Antonio Tempesta was born and trained in Florence and painted in a variety of styles, influenced to some degree by Counter-Maniera or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Johannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence.
The Donkey - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Donkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including...
Etching
Cainus fratri necem molitur (Cain kills his brother), Plate I Battles from Old T
By Antonio Tempesta
Located in Middletown, NY
Rome: Nicolas van Aelst, 1613. Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins. Scattered expert repairs including minor pu...
Laid Paper, Engraving
The Lion - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The lion is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a...
Etching
The Horse - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 / 8 x 10 cm. Not signed....
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In good conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
The Chariot of Gods - Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
The Chariot of Gods is anold master artwork realized by Antonio Tempesta in 17th Century. Black and white etching. Good condition. Ref. Bertela 801 Plate dimensions: 14 x 19 cm
Etching
Stories from Genesis - Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
Stories from Genesis is an etching realized by Antonio Tempesta in the early 17th Century. It's part of series of three plates. it represents Isaac's sacrifice. 3 etching of 9 cm e...
Etching
Stories from Genesis - Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
Stories from Genesis is an etching realized by Antonio Tempesta in the early 17th Century. From left to right: Annunciation, City of Sodom burning. Lot who is saved with his daughte...
Etching
Hunting Scene - Original Etching by Antonio Tempesta - Early 17th Century
By Antonio Tempesta
Located in Roma, IT
Image dimensions: 20.4 x 27.5 cm. Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630). Monogramm ...
Etching
The Fawn - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The fawn is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 / 8 ...
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...
Etching
Goat - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...
Etching
Mule - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Mule is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cre...
Etching
Dog - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...
Etching
Old Testament Plates - Original Etching by Antonio Tempesta - 17th Century
By Antonio Tempesta
Located in Roma, IT
Old Testament plates is a wonderful black and white set of prints realized by the Italian master Antonio Tempesta (1555-1630) in the XVII century. The eight plates depicting scenes of the Old testament with Inscriprions on plates They are mounted on a cardboard passepartout and in a gilded frame. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
The Buffalo - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Buffalo is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
The Monkey - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for some stains. Image Dimensions: 5 x 7 / 8 x 10 cm. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
Ox - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Ox is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Image Dimensions:...
Etching
Bull - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
Bull is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 cm. 8 x 10 cm. Not signed. I...
Etching
$1,780
H 12.6 in W 9.45 in D 0.04 in
Wassily Kandinsky - Horse Knight - Original Etching
By Wassily Kandinsky
Located in Collonge Bellerive, Geneve, CH
Wassily Kandinsky - Horse Knight - Original Etching 32 x 24 cm 1966 From the art review XXe siècle, San Lazzaro Unsigned and unumbered as issued
Etching
$9,496
H 41.34 in W 21.66 in D 0.04 in
Salvador Dali - Corrida - Vintage Poster with Etching
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Corrida - Vintage Poster with Etching Etching made behind a menu in Restautant Duran as a tribute dinner to Salvador Dali and his wife Ga...
Etching
Temptation of St. Anthony
By Hendrik Goltzius
Located in North Clarendon, VT
Temptation of Saint Anthony an etching in the manner of Hendrik Goltzius. Goltzius was born near Viersen in Bracht or Millebrecht, a village then in the Duchy of Julich, now in the ...
Etching
$1,100
H 17.75 in W 16 in
The glass mountain shattered David Hockney Fairy Tales from the Brothers Grimm
By David Hockney
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Etching, Aquatint
$1,200
H 31 in W 37.6 in
Four Figures and a Head, on Giant Phallus by Claes Oldenburg erotic nude scene
By Claes Oldenburg
Located in New York, NY
This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...
Etching
$2,848
H 15.36 in W 9.26 in
Paul César Helleu "Study of Women" Etching, Hand-Signed, Art Nouveau
By Paul César Helleu
Located in Eltville am Rhein, DE
Paul César Helleu Vannes 1859 - 1927 Paris "Study of 4 women" Etching on handmade paper Signed in pencil lower left Inscribed lower right with "Unique epreuve, ....." Rare proof prin...
Etching
$8,532
H 35.12 in W 26.82 in D 1.58 in
Incredible framed artwork by contemporary artist (after Rembrandt) monochrome
By Glenn Brown
Located in London, GB
This is a truly stunning work by contemporary great, Glenn Brown. This work is an Artist Proof, one of only 12 created. The frame is handmade by famous London framers, Darbyshire. I...
