Anthony Benjamin Abstract Prints
British, 1931-2002
Anthony Benjamin (1931– 2002) FRSA, RE was an English painter, sculptor and printmaker. Benjamin studied with the best. In 1951 he worked in Paris under Fernand Léger and in 1959 he studied with Stanley William Hayter at Atelier 17. Benjamin worked in Rome, St Ives, London, California and Calgary. He was a Fellow of the Royal Society of Arts, UK
In the 1950’s his work, inspired by the Cornish light, land and seascape, led him to a new understanding of tone and temper. Henry Moore and Peter Lanyon encouraged him, Francis Bacon gave him canvasses, and working within this rich atmosphere, Benjamin produced work which became more expansive, colourful and gradually more abstract in concept, sliding into Abstract Expressionism
By the 1970’s Benjamin had started making sculptures that were more relevant to the exciting, modern, fast-moving transient world that was opening up at the time in London. He used modern materials, coloured plastic, fibreglass, polished metal, stainless steel and bronze. Intense glowing colour and reflections; amorphous and ambiguous shapes created works that crossed the conventional boundaries. Inspired by his close friendship with musician Brian Eno of Roxy Music, Benjamin started making series of Limited Edition silkscreen prints that used the same vibrant colours and similar shapes as the sculpture. Many from these series are in the Tate Collections in London.
Benjamin’s first solo show in London was at the Institute of Contemporary Art in 1966. Following this he was quickly picked up by leading London Gallery Gimpel Fils. His work is held in major public and private collections around the world including Tate London, MoMA NY, The Smithsonian and MCA Tokyo
(Biography provided by Art 18/21)
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Artist: Anthony Benjamin
Collectors Limited Edition 1980's warm colourful abstract geometric graphic 2
By Anthony Benjamin
Located in Norfolk, GB
Canton II
Limited Edition, unframed silkscreen print
Size unframed: 100cm x 80cm
Available both as a unique print or as part of the Triptych, Canton I, II & III (see separate listin...
Category
1980s Abstract Geometric Anthony Benjamin Abstract Prints
Materials
Screen, Archival Paper
Collectors Limited Edition 1980's warm colourful abstract geometric graphic 3
By Anthony Benjamin
Located in Norfolk, GB
Canton III
Available both as a unique print or as part of the Triptych, Canton I, II & III.
Edition 41/45
Made on Arches paper, 16 colour screen prints, signed and numbered by Anth...
Category
1980s Abstract Anthony Benjamin Abstract Prints
Materials
Screen, Archival Paper
Collectors Limited Edition 1980's warm colourful abstract geometric graphic 1
By Anthony Benjamin
Located in Norfolk, GB
Canton I
Available both as a unique print or as part of the Triptych, Canton I, II & III (see separate listing)
Edition 41/45
Size 100cm x 80cm unframed
Made on Arches paper, 16 co...
Category
1980s Abstract Anthony Benjamin Abstract Prints
Materials
Screen, Archival Paper
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This exceptional geometric abstract serigraph is by the noted Venezuelan artist Rafael Bogarin (1946- ). This is Jupiter 4. I have others from the series, also for sale. The print has never been framed and is in excellent condition. It measures 22.5" x 28.5".
Rafael Bogarin is an established contemporary Venezuelan artist known for his abstract serigraphs. Bogarin was born in 1946, in El Tigre, where he grew up making his own toys and learning to draw. He studied in Caracas at the Cristobal Rojas School of Fine Arts, specializing in lithography and etching.
From 1970 to 1992, Bogarin, like so many artists, lived in New York. As he explored various techniques, he became an expert in serigraphs, earning himself acclaim in Latin America as a pioneer. In South America he traveled the continent giving classes and learning about native cultures. When he returned to the land of his youth, he was inspired to create the concept of the entire world in the Museo Vial in El Tigre in 1982. Later he made others along the route between Colombia and Venezuela. Recently he has been creating and realizing ideas like the Museo de Murales a Cielo Abierto (Museum of Murals to the Open Sky).
Detailed biographical information (source: artist's website):
Rafael Bogarín was born in El Tigre, Anzoátegui state, Venezuela, on January 20, 1946. He studied at the Cristóbal Rojas School, which he finished in 1966; Among his teachers are Luis Guevara Moreno, Pedro León Zapata, Luisa Palacios and Luis Chacón. Upon returning from school he founded the Zapato Roto group with other artists, with the aim of taking art to the streets. In 1966 he directed the outdoor exhibitions of the Venezuelan American Center, and two years later he participated in the XXVIII Official Salon, where he received the Rome Prize.
