Arghya Priya Majumdar Art

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Acrylic painting on paper Hand-signed by the artist lower left Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

REWA says of her work… Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...

"Come Out and Play" is an original piece by Qiaira Riley made from acrylic paint on found wood. This piece measures measures 24"h x 14"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is included in numerous private and museum collections, among them the Burchfield-Penney Art Center, the Albright-Knox Art Gallery, the Castellani Art Museum of Niagara University, and the UB Anderson Gallery (all of which are located in Western New York...

Acrylic paint on paper Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bu...

Acrylic paint on paper Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed fro...

"Hyde Park" is an original artwork by Qiaira Riley made from acrylic and paper on found wood. This piece measures measures 17"h x 24"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...

Acrylic paint on paper Hand-signed by the artist Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...

Acrylic paint on paper Hand-signed by the artist Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...