Paper, Etching
$1,125
H 37.75 in W 41.75 in
Study for a Monument in the Heroic/Erotic/Academic/Comic Style Claes Oldenburg
By Claes Oldenburg
Located in New York, NY
This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of ecstasy and repose. The loose sketches were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The composition is based on the drawing: Clinical Study, Towards a Heroic-Erotic Monument in the Academic/Comic Style, 1965, ball-point pen on paper, 20 x 40 in. / 60 x 101.6 cm. *This print was etched in six gorgeous inks, each in an edition of ten: take your pick of color!* Oldenburg had an interest in imaginary monuments: he famously conceptualized works such as “Ball”, an unbuilt monument conceived of in 1967 which imagined two ballcocks – the round mechanism in a toilet tank...
Etching
$975
H 18.75 in W 22.625 in D 0.5 in
Old Master Royal Stallion Engraving by Crispin de Passe
By Crispin De Passe
Located in New York, NY
Crispin van de Passe The Younger (c. 1594-1670) Untitled (Royal Stallion), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in plate: Le Bonit...
Engraving
$14,500
H 33.375 in W 28.5 in D 1.25 in
Joan Miró “L’Oiseau du Forgeron” 1963 Signed Etching and Aquatint with Debossing
By Joan Miró
Located in Miami, FL
JOAN MIRÓ (1893–1983) – “L’OISEAU DU FORGERON” Etching and Aquatint in Colors with Debossing on Arches Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A POETIC DIALOGUE BETWEEN INDUSTRIAL MATTER AND THE LIFE OF THE BIRD “L’Oiseau du Forgeron”, or “The Blacksmith’s Bird,” is a 1963 etching and aquatint with debossing by Joan Miró, hand signed in pencil lower right and numbered 48 from the limited edition of 75. The work belongs to Miró’s celebrated Forgeron series, in which the artist used aggressive plate biting and physical debossing of the paper to summon the world of the blacksmith’s forge directly onto the printed sheet. Printed in colors on heavy Arches wove paper with the watermark present, the impression was published by Maeght Éditeur, Paris, the central printmaking publisher of Miró’s mature career, and is documented in Jacques Dupin’s Miró Engraver, Vol. II: 1961–1973 (Daniel Lelong Éditeur, Paris, 1989) as plate 363. The composition is built around a bold visual pairing. At its center sits a heavy gray geometric form, rendered through the combined effect of etching, aquatint, and debossing, the latter pressing the contours of the deeply etched plate physically into the paper to create a tactile, sculptural relief that mimics forged industrial iron. The form is perforated with a constellation of small circles that read as rivet holes and is edged with the irregular notches of a blacksmith’s tool...
Etching, Aquatint, Intaglio
$2,800
H 17.75 in W 16 in
Rapunzel, Rapunzel, let down your hair David Hockney Brothers Grimm Fairy Tales
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel, which he chose for its popularity. When illustrating the princ...
Etching, Aquatint
Polo, colour etching, horses, circa 1950
By Louis Claude
Located in Melbourne, Victoria
Titled 'Polo' and signed 'Louis Claude' in pencil below the image. Printed in Paris for the Paris Etching Society, New York. 465mm by 595mm (pla...
