Anthony Van Dyck Portrait Paintings
Flemish, 1599-1641
A three-quarter length portrait of Anne, Lady Russell, later Countess of, Attributed to Sir Anthony Van Dyck.
Anne Carr, Lady Russell, an esteemed beauty was clearly a favourite of Sir Anthony Van Dyck. There are six portrait types of Lady Russell listed in Miller, et al. It is tempting to associate the current portrait with the three-quarter length in blue in the Egremont collection at Petworth House (Millar IV.22) because of the similarity of colouring. However, we believe that this picture represents a different portrait type, and most likely derives from a separate sitting. The comparison with the short three-quarter length belonging to the Tokyo Fuji Art Museum, Tokyo (Millar IV.23), is telling. The heads are essentially the same, though the pose and the colouring of the portraits are quite different. The Japanese painting features a rose-red gown and a fawn stole, possibly darker than in this painting. This comparison also illustrates Van Dyck's ability to develop different compositions from a single sitting.
Dr. Malcolm Rogers CBE FSA believes this painting to be an unfinished work by the artist:
"with, as you might expect, preparatory work by a member of his studio. Especially encouraging is the penumbra of thicker paint around the lady's head which is a recognised feature associated with the artist's ad vivum rendering of heads. My notes do not mention a similar penumbra in the Tokyo painting, though the painting is throughout of very high quality. There are one or two slight pentimenti in the silhouette of the figure of your painting and in the line of her stole, which at one point may have been intended to run over her right wrist. Close examination may reveal more. Some areas of the draperies, especially the linens are not fully realised, and, of course, the background is only roughed in.
Millar suggests that the Tokyo painting with its loose gown and protective hands may indicate that the sitter is pregnant. The gown is similarly loose in [this] painting. If she is indeed pregnant this might suggest a date around 1638 or 1639, in which years the first two of her eleven children were born. I cannot explain why the painting was left unfinished, but it is, must be, a distinct possibility that this is the very portrait of Lady Bedford that remained in Van Dyck's studio at the time of his death (see C. Brown and N. Ramsay, 'Van Dyck's Collection: Some New Documents', Burlington Magazine, Vol. 132, pp. 704-9)."
Dimensions: 53 1⁄8 in (H) x 43 1⁄4 in (W)
Provenance: Picture probably listed in contents of van Dyck’s studio at time of death December 1641 (O. Millar, Van Dyck, A complete catalogue of the paintings, New Haven and London, 2004, under no. IV.23);
The most Reverand Dean of Durham, possibly William Lake (1817-1897);
Charles Sedelmeyer, 1906, as 'Sir Anthony van Dyck';
Colonel Edward F Simms of Kentucky;
H. Kenneth Franzheim;
Kenneth Franzheim II;
Thence by descent to Sabrina Franzheim (current owner).to
1
Overall Width
to
Overall Height
to
1
1
1
1
1
1
1
1
1
4
249
89
74
69
1
1
Artist: Anthony Van Dyck
Sir Anthony Van Dyck 17th Century Oil Painting Study of a Head of a Man
By Anthony van Dyck
Located in London, GB
Sir Anthony Van Dyck (1599-1641, Flemish)
Study of a Head of Man
Circa 1627-32, Van Dyck’s second Antwerp period
Oil on paper, laid down on canvas
Dimensions 15 x 14 inches (38.1 x 3...
Category
17th Century Old Masters Anthony Van Dyck Portrait Paintings
Materials
Oil
Related Items
Oval 18th century Portrait of a Young girl, oil on copper
By (Follower of) Sir Godfrey Kneller
Located in Woodbury, CT
This exquisite 18th-century portrait depicts a young girl, delicately rendered in the style of Sir Godfrey Kneller, one of the most celebrated portrait painters of the Baroque period...
Category
1750s Old Masters Anthony Van Dyck Portrait Paintings
Materials
Copper
Portrait of an Elderly Man
Located in Stockholm, SE
This finely executed oil painting, attributed to the circle of Christian Wilhelm Ernst Dietrich, captures the contemplative expression of an elderly man, his gaze lowered in quiet re...
Category
Early 19th Century Old Masters Anthony Van Dyck Portrait Paintings
Materials
Oil, Wood Panel
Girl with a pen
Located in Genève, GE
Work on canvas
Category
Mid-19th Century Old Masters Anthony Van Dyck Portrait Paintings
Materials
Oil
John Hervey Portrait on occasion of receiving the Title 1st Earl of Bristol
By (Circle of) Godfrey Kneller
Located in Firenze, IT
Portrait of John Hervey, 1st Earl of Bristol (1665-1751).
Early 18th-century near-life-size portrait of a noble man richly dressed in a long wig.
Circle of...
Category
Early 18th Century Old Masters Anthony Van Dyck Portrait Paintings
Materials
Canvas, Oil
H 66.93 in W 53.15 in D 1.58 in
Portrait of an Old Bearded Man With a Black Cap
Located in Stockholm, SE
We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...
Category
Late 18th Century Old Masters Anthony Van Dyck Portrait Paintings
Materials
Oil, Wood Panel
Spanish School 19th century, Santa Justa and Santa Rufina, oil on canvas
Located in Paris, FR
Spanish School of the 19th Century
Santa Justa and Santa Rufina
Oil on canvas
40 x 27 cm
In quite good condition, the paint surface presents numerous crack...