During that time he ordered elements such as nuts and serrated blades in relation to discs engraved with burin and other techniques, and made the final impression in planes of one color. In 1970 he received a scholarship and traveled to New York; He studies at the Pratt Graphic Center and the Blackburn Printmaking Workshop. In 1973 he founded, together with Manuel Kohn, the Bogarín Printmaking Workshop, a workplace for Venezuelan artists living in the United States; This workshop, of which he has been master printer, allowed continuity to his artistic work. Bogarín investigates the possibilities of super eight cinema and makes films with quality similar to commercial formats; From these experiences emerge The Lonely World (1975) and New World Symphony (1976). In 1977 he deepened his study of color with The New Color, a portfolio where he produced superimposed colors through transparencies and glazes.
His teaching experience includes courses at the Rafael Monasterios School of Plastic Arts in Maracay (1969-1970), Ceagraf (1979), as well as workshops in various cities around the world. In 1980 he made an exhibition of silkscreen prints in cities in Italy, El Salvador, Colombia, Mexico and the United States. That year he resumed his interest in outdoor exhibitions with a museum project with murals by 30 artists for El Tigre (Venezuela); The Rafael Bogarín Road Museum was inaugurated in 1982 and brought together 30 murals on 2 x 4 meter fences, by artists such as Mario Toral, Édgar Sánchez and Paul Davis. He carried out the project to recover the architectural spaces of El Tigre (Venezuela), through murals, sculptures, plazas and humanized spaces.
In 2006 he painted the largest painted flag in the world in El Tigre, Venezuela. Bogarín has exhibited his work on all 5 continents and currently lives and works in Panama City in his private workshop and in the Articruz workshop.
Individual exhibitions
Ø 1966. Gallery of the Medical College. Caracas Venezuela.
Ø 1966. Venezuelan American Center. Caracas Venezuela.
Ø 1970. Protobello Gallery. Caracas Venezuela.
Ø 1977. First National Bank of Louisville. Luosville, Kentucky, USA.
Ø 1978. Venezuela Gallery. New York City, USA.
Ø 1979. Julián Marchena Room, Museum of Costa Rica. San Jose Costa Rica.
Ø 1979. La Otra Banda Gallery. Merida, Venezuela.
Ø 1980. Galeter Center. Adro, Italy.
Ø 1980. Gallery of Modern Art. Santo Domingo Dominican Republic.
Ø 1980. Jewish Community Center. Monmouth, New Jersey, USA.
Ø 1980. Frank Fedele Fine Arts. New York City, USA.
Ø 1980. El Túnel Gallery. Guatemala, Guatemala.
Ø 1981. Garcés – Velásquez Gallery. Bogota Colombia.
Ø 1982. Siete Siete Gallery. Caracas Venezuela.
Ø 1984. Acquavella Gallery. Caracas Venezuela.
Ø 1985. Cultural Center. Santa Cruz, Bolivia.
Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela.
Ø 2017. Arteconsult Gallery. Panama City, Panama.
Awards
Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela.
Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela.
Ø 1984. First prize, Salón Aragua. Maracay, Venezuela.
Murals
Ø 1974. Venezuelan Consulate. New York City, USA.
Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela.
Ø 1983. Road Museum. Roldanillo, Colombia.
Ø 1984. Bicentennial Road Museum. Cucuta, Colombia.
Ø 2000. Ceramic mural. Dairy, Venezuela.
Group exhibitions
Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela.
Ø 1966. El Pez Dorado Gallery. Caracas Venezuela.
Ø 1966. “Zapato Roto” Festival. Caracas Venezuela.
Ø 1967. D´Empaire Hall. Maracaibo Venezuela.
Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela.
Ø 1966 and 1971. Arturo Michelena Hall. Valencia, Venezuela.
Ø 1966 to 1968. Annual Venezuelan Art Salon. Museum of Fine Arts. Caracas Venezuela.
Ø 1968. Luis Ángel Arango Library. Bogota Colombia.
Ø 1969. Tertulia Room. Cali, Colombia.
Ø 1969. Lunn Gallery. Washington, DC, USA.
Ø 1969. Gallery of Visual Arts. Maracay, Venezuela.
Ø 1970. Venezuelan Cultural Week. Miami and Jamaica.
Ø 1972. Two Rivers Gallery. Binghampton, New York City, USA.
Ø 1972. Moos Gallery. Montreal, Canada.
Ø 1973. Spoleto Festival. Italy.
Ø 1974. Young Artists, Union Carbide Building. New York City, USA.
Ø 1975. Government of Caracas. Caracas Venezuela.