Etching
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H 20.87 in W 26.78 in D 0.6 in
17th Century "Diana's Deer and Boar Hunt" Etching by Antonio Tempesta
By Antonio Tempesta
Located in Cagliari, IT
A fine mythological etching by the great Italian engraver Antonio Tempesta (Florence, 1555 – Rome, 5 August 1630) printed by François L'Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647),also called F. L. D. Ciartres (" Francois Langlois from Chartres"). Beautiful sheet , very sharp . The dimensions below are inclusive of the frame, the print without the frame measures 27x19 cm Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-Maniera" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Tempesta and the Flemish painter Matthijs Bril were commissioned by Pope Gregory XIII to paint wide panoramas of the Procession to Transfer the Relics of St. Gregory of Nazianzus (1572) for the loggias on the third floor of the Vatican Palace. He completed frescoes in the Palazzina Gambara at the Villa Lante in Bagnaia (1578-1609). From 1579–83, Tempesta participated in the decoration of the Villa Farnese in Caprarola, notably of this villa's Scala Regia. He is also known to have collaborated on frescoes in the Villa d'Este at Tivoli and the Palazzina Gamara at Villa Lante, Bagnaia. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. Tempesta painted frescoes for the Palazzos Colonna, the Doria Pamphilj, and for the Marchese Giustiniani in his Roman palace, where Tempesta collaborated with Paul Bril, and at Bassano di Sutri. He painted a Massacre of the Innocents for the church of Santo Stefano Rotondo in Rome. Tempesta is now best known as a printmaker in etching and engraving. He also left numerous etchings, among them: Plates from the Old Testament; twenty-four plates from the Life of St. Anthony; a set of 150 prints from Ovid’s Metamorphoses; 13 plates on The Labours of Hercules and four plates on respectively The ages of man; The entry of Alexander into Babylon; Diana and Actaon, and The crucifixion (1612). In 1612 he engraved a series of plates under the title "Batavorum cum Romanis Bellum" after designs of the Netherlandish artist Otto van Veen, also known as Vaenius (1556-1629) and court painter to Alessandro Farnese. Van Veen was influenced by the Italian mannerists but had developed his own style anticipating the Flemish baroque of his pupil Peter Paul Rubens. The series consists of 36 numbered engraved plates and illustrates the armed struggle between the ancient Dutch tribes and their Roman oppressors as narrated in Tacitus' Histories. Each plate bears at the bottom an engraved legend in Flemish and in Latin while a detailed explanation is printed on the otherwise blank verso. Plate I, signed 'Ant.Tempesta f. Anno 1611', shows 'Roma' and 'Batavia' in battle dress with respective scenic backgrounds, symbolizing the two nations. Fifteen other plates bear Tempesta's monogram. The plates depict heroic events, sieges, and battle scenes. This historicist work was very popular in its time. Tempesta also drew many designs for tapestries. François L’Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647), also called F. L. D. Ciartres ("François Langlois from Chartres"), was a French print publisher, print seller, engraver, bookseller, art dealer, and painter. He is widely considered to have been the first important print publisher in France and to have contributed significantly to spreading awareness of contemporary artists' work throughout Europe. François L’Anglois was born in Chartres and baptised there on 12 May 1589. He visited Italy on several occasions: Rome in 1613 and 1614 and Genoa, Florence, and Rome again in 1621. On these trips he met Anthony van Dyck and Claude Vignon, who both painted his portrait. He also became acquainted with the engravers Stefano della Bella and François Collignon. It was probably around this time that he acquired the nickname of Chartres (Ciartres in Italian). In 1624–1625 he was associated with Vignon as an art dealer (paintings) and acted as a print collector for Thomas Howard, 14th Earl of Arundel, and Charles I of England...
Paper
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H 13.39 in W 19.3 in D 0.04 in
The Cinghi - Original Etching by Antonio Tempesta - 1610
By Antonio Tempesta
Located in Roma, IT
The Cinghi is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for...
Etching
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H 13.39 in W 19.3 in D 0.04 in
The Monkey - Original Etching by Antonio Tempesta - 1610
By Antonio Tempesta
Located in Roma, IT
The monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions, except for...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Horse - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. Image Dimensions: 5 x 7 / 8 x 10 c...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Elephant - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Elephant is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 7 x 10/ 9 x 11.5 cm. Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Cheetah - Original Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Cheetah is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In exce...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Monkey - Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The monkey is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In very good conditions, except for...
Etching
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H 13.39 in W 19.3 in D 0.04 in
The Lioness - Original Etching by Antonio Tempesta - 1630
By Antonio Tempesta
Located in Roma, IT
The lioness is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Includin...
Etching
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H 13.39 in W 19.3 in D 0.04 in
Bear - Original Etching by Antonio Tempesta - 1610
By Antonio Tempesta
Located in Roma, IT
Bear is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cre...
Etching
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H 13.39 in W 19.69 in D 0.04 in
The Goat - Original Etching by Antonio Tempesta - 1610s
By Antonio Tempesta
Located in Roma, IT
The Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a...
Etching
Adoration of the Magi
By Antonio Tempesta
Located in New York, NY
Antonio Tempesta (Florence 1555 - 1630 Rome) Adoration of the Magi Signed on the quiver-strap of the black soldier holding the two white horses...
Alabaster
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H 11 in W 8.13 in D 1 in
Illustrations for Canto I from Tasso's Jerusalem Delivered III
By Antonio Tempesta
Located in Petworth, West Sussex
Antonio Tempesta (Italian, 1555-1630) Illustrations for Canto I from Tasso's Jerusalem Delivered III etchings, ( a set of 5) each 11 x 8.1/8 in. (28cm x 20.5c...
Etching