Category
1840s Old Masters Anthony Van Dyck Portrait Paintings
Materials
Oil
H 15.75 in W 10.63 in
Saint Roch with Saint Jerome + Saint Sebastian - British Edwardian oil painting
By Wilfred Gabriel de Glehn
Located in London, GB
This superb religious figurative oil painting is by noted artist Wilfred de Glehn. Although some experts rank de Glehn alongside Sargent, he is considered as something of a late British Renoir, for his deft use of sunlight and shadow. Indeed he was good friends with John Singer Sargent and collaborated with his on some projects. This painting, painted circa 1910 is of three saints, from left to right they are Saint Jerome, Saint Roch and Saint Sebastian. It is based on a work attributed to 16th century artist Alessandro Oliverio. Saint Jerome was a biblical translator and monastic leader and is depicted in red, holding books. Saint Roch and Saint Sebastian were known as the Plague saints - Plague saints offered hope and healing before, during, and after times of plague. A specific style of painting, the plague votive, was considered a talisman for warding off the plague. It portrayed a particular saint as an intercessor between God and the person or persons who commissioned the painting – usually a town, government, lay confraternity, or religious order to atone for the "collective guilt" of the community. Rather than a society depressed and resigned to repeated epidemics, these votives represent people taking positive steps to regain control over their environment. Paintings of Roch represent the confidence in which renaissance worshipers sought to access supernatural aid in overcoming the ravages of the plague. The thirteenth-century Saint Roch (or Rocco), whose death is still commemorated in Italy, is especially invoked against the plague. He attended plague victims in public hospitals in Italy according to traditional accounts of his life. Images attributed to the Spanish historical painter Nicolás Borrás in the Royal Cornwall Museum, or other works in institutions from The National Gallery to the Wallace Collection, show him baring his thigh to show the mark of the plague, as he is in this painting. Saint Roch is also the patron saint of dogs, after one carried food to him in the prison where he died...
Category
1910s Old Masters Anthony Van Dyck Portrait Paintings
Materials
Oil
A Portrait of a Bewigged Gentleman
By Enoch Seeman
Located in St. Albans, GB
Enoch Seeman
Canvas Size: 30 x 25" (76 x 62cm)
Outside Frame Size: 37 x 32" (92 x 80cm)
1694-1744
He was born in Danzig, now Gdansk, Poland, around 1694. His father, also Enoch...
Category
Early 18th Century Old Masters Anthony Van Dyck Portrait Paintings
Materials
Oil
PORTRAIT OF A GENTLMEN - French School -Portrait Italian Oil on Canvas Painting
By Eugenio De Blasi
Located in Napoli, IT
Portrait of a Gentlemen - Oval oil on canvas cm.50x40, Italia, 2006 Eugenio De Blasi
Wooden frame available on request
The portrait of Eugenio De Blasi is inspired by one of the many portraits painted by Guillam Francois Colson, a French historian painter, who painted portraits of families...
Category
Early 2000s Old Masters Anthony Van Dyck Portrait Paintings
Materials
Canvas, Oil
Portrait of Lady Caroline Price
By George Romney
Located in Miami, FL
DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...
Category
1970s Old Masters Anthony Van Dyck Portrait Paintings
Materials
Oil, Canvas
The Card Players by a Flemish 1600s Artist
By Flemish School, 17th Century
Located in Stockholm, SE
Flemish 1600s School
The Card Players
oil on oak panel
panel dimensions 22.5 x 20 cm
frame included
Provenance:
From a Swedish private collection.
Condition:
Flat and stabl...
Category
17th Century Old Masters Anthony Van Dyck Portrait Paintings
Materials
Oak, Oil, Panel
19th century classical religious oil painting portrait female subject red dark
By Giovanni Pietro Rizzoli
Located in Milwaukee, WI
"Caterina d'Alexandria (Saint Catherine of Alexandria)" is a copy oil painting on wood panel, after Italian artist Giampietrino (Giovanni Pietro Riz...
Category
19th Century Old Masters Anthony Van Dyck Portrait Paintings
Materials
Oil, Wood Panel
Previously Available Items
studio of Sir Anthony van Dyck - Self Portrait
By Anthony van Dyck
Located in Gerrards Cross, GB
A fine 17th century oil on canvas portrait of the celebrated Flemish artist Sir Anthony van Dyck (1599-1651). With the exception Peter Paul Rubens...
Category
17th Century Old Masters Anthony Van Dyck Portrait Paintings
Materials
Oil
Anthony Van Dyck portrait paintings for sale on 1stDibs.
Find a wide variety of authentic Anthony Van Dyck portrait paintings available for sale on 1stDibs.
Questions About Anthony Van Dyck Portrait Paintings
- 1stDibs ExpertOctober 30, 2024How much a van Dyck painting is worth varies based on its historical significance, condition and size. At a London auction in 2009, a self-portrait of the artist sold for $13.5 million. Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter for Charles I of England. He is best known for his portraits of royalty and aristocracy, most notably Charles I and his family and associates. His style changed considerably between the countries he worked in, culminating in the relaxed elegance of his last English period. Van Dyck widely influenced English portrait painting for the next 150 years, and his influence extended into the modern period. If you own a van Dyck piece, use the services of a certified appraiser or knowledgeable art dealer to learn how much it may be worth. On 1stDibs, find a variety of Baroque art.