Calgary. He was a Fellow of the Royal Society of Arts, UK In the 1950’s his work, inspired by the Cornish light, land and seascape, led him to a new understanding of tone and temper. Henry Moore and Peter Lanyon encouraged him, Francis Bacon gave him canvasses, and working within this rich atmosphere, Benjamin produced work which became more expansive, colourful and gradually more abstract in concept, sliding into Abstract Expressionism By the 1970’s Benjamin had started making sculptures that were more relevant to the exciting, modern, fast-moving transient world that was opening up at the time in London. He used modern materials, coloured plastic, fibreglass, polished metal, stainless steel and bronze. Intense glowing colour and reflections; amorphous and ambiguous shapes created works that crossed the conventional boundaries. Inspired by his close friendship with musician Brian Eno of Roxy Music, Benjamin started making series of Limited Edition silkscreen prints that used the same vibrant colours and similar shapes as the sculpture. Many from these series are in the Tate Collections in London. Benjamin’s first solo show in London was at the Institute of Contemporary Art in 1966. Following this he was quickly picked up by leading London Gallery Gimpel Fils. His work is held in major public and private collections around the world including Tate London, MoMA NY, The Smithsonian and MCA Tokyo
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Artist: Anthony Benjamin
Untitled Mixed Media Abstract Painting, Modern Style, 1960s, Framed
Untitled Mixed Media Abstract Painting, Modern Style, 1960s, Framed

Untitled Mixed Media Abstract Painting, Modern Style, 1960s, Framed

By Anthony Benjamin

Located in Bournemouth, Dorset

Anthony Benjamin was born in England on 29 March 1931. He began his study at Southall Technical College in 1947 as an engineering draughtsman and was accepted into Regent Street Poly...

Category

1960s Modern Anthony Benjamin Art

Materials

Mixed Media

Untitled Mixed Media Abstract Painting, Modern Style, 1960s, Framed
Untitled Mixed Media Abstract Painting, Modern Style, 1960s, Framed

Untitled Mixed Media Abstract Painting, Modern Style, 1960s, Framed

By Anthony Benjamin

Located in Bournemouth, Dorset

Anthony Benjamin was born in England on 29 March 1931. He began his study at Southall Technical College in 1947 as an engineering draughtsman and was accepted into Regent Street Poly...

Category

1960s Modern Anthony Benjamin Art

Materials

Mixed Media

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Trees in the Field, Mixed Media Painting, African American, American Modern 1967
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Located in Fairlawn, OH

