Ararat Rugs Furniture

This unique design rug is interpreted by our designers with a mixture of Ararat Rugs’ soft tone natural dyed hand-spun yarns. This modern carpet is looking like the sand in the desert. Color summary: 10 colors in total, most used 4 colors are; The mix of Pink Yarns; Dusty Turquoise 340 (Spurge – Madder Root – Indigo – Walnut Husk) Russian Green 418 (Henna – Indigo) Imperial Red 415 (Madder Root) Group: Let Colors Talk Area: East Turkey Material of Pile: Natural Dyed Hand-spun Wool Material Warp...

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, pg.244. This is a sin...

This is a dual medallion as the main element of the design of 18th-century carpet from the Konya region, Central Anatolia area of Turkey. Rugs of this type, using two medallions, appear frequently in 15th-century paintings of both the Venetian and the Flemish schools. This pattern tradition survived into the 18th and even into the 19th century in Anatolian village rugs of which this is an exceptionally powerful example. The two octagons that fill almost all of the field enclose a small octagon in the center from which radiate rectangular panels in a star-like fashion, filled with “latch-hook” patterns. Typical two medallions central octagon carpets...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of Masi Awi...

This is a complete hooked field with double medallions rug from the late 19th century, Kazak region, Caucasus area. A striking field design features three medallions each with concen...

The source of the rug comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a pal...

The source of carpet comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.26. This is a long Khorassan Compartment and tree design 17th-century carpet from Khorasan, Eastern Persia. The name of this carpet comes from the provenance of Piero Barbieri, Genoa. The basic design of this rug is essentially quite simple. The field is organized by alternate rows of smaller multilobed medallions and larger reciprocal cartouches. The medallions alternate in width and color; from the wider ones, four trees...

The source of the rug comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York, 2014 fig.82. This was an exclusive example of a pa...