Arghya Priya Majumdar Paintings

America Martin "Woman With Feet In Water", 2011 Acrylic & Ink on Handmade Blue Paper 37.75 x 25.25 in (95.88 x 64.14 cm) America Martin is an internationally represented Colombi...

Gabriel Mendoza Dónde Estás? (Where Are You?), 2022 Acrylic on paper Unframed dimensions: 14 x 19.75 inches Framed dimensions: 20 x 26 in This one-of-a-kind painting on paper comes ...

"The Boxer" series is an on-going body of work by Apostolos Chantzaras. As a practicing boxer himself, the artist has a passion for the sport and it shows in his bold yet whimsical w...

"The Boxer" series is an on-going body of work by Apostolos Chantzaras. This is a large scale artwork with bold colors and a graphic feeling of pop-nostalgia and movement. We are hap...

No. 206 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with India ink, charcoal, pastel and acrylic on kraft paper mounted on canvas, dimensions are 1...

Acrylic paint on paper Signed and dated lower right Unique work

Xenia Ostrovskaya, born in 1989, is a visual artist from Saint Petersburg. She studied ceramics and porcelain painting at Saint Petersburg State University. This was followed in 2015...

REWA says of her work… Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...

"Hyde Park" is an original artwork by Qiaira Riley made from acrylic and paper on found wood. This piece measures measures 17"h x 24"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...

"Come Out and Play" is an original piece by Qiaira Riley made from acrylic paint on found wood. This piece measures measures 24"h x 14"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...

America Martin "Woman & Table Series", 2007 Pencil, Ink & Oil on Cotton Paper 22.5 x 15.25 in (57.15 x 38.74 cm) America Martin is an internationally represented Colombian-A...

Acrylic paint on paper Signed and dated lower right Unique work

Female figure, vase, foliage, florals; acrylic ink, flashe and pastel on 300g Arches hot press paper; custom framed, shallow shadow box frame. Deep blue, marigold yellow gold. Fra...

Acrylic paint on paper Hand-signed by the artist Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...

Acrylic paint on paper Hand-signed by the artist Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...