Trees in the Field Mixed meia on masonite panel, 1967 Signed on the right edge oif the image (see photo) One from a series of similar examples, all with caligraphic trees and figures surrounding the composition. Part of the late 1960’s Black Emergency Cultural Coalition along with Benny Andrews The Black Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community. Members of this initial group that protested against the exhibit included several prominent African American artists, including Benny Andrews and Clifford R. Joseph, cofounders of the BECC. The primary goal of the group was to agitate for change in the major art museums in New York City for greater representation of African American artists and their work in these museums. Condition: Excellent Image size: 12 5/8 x 10 inches Board size: 20 x 16 inches Frame size: 21 x 17 inches Russ Thompson (Born 1922- Jamaica Part of the late 1960’s Black Emergency Cultural Coalition along with Benny Andrews The Black Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community. Members of this initial group that protested against the exhibit included several prominent African American artists, including Benny Andrews and Clifford R. Joseph, cofounders of the BECC. The primary goal of the group was to agitate for change in the major art museums in New York City for greater representation of African American artists and their work in these museums. Studied: Pratt Inst.; Carlyle College; NY Sch. Mod. Photography Exhibited: MoMA; BM, 1968; Nordness Gals., NYC; Phila. Civic Center; Ruder & Finn FA, 1969; Smithsonian Inst.; Mount Holyoke College, 1969; BMFA, 1970; RISD, 1969; Mem. Art Gal., Rochester, NY, 1969; SFMA, 1969; Contemp. Arts Mus., Houston, TX, 1970; NJ State Mus., 1970; Roberson Center for the Arts & Sciences, Binghampton, NY, 1970; UC Santa Barbara, 1970; Plaza Hotel, NYC; Westchester Art Soc. Gal. (prize); Nassau Community College; Brooklyn Pub. Lib.; Allentown (PA) Art Festival; Quinnipiac College, CT; Parrish Art Mus.; NY State Pavillion; Huntington Township Art Lg. Awards: Mitchell College, CT; BM; Armonk Lib. Show Award; Bedford Hills Lib. Show Award. Sources: Cederholm, Afro-American Artists. Public Collections: Zimmerli Art Museum, Rutgers Museum of Fine Arts, Boston Brooklyn Museum Museum of Modern Art, New York Smithsonian American Art Museum Exhibitions: MOMA Brooklyn Museum, 1968 Nordness Galleries, NYC Smithsonian Institution Museum of Fine Arts, Boston, 1970 Rhode Island School of Design, 1969 San Francisco Museum of Art, 1969 Contemporary Arts Museum, Houston, 1970 Parrish Art Museum Courtesy of Afro-American Artist; a biographical directory THOMPSON, RUSS (Born Jamaica, 1922) Painter. Born in Kingston, Jamaica, 1922. Studied at the Pratt Institute; Carlyle College; New York School of Modern Photography. Works: Cloud Flowers ; My Breath Is One with the Clouds ; The Acrobats; Relatives; Thoreau; Clothes to the Body; America- Amer- ica; Hanging Garden; Poor Room, Rich Room; Epigram a Bromide; Passage, 1969 (wood, epoxy, iron). Exhibited: Museum of Modern Art; Brooklyn Museum Fence Show, 1968; Nordness Gal- leries, NY; Phila. Civic Center; Ruder & Finn Fine Arts, 1969; Smithsonian Institution; Mount Holyoke College, 1969; Boston Museum of Fine Arts, 1970; Rhode Island School of Design, 1969; Memorial Art Gallery, Rochester, NY, 1969; San Francisco Museum of Art, 1969; Contemporary Arts Museum, Houston, 1970; NJ State Museum, 1970; Roberson Center for the Arts & Sciences, Binghamton, NY, 1970; Art Galleries, Univ. of Cal. at Santa Barbara, 1970; Plaza Hotel, NYC; Westchester Art So- ciety Gallery; Nassau Community College; Brooklyn Public Library; Allentown (Pa.) Art Festival; Quinnipiac College; Parrish Art Mu- seum; NY State Pavillion; Huntington Town- ship Art League. Collections: Frederick Douglass Institute, Wash- ington, DC; Spiro & Levinson Corp.; Mr. William Haber; Mr. & Mrs. B. Friedman; Mr. & Mrs. Samuel J. Rosen; Mr. David Scribner; Unigraphic Corp.; Mr. Benny An- drews; Jeanne Paris; Mr. & Mrs. Joseph Strauss. Awards: Westchester Art Society; Mitchell College, Conn.; Brooklyn Museum; Armonk Library Show Award; Bedford Hills Library Show Award. Sources: Boston Museum of Fine Arts. Afro- American Artists: New York/ Boston, 1970; Nordness Galleries. 12 Afro-American Artists, 1969; Mount Holyoke College. Ten Afro- American Artists, 1969; Ghent, Henri. “The Community Art Gallery,” Art Gallery, April 1970; Paris, Jean. “Black Art Experience in Art,” Long Island Press, Jamaica, NY, June 14, 1970; Ruder & Finn Fine Arts. Contemporary Black Artists’, Brooklyn College. Afro-Amer- ican Artists: Since 1950, 1969; Walker, Roslyn. A Resource Guide to the Visual Arts of Afro- Americans, South Bend, Ind., 1971. NEW YORK (NY). Acts of Art, Inc. Rebuttal to Whitney Museum Exhibition: Black Artists in Rebuttal at Acts of Art Gallery. 1971. Unpag. (20 pp.) exhib. cat., 54 b&w illus., brief biogs. of 48 artists. The text consists of an unsigned foreword (probably by Nigel L. Jackson, director of Acts of Art); a reprint of Z. D. Allen's review of the exhibition, "Rebuttal to the Whitney," from Chelsea Clinton News (Apr. 15, 1971). The catalogue was published after the show opened. Artists included: Benny Andrews, James Belfon, Betty Blayton, Lynn (Chuck) Bowers, Vivian Browne, Calvin Burnett, Jo Butler, Robert Carter, Art Coppedge, Adger Cowans, Joseph Delaney, J. Brooks Dendy, III, James Denmark, Reginald Gammon, Moses Paul Groves, Lester Gunter, Byron Hall, William Charles Henderson, II, Leon Hicks, Nigel L. Jackson, Kenneth Vrook Johnson, Cliff Joseph, Philip Martin, Kenneth Matthews, Richard Mayhew, Dindga McCannon, Alexander S. McMath, Ademola Olugebefola, William Payne, James Phillips, Kenneth Radcliffe, Junius Redwood, Enid Richardson, Gregory Ridley, Jr., Haywood (Bill) Rivers, Donald J. Robertson, Philippe G. Smith, Ann Tanksley, Bob Thompson, Russell Thompson, Robert Threadgill, Lloyd Toone, Bennie White, Timothy Wilkins, Walter H. 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Previously Available Items
Abstract Brian Eno A Benjamin Modern Limited Print 64 of 95 Red Orange 1970s
Abstract Brian Eno A Benjamin Modern Limited Print 64 of 95 Red Orange 1970s

Abstract Brian Eno A Benjamin Modern Limited Print 64 of 95 Red Orange 1970s

By Anthony Benjamin

Located in Norfolk, GB

Anthony Benjamin’s Limited Edition Print from the Roxy Bias Suite is a fantastic example of Benjamin’s engagement with art’s potential for vibrancy. With a nomadic heart that beat to...