Ø 1975. Graphic VII, Mendoza Gallery. Caracas Venezuela.
Ø 1976. Brooke Alexander Gallery. New York City, USA.
Ø 1977. Denise Rene Gallery. New York City, USA.
Ø 1978. Sam Flax...
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Free Shipping
H 14.97 in W 14.57 in D 0.04 in
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1980s Abstract Geometric Anthony Benjamin Abstract Prints
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Previously Available Items
Abstract Brian Eno A Benjamin Modern Limited Print 64 of 95 Red Orange 1970s
By Anthony Benjamin
Located in Norfolk, GB
Anthony Benjamin’s Limited Edition Print from the Roxy Bias Suite is a fantastic example of Benjamin’s engagement with art’s potential for vibrancy. With a nomadic heart that beat to...
Category
1970s Abstract Anthony Benjamin Abstract Prints
Materials
Archival Paper, Screen
Abstract Anthony Benjamin Brian Eno Modern Edition 27 of 95 Blue Crimson 1970s
By Anthony Benjamin
Located in Norfolk, GB
Anthony Benjamin’s Limited Edition Print from the Roxy Bias Suite is a fantastic example of Benjamin’s engagement with art’s potential for vibrancy. With a nomadic heart that beat to the countercultural currents of his time, Benjamin’s career as an artist was as varied as his travels which took him to work in London, Paris, Italy, Canada, the USA, and Morocco. As an artist with a hybrid art practice, Benjamin did not develop a signature style. Of more importance to him was his commitment to creating art of singular energy, seeking to stimulate the viewer’s senses and fire the imagination. This abstract art has warmth, soul and depth.
Anthony Benjamin
Roxy Bias Suite - Multi Mode Jitter
Limited Edition unframed silkscreen print
Sheet Size, unframed sheet size 105.5cm x 76.5cm Image size, 98cm x 65.5cm
Edition 27/95
Date of artwork 1972
Made on BFK Rives, rag, handmade paper. Sericol inks, printer Kevin Harris at Calvert Studio.
Signed and numbered by Anthony Benjamin
Signed and numbered on the front.
Certificate of Authenticity from the Gallery
Provenance: From the Anthony Benjamin Estate
Roxy Bias Suite
The instigation for the suite of prints was a conversation Anthony Benjamin, who had just returned to London from teaching in Canada, had with his ex-student, Brian Eno...
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1970s Abstract Anthony Benjamin Abstract Prints
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Abstract Brian Eno A Benjamin Modern Limited Print 62 of 95 Yellow Red 1970s
By Anthony Benjamin
Located in Norfolk, GB
Anthony Benjamin’s Limited Edition Print from the Roxy Bias Suite is a fantastic example of Benjamin’s engagement with art’s potential for vibrancy. With a nomadic heart that beat to the countercultural currents of his time, Benjamin’s career as an artist was as varied as his travels which took him to work in London, Paris, Italy, Canada, the USA, and Morocco. As an artist with a hybrid art practice, Benjamin did not develop a signature style. Of more importance to him was his commitment to creating art of singular energy, seeking to stimulate the viewer’s senses and fire the imagination. This abstract art has warmth, soul and depth.
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Roxy Bias Suite - Ringing Filter
Limited Edition unframed silkscreen print
Sheet Size, unframed sheet size 105.5cm x 76.5cm Image size, 98cm x 65.5cm
Edition 62/95
Date of artwork 1972
Made on BFK Rives, rag, handmade paper. Sericol inks, printer Kevin Harris at Calvert Studio.
Signed and numbered by Anthony Benjamin
Signed and numbered on the front.
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Provenance: From the Anthony Benjamin Estate
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1970s Abstract Anthony Benjamin Abstract Prints
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Abstract Brian Eno A Benjamin Modern Edition Print 65 of 95 Blue Red 1970s
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Located in Norfolk, GB
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1970s Abstract Anthony Benjamin Abstract Prints
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Anthony Benjamin abstract prints for sale on 1stDibs.
Find a wide variety of authentic Anthony Benjamin abstract prints available for sale on 1stDibs. If you’re browsing the collection of abstract prints to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange and other colors. You can also browse by medium to find art by Anthony Benjamin in archival paper, paper, screen print and more. Much of the original work by this artist or collective was created during the 1980s and is mostly associated with the abstract style. Not every interior allows for large Anthony Benjamin abstract prints, so small editions measuring 32 inches across are available. Customers who are interested in this artist might also find the work of Ben Nicholson, Jack Sonenberg, and Jozsef Jakovits. Anthony Benjamin abstract prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,450 and tops out at $1,480, while the average work can sell for $1,480.