Anthony McNaught Landscape Paintings

Emile Albert Gruppe (American, 1896-1978) Bass Rock, 1967 Oil on canvas 30 x 36 inches (76.2 x 91.4 cm) Signed lower right: Emile A. Gruppe Signed, dated, and titled on the stretcher...

A classic scene of a large mid-Nineteenth Century schooner at rest in the Mediterranean port painted by the Italian countryman Tomaso De Simone. The complete narrative scene around the schooner's broadside is complemented with a British merchant steam/sail ship, local boats and the colorful sky and headland architecture of the ancient city. The vast serenity and unspoiled life of cruising the Mediterranean Ocean...

Leigh Ann Van Fossan's "Secret Garden" (2023) is an original, handmade oil painting that depicts a path surrounded by colorful flowers and trees arching over. Van Fossan was born in...

Mid Century Expressionist oil on canvas seascape of the Mediterranean coastline at Cassis in the South of France. The painting is signed bottom left but as yet undeciphered. Title to the rear stretcher. Presented in a fine gilt and patinated custom wood frame. This stunning seascape captures the raw, untamed beauty of a rocky coastline with impeccable detail. The painting uses a rich palette of blues and earthy browns to depict the tumultuous waves crashing against rugged cliffs. The artist's skilful use of texture and brushwork brings the scene to life, with the churning sea appearing almost animated in its movement. The contrast between the cool, turbulent water and the warm, solid rocks creates a dynamic tension, drawing the viewer's eye along the coast. Unique to this piece is the artist’s ability to convey the mood of nature’s relentless power while also highlighting the serene beauty of the ocean. The careful layering of colours and precise composition make this artwork a captivating interpretation of nature’s untamed forces. Some of the composition and use of colours is reminiscent of the works of Achille-Émile Othon Friesz...

This oil on canvas by artist James Cobb depicts a typical rural farm setting. The rows of freshly planted groves are accented by Cobb's use of texture via h...

In this monumental 145x100 cm canvas, the proprietary "Ordered Chaos" method is pushed to its technical and emotional limits. Part of a profound, decade-long study titled Hydro-Genes...

Pilgrims Waiting at the Gate shows that flowers, birds and snow are symbols for emotional states or story elements. Dogs sometimes accompany the pale bald “Everywoman” protagonist on her journeys that often take place beneath a starry moonlit sky. She has been called a mythic artist, telling ancient stories that never grow old. Pilgrims are beneath the Moon approaching the Gate as seen in Pilgrims at the Gate in the oil painting on canvas. LOOK FOR 1STDIBS DISCOUNT CODE ON SHIPPING OR GALLERY QUOTE The artists says: "I love to show the strength and optimistic attributes of women. Even when they are in a quandary or in danger, I always try to show a glimmer of hope and wisdom—that they will solve the riddle and make it through, stronger and with dignity. Being bald and shorn of any particular identity, they become all women.” She is also a published poet and her paintings have appeared as cover art for literary journals and poetry collections. Recently her painting “Thoreau’s Pumpkin” was included in the Hudson River Museum...

Her work with signs, symbols and esoteric spirituality reflects her passion for the ancient past and represents a symbolic return to the ground from which we emerged. Her work creates a commentary about “beginnings” and the transmission of signs and emotions through visual elements evoking a spiritual essence to our scientific notion of etymology. After studying under Rolf Dürig...

This 16 x 20 oil on canvas by artist James Cobb depicts a rocky coastal overlook featuring a white home perched in the middle ground with a gray, looming mountain range extending acr...

This oil on canvas painting by artist James Cobb depicts the scenic aspen groves found along the mountainsides in Colorado. Cobb's use of the palette knife helps accentuate the varie...

A French Expressionist oil on canvas landscape of countryside at L'Olivette, Cap d'Antibes on the French Riviera, by Germain Bonel. The painting is signed bottom right and signed, dated and titled to the back of the canvas. A strong and impactful composition of the trees and forest leading down to the sea wall and then the Mediterranean beyond at the Port (or 'Abri' as it is also known) of l'Olivette on the west coast of Cap d'Antibes, the iconic location in the South of France. This former small traditional fishing port from the beginning of the twentieth century is now converted into a picturesque little marina on Cap d'Antibes, with its rocky cove, its beach, its pine forest, its umbrella pines, olive trees, fig trees, and agaves and its famous 'Villa Aujourd'hui' a modernist residence built by American architect Barry Dierks (1899-1960) in 1938 for socialite Mrs. Audrey Chadwick. L'Olivette has a privileged panoramic view of the Gulf of Juan, and the coastal shores of Cap d'Antibes, Juan-les-Pins, Golfe-Juan, and the Pointe Croisette of Cannes. Germain Bonel (5 August 1913 – 2002) was a French painter of Catalan origin. From 1967 to 1983, he was a professor of drawing and painting at the Perpignan School of Fine Arts. From 1969 to 1978, he also taught art in the schools of Saint-Cyprien-village and Saint-Cyprien-Plage. Germain Bonel's painting is both expressionist and decorative. Georges-Henry Gourrier said of him: "Germain Bonel's painting expresses [quite naturally] the singular beauty of forms, the radiant force of colour, the deepening of matter and the tenderness of the things of life. His work appears to be a painting of plenitude." From 1941 to 1945, Germain Bonel studied drawing at the Municipal School of Fine Arts in Perpignan. He won first prize in 1945. Out of competition, he continued his studies at the same school from 1945 to 1948 and he regularly exhibited his works at the annual exhibition held at the Salle Arago in Perpignan. Germain Bonel met François Desnoyer in 1950 and introduced him to the Catalan artistic milieu. He was admitted to the Salon d'Automne in Paris in 1951 and exhibited until 1961, when he became a member of the salon. As early as 1951 a commentary said, "with the canvas hanging...

Abstract cityscape indebted to Matisse's "View of Notre Dame."