Category

1970s Abstract Anthony Benjamin Art

Materials

Archival Paper, Screen

Abstract Anthony Benjamin Brian Eno Modern Edition 27 of 95 Blue Crimson 1970s
Abstract Anthony Benjamin Brian Eno Modern Edition 27 of 95 Blue Crimson 1970s

Abstract Anthony Benjamin Brian Eno Modern Edition 27 of 95 Blue Crimson 1970s

By Anthony Benjamin

Located in Norfolk, GB

Anthony Benjamin’s Limited Edition Print from the Roxy Bias Suite is a fantastic example of Benjamin’s engagement with art’s potential for vibrancy. With a nomadic heart that beat to the countercultural currents of his time, Benjamin’s career as an artist was as varied as his travels which took him to work in London, Paris, Italy, Canada, the USA, and Morocco. As an artist with a hybrid art practice, Benjamin did not develop a signature style. Of more importance to him was his commitment to creating art of singular energy, seeking to stimulate the viewer’s senses and fire the imagination. This abstract art has warmth, soul and depth. Anthony Benjamin Roxy Bias Suite - Multi Mode Jitter Limited Edition unframed silkscreen print Sheet Size, unframed sheet size 105.5cm x 76.5cm Image size, 98cm x 65.5cm Edition 27/95 Date of artwork 1972 Made on BFK Rives, rag, handmade paper. Sericol inks, printer Kevin Harris at Calvert Studio. Signed and numbered by Anthony Benjamin Signed and numbered on the front. Certificate of Authenticity from the Gallery Provenance: From the Anthony Benjamin Estate Roxy Bias Suite The instigation for the suite of prints was a conversation Anthony Benjamin, who had just returned to London from teaching in Canada, had with his ex-student, Brian Eno...

Category

1970s Abstract Anthony Benjamin Art

Materials

Archival Paper, Screen

Abstract Brian Eno A Benjamin Modern Limited Print 62 of 95 Yellow Red 1970s
Abstract Brian Eno A Benjamin Modern Limited Print 62 of 95 Yellow Red 1970s

Abstract Brian Eno A Benjamin Modern Limited Print 62 of 95 Yellow Red 1970s

By Anthony Benjamin

Located in Norfolk, GB

Anthony Benjamin’s Limited Edition Print from the Roxy Bias Suite is a fantastic example of Benjamin’s engagement with art’s potential for vibrancy. With a nomadic heart that beat to the countercultural currents of his time, Benjamin’s career as an artist was as varied as his travels which took him to work in London, Paris, Italy, Canada, the USA, and Morocco. As an artist with a hybrid art practice, Benjamin did not develop a signature style. Of more importance to him was his commitment to creating art of singular energy, seeking to stimulate the viewer’s senses and fire the imagination. This abstract art has warmth, soul and depth. Anthony Benjamin Roxy Bias Suite - Ringing Filter Limited Edition unframed silkscreen print Sheet Size, unframed sheet size 105.5cm x 76.5cm Image size, 98cm x 65.5cm Edition 62/95 Date of artwork 1972 Made on BFK Rives, rag, handmade paper. Sericol inks, printer Kevin Harris at Calvert Studio. Signed and numbered by Anthony Benjamin Signed and numbered on the front. Certificate of Authenticity from the Gallery Provenance: From the Anthony Benjamin Estate Roxy Bias Suite The instigation for the suite of prints was a conversation Anthony Benjamin, who had just returned to London from teaching in Canada, had with his ex-student, Brian Eno...

Category

1970s Abstract Anthony Benjamin Art

Materials

Archival Paper, Screen

Abstract Brian Eno A Benjamin Modern Edition Print 65 of 95 Blue Red 1970s
Abstract Brian Eno A Benjamin Modern Edition Print 65 of 95 Blue Red 1970s

Abstract Brian Eno A Benjamin Modern Edition Print 65 of 95 Blue Red 1970s

By Anthony Benjamin

Located in Norfolk, GB

Anthony Benjamin’s Limited Edition Print from the Roxy Bias Suite is a fantastic example of Benjamin’s engagement with art’s potential for vibrancy. With a nomadic heart that beat to...

Category

1970s Abstract Anthony Benjamin Art

Materials

Archival Paper, Screen

Borderline Images
Borderline Images

Borderline Images

By Anthony Benjamin

Located in Long Island City, NY

Artist: Anthony Benjamin, British (1931 - 2002) Title: Borderline Images Year: 1979 Medium: Etching, signed and numbered in pencil Edition: 25/100 Image Size: 12.5 x 9.5 inches Size:...

Category

1970s Conceptual Anthony Benjamin Art

Materials

Etching

Anthony Benjamin art for sale on 1stDibs.

Find a wide variety of authentic Anthony Benjamin art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange, purple and other colors. You can also browse by medium to find art by Anthony Benjamin in paper, paint, watercolor and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the abstract style. Not every interior allows for large Anthony Benjamin art, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Xanda McCagg, Victoria Kloch, and Christo Sharpe. Anthony Benjamin art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,000 and tops out at $1,800, while the average work can sell for $1,200.

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