Antonio Tempesta was born and trained in Florence and painted in a variety of styles, influenced to some degree by Counter-Maniera or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Johannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence.
The Donkey - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Donkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including...
Etching
Cainus fratri necem molitur (Cain kills his brother), Plate I Battles from Old T
By Antonio Tempesta
Located in Middletown, NY
Rome: Nicolas van Aelst, 1613. Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins. Scattered expert repairs including minor pu...
Laid Paper, Engraving
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...
Etching
The Lion - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The lion is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a...
Etching
Stories from Genesis - Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
Stories from Genesis is an etching realized by Antonio Tempesta in the early 17th Century. It's part of series of three plates. it represents Isaac's sacrifice. 3 etching of 9 cm e...
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...
Etching
The Horse - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 / 8 x 10 cm. Not signed....
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In good conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
Goat - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
Mule - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Mule is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cre...
Etching
The Chariot of Gods - Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
The Chariot of Gods is anold master artwork realized by Antonio Tempesta in 17th Century. Black and white etching. Good condition. Ref. Bertela 801 Plate dimensions: 14 x 19 cm
Etching
Stories from Genesis - Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
Stories from Genesis is an etching realized by Antonio Tempesta in the early 17th Century. From left to right: Annunciation, City of Sodom burning. Lot who is saved with his daughte...
Etching
The Buffalo - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Buffalo is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
The Fawn - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The fawn is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 / 8 ...
Etching
Hunting Scene - Original Etching by Antonio Tempesta - Early 17th Century
By Antonio Tempesta
Located in Roma, IT
Image dimensions: 20.4 x 27.5 cm. Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630). Monogramm ...
Etching
Old Testament Plates - Original Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
Old Testament plates is a wonderful black and white set of prints realized by the Italian master Antonio Tempesta (1555-1630) in the XVII century. The eight plates depicting scenes of the Old testament with Inscriprions on plates They are mounted on a cardboard passepartout and in a gilded frame. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
The Monkey - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for some stains. Image Dimensions: 5 x 7 / 8 x 10 cm. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
Bull - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Bull is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 cm. 8 x 10 cm. Not signed. I...
Etching
Ox - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Ox is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Image Dimensions:...
Etching
$9,334
H 41.34 in W 21.66 in D 0.04 in
Salvador Dali - Corrida - Vintage Poster with Etching
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Corrida - Vintage Poster with Etching Etching made behind a menu in Restautant Duran as a tribute dinner to Salvador Dali and his wife Ga...
Etching
$4,250
H 32.5 in W 26 in
Look Not Upon Me..., Surrealist Etching with Gold Dust by Salvador Dali
By Salvador Dalí
Located in Long Island City, NY
Salvador Dali, Spanish (1904 - 1989) - Look Not Upon Me..., Portfolio: The Song of Songs of King Solomon, Year: 1972, Medium: Color Etching with Gold Dust on Arches Paper, signed ...
Gold Leaf
$4,500
H 29 in W 23.5 in
Walasse Ting - Green Cat, etching and aquatint, Signed/N, scarce Italian print
By Walasse Ting
Located in New York, NY
Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...
Ink, Mixed Media, Pencil, Graphite, Etching, Aquatint
$1,250
H 4.5 in W 6.5 in
AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT
Located in Santa Monica, CA
AMERICAN REVOLUTION THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT, 1774 (LC Cresswell 664). Engraving and etching. Originally from "The London Magazine", April 1774. Pl...
Engraving
Surreal Etching Print of Crowned Figure on Horse, 1984
By Maximino Javier
Located in Palm Springs, CA
This richly detailed print by Mexican artist Maximino Javier, dated 1984, exemplifies his surreal and symbolic approach to etching. At the center of the composition is a crowned figu...
Etching, Aquatint
$6,000
H 8.8 in W 12.8 in
Pablo Picasso, "Untitled" from 23 novembre 1966 II, etching
By Pablo Picasso
Located in Chatsworth, CA
An original etching created by Pablo Picasso in 1966 . It is stamp signed and numbered from the edition of 50. This piece measures 8.8 x 12.8 inches and the framed dimensions are 1...
Etching
The Bathers ("De Zwemmertjes")
By Rembrandt van Rijn
Located in New York, NY
Etching and drypoint on laid paper, 1651. New Hollstein's third, and final, state. Full sheet size 5.38 x6.5 inches. Frame size 14.25 x 16.75 inches. Catalogue raisonné references...
Drypoint, Etching
Celui qui dit les choses sans rien dire, Planche XXV
By Marc Chagall
Located in OPOLE, PL
Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XXV Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in ...
Etching, Aquatint
$6,500
H 25 in W 31 in
David's Pool at Night (David Hockney's Pool) black white abstract Howard Hodgkin
By Howard Hodgkin
Located in New York, NY
Large scale black and white etching depicting an abstracted pool, at David Hockney’s home in Los Angeles. This hand painted Howard Hodgkin work is i...
Watercolor, Etching, Aquatint
Bust (Mauve): Erotic drawing of nude bound woman
By Claes Oldenburg
Located in New York, NY
Printed in rich astral blue, this etching depicts a nude woman from the waist up. Emerging from her cupid’s-bow lips, the tip of a phallus imitates a ball gag, and across her chest, ...
Etching
$975
H 18.75 in W 22.625 in D 0.5 in
Old Master Royal Stallion Engraving by Crispin de Passe
By Crispin De Passe
Located in New York, NY
Crispin van de Passe The Younger (c. 1594-1670) Untitled (Royal Stallion), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in plate: Le Bonit...
