Antonio Corpora More Art

Through The Ages by Toko Shinoda, black and white signed lithograph calligraphy 11/35 obituary published by CNN March 2021 Celebra...

Color etching, 1953. Signed by the artist in pencil, lower right. Numbered "Epreuve d'Artiste XIX/XX" in pencil in lower left margin. One of twenty numbered artist proof impressio...

Françoise Gilot Painting-Malerei, hand signed and warmly inscribed to renowned actress, 2003 Hardback monograph, signed in ink with lengthy inscription to American actress Elizabeth ...

Abstrakte Bilder (No Text) By Gerhard Richter 2004 Medium: Offset Lithograph Paper Size: 27.5 x 35.25 inches ( 70 x 90 cm ) Image Size: 19.25 x 29.25 inches ( 49 x 74 cm ) Edi...

Color screenprint on heavy white wove archival paper. Edition of 200. Printed by l'Atelier Eric Linard, Paris. Published by Editions T.A.T Arts, Paris, with the printed justificat...

Ana Rosa de Ycaza’s’s Copper Etching III is a black and white engraving copper minimalist abstract mixed media with a french oak frame measuring 14 x 14 priced at $1000. Ana Rosa de Ycaza an artist born in 1915 was affiliated with Atelier 17 a studio that attracted the likes of Mark Rothko, Joan Míro, William de Kooning...

Color etching and aquatint, 1946. Third state (of 3). Signed by the artist in pencil, lower right margin, and numbered 199/300 in pencil, lower left margin. Published by Laurel Ga...

Jennifer Losch Bartlett Rhapsody (hand signed and inscribed), 1985 Hardback monograph with dust jacket (hand signed and inscribed to Nadine) Hand signed and inscribed in black marker "for Nadine" by Jennifer Bartlett on the half title page 12 × 12 × 1 inches Provenance signed for the present owner at Paula Cooper Gallery on January 21, 2016 This substantial, lavishly illustrated hardback monograph with dust jacket, was hand signed by Jennifer Bartlett for the present owner at Paula Cooper Gallery on January 21, 2016. Makes an excellent gift Book information: Publisher‏: ‎ Harry N Abrams (November 1, 1985) English; Hardcover; 108 pages with color illustrations Editorial Review: Rhapsody'' is Bartlett's multi-part, multi-theme epic, a statement of the coming of age of an artist. A portable mural extended over 987 one-foot steel plates requiring 153 running feet of wall space, it is an enormous and infrequently mastered challenge to install and exhibit. In 1985-86, however, it will be on view in Minneapolis, Kansas City, Brooklyn, La Jolla, and Pittsburgh, and well worth a trip. In book form it becomes more available, with Smith's guided tour through sections, with Bartlett's notes giving conceptual coherence, and the opportunity to move from close-up to long view by turning a page. Rhapsody'' and this book afford a glimpse of a mind and art in action, a discovering and ordering process, an exciting demonstration of ways of growing and expressing the self and the world. Highly recommended. About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

Color lithograph on Rives BFK, 2004. Signed by the artist in pencil lower right. Numbered II/XX in pencil lower left. One of 20 numbered artist's proofs, aside from the regular edi...

Untitled, from September Suite by Stephen Buckley, 1977 Additional information: Medium: etching 50 x 65 cm 19 3/4 x 25 5/8 in signed, dated and inscribed 'Artist's Proof 4/10' in pe...

Edition of 150: 4 color risograph printed in Turquoise, Flo Pink, Sunflower, & Midnight inks, on 110lb index/200gsm paper. Printed at Chute Studio in Berkeley CA...

Louise Bourgeois & Tracey Emin Do Not Abandon Me (Hand signed in green marker on the half title page by Tracey Emin), 2010 Cloth hardback monograph with no dust jacket as issued (Han...