Engraving
$3,792
H 28.35 in W 36.23 in D 0.79 in
Salvador Dalì (1904-1989) - The Elephant and Jupiter's Monkey - Drypoint etching
By Salvador Dalí
Located in Varese, IT
Rare deluxe issue printed on extremely fine Japanese paper (hand colored in stencil). Limited edition, numbered 235/250 in lower left corner. Signed in pencil by artist in lower rig...
Paper, Watercolor, Drypoint, Etching
Sold
H 20.87 in W 26.78 in D 0.6 in
17th Century "Diana's Deer and Boar Hunt" Etching by Antonio Tempesta
By Antonio Tempesta
Located in Cagliari, IT
A fine mythological etching by the great Italian engraver Antonio Tempesta (Florence, 1555 – Rome, 5 August 1630) printed by François L'Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647),also called F. L. D. Ciartres (" Francois Langlois from Chartres"). Beautiful sheet , very sharp . The dimensions below are inclusive of the frame, the print without the frame measures 27x19 cm Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-Maniera" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Tempesta and the Flemish painter Matthijs Bril were commissioned by Pope Gregory XIII to paint wide panoramas of the Procession to Transfer the Relics of St. Gregory of Nazianzus (1572) for the loggias on the third floor of the Vatican Palace. He completed frescoes in the Palazzina Gambara at the Villa Lante in Bagnaia (1578-1609). From 1579–83, Tempesta participated in the decoration of the Villa Farnese in Caprarola, notably of this villa's Scala Regia. He is also known to have collaborated on frescoes in the Villa d'Este at Tivoli and the Palazzina Gamara at Villa Lante, Bagnaia. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. Tempesta painted frescoes for the Palazzos Colonna, the Doria Pamphilj, and for the Marchese Giustiniani in his Roman palace, where Tempesta collaborated with Paul Bril, and at Bassano di Sutri. He painted a Massacre of the Innocents for the church of Santo Stefano Rotondo in Rome. Tempesta is now best known as a printmaker in etching and engraving. He also left numerous etchings, among them: Plates from the Old Testament; twenty-four plates from the Life of St. Anthony; a set of 150 prints from Ovid’s Metamorphoses; 13 plates on The Labours of Hercules and four plates on respectively The ages of man; The entry of Alexander into Babylon; Diana and Actaon, and The crucifixion (1612). In 1612 he engraved a series of plates under the title "Batavorum cum Romanis Bellum" after designs of the Netherlandish artist Otto van Veen, also known as Vaenius (1556-1629) and court painter to Alessandro Farnese. Van Veen was influenced by the Italian mannerists but had developed his own style anticipating the Flemish baroque of his pupil Peter Paul Rubens. The series consists of 36 numbered engraved plates and illustrates the armed struggle between the ancient Dutch tribes and their Roman oppressors as narrated in Tacitus' Histories. Each plate bears at the bottom an engraved legend in Flemish and in Latin while a detailed explanation is printed on the otherwise blank verso. Plate I, signed 'Ant.Tempesta f. Anno 1611', shows 'Roma' and 'Batavia' in battle dress with respective scenic backgrounds, symbolizing the two nations. Fifteen other plates bear Tempesta's monogram. The plates depict heroic events, sieges, and battle scenes. This historicist work was very popular in its time. Tempesta also drew many designs for tapestries. François L’Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647), also called F. L. D. Ciartres ("François Langlois from Chartres"), was a French print publisher, print seller, engraver, bookseller, art dealer, and painter. He is widely considered to have been the first important print publisher in France and to have contributed significantly to spreading awareness of contemporary artists' work throughout Europe. François L’Anglois was born in Chartres and baptised there on 12 May 1589. He visited Italy on several occasions: Rome in 1613 and 1614 and Genoa, Florence, and Rome again in 1621. On these trips he met Anthony van Dyck and Claude Vignon, who both painted his portrait. He also became acquainted with the engravers Stefano della Bella and François Collignon. It was probably around this time that he acquired the nickname of Chartres (Ciartres in Italian). In 1624–1625 he was associated with Vignon as an art dealer (paintings) and acted as a print collector for Thomas Howard, 14th Earl of Arundel, and Charles I of England...
Paper
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H 13.39 in W 19.3 in D 0.04 in
The Cinghi - Original Etching by Antonio Tempesta - 1610
By Antonio Tempesta
Located in Roma, IT
The Cinghi is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for...
Etching
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H 13.39 in W 19.3 in D 0.04 in
The Monkey - Original Etching by Antonio Tempesta - 1610
By Antonio Tempesta
Located in Roma, IT
The monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Horse - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. Image Dimensions: 5 x 7 / 8 x 10 c...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Elephant - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Elephant is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 7 x 10/ 9 x 11.5 cm. Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Cheetah - Original Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Cheetah is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In exce...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Monkey - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In very good conditions, except for...
Etching
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H 13.39 in W 19.3 in D 0.04 in
The Lioness - Original Etching by Antonio Tempesta - 1630
By Antonio Tempesta
Located in Roma, IT
The lioness is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Includin...
Etching
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H 13.39 in W 19.3 in D 0.04 in
Bear - Original Etching by Antonio Tempesta - 1610
By Antonio Tempesta
Located in Roma, IT
Bear is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cre...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Goat - Original Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a...
Etching
Adoration of the Magi
By Antonio Tempesta
Located in New York, NY
Antonio Tempesta (Florence 1555 - 1630 Rome) Adoration of the Magi Signed on the quiver-strap of the black soldier holding the two white horses...
Alabaster
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H 11 in W 8.13 in D 1 in
Illustrations for Canto I from Tasso's Jerusalem Delivered III
By Antonio Tempesta
Located in Petworth, West Sussex
Antonio Tempesta (Italian, 1555-1630) Illustrations for Canto I from Tasso's Jerusalem Delivered III etchings, ( a set of 5) each 11 x 8.1/8 in. (28cm x 20.5c...
Etching