Ben Schonzeit was born in Brooklyn, New York in 1942. He is a graduate of The Cooper Union. He has exhibited widely both here and abroad since 1969. Schonzeit is a leading representative of the so-called Photo-Realists, who use photographs rather than reality as a basis for their paintings. He has also created works on paper from life and his imagination using a variety of mediums such as pen & ink, brush and watercolor. Schonzeit is internationally recognized as a pioneer of the Photorealist Movement (1970's) along with artists such as Richard Estes, Chuck Close, Robert Bechtle and Malcolm Morley. However, Schonzeit sets himself apart from this movement by choice and depiction of the subject matter. Schonzeit’s canvases were filled with highly magnified fruits, vegetables and flowers sometimes reproduced in a deliberately skewed, out of focus manner. His aesthetic is informed by the concurrent movements of Pop, that of color field painting, whose concerns were more formal. Schonzeit uses familiar objects as a vehicle to explore issues of color, form, content and abstraction. He is a prolific artist who embraces imagination as opposed to observation; invented rather than the depicted. Schonzeit is concerned with narrative color, abstraction, intellectual experience, drama and beauty. His work speaks of sensation, nostalgia, memory, relationships and associations unique to each viewer and each viewing. His paintings, drawings and photographs are included in the collections of many important museums around the world including the Solomon R. Guggenheim Museum, The Metropolitan Museum of Art, the Neue Nationalgalerie, Berlin, the Kunstmuseum Basel, the Denver Art Museum, and the Brooklyn Museum.
$2,200
"Wedgewood" by Ben Schonzeit (Photorealist, Surreal, Still life, Flowers, Tulip)
By Ben Schonzeit
Located in New York, NY
b. 1942, Brooklyn, NY A pioneer in the SoHo art scene of the 1960s and one of the leaders of the Photorealist movement of the 1970s, Ben Schonzeit is best know for his still life pa...
Screen
$1,800
"Roses with Dutch Landscape" by Ben Schonzeit (Photorealist, Flowers, Painting)
By Ben Schonzeit
Located in New York, NY
b. 1942, Brooklyn, NY A pioneer in the SoHo art scene of the 1960s and one of the leaders of the Photorealist movement of the 1970s, Ben Schonzeit is best know for his still life pa...
Lithograph, Screen
“Dutch Lilies”
By Ben Schonzeit
Located in Warren, NJ
This is a ben schonzeit original on canvas. In my opinion this is one of Ben’s finest works I’ve seen. Painting is in good condition. Frame has some scratches, but nothing major. Not...
Oil
$1,000
Yankee Flame Pop Art photorealist Lt Ed Signed/N. Statue of Liberty US President
By Ben Schonzeit
Located in New York, NY
Ben Schonzeit Yankee Flame, from the portfolio: America: the Third Century, 1975 Collotype on wove paper Pencil signed and numbered 50/200 on the front Publisher: APC Editions, Chermayeff & Geismar Associates, Inc Printer: Triton Press 27 × 19 3/10 inches Unframed Note: this is the original hand signed and numbered collotype; not to be confused with the separate (unsigned) poster edition. This hand-signed, numbered and dated collotype in colors by photorealist pioneer artist Ben Schonzeit was created in 1975 for the portfolio America: the Third Century, commissioned by Mobil Oil Corporation in which 13 American artists, including Roy Lichtenstein, Ed Ruscha, Robert Rauschenberg, James Rosenquist and others created works celebrating America's bicentennial. Yankee Flame combines the iconic images of George Washington, Coca-Cola and the Statue of Liberty into a collaged interpretation of contemporary American life and the meaning of freedom. "Yankee Flame" is in excellent condition and never framed. It was acquired as part of the America: The Third Century full portfolio. Ben Schonzeit (b. 1942, Brooklyn, New York) is one of the original Photorealist painters and is considered to have pioneered the airbrush technique. His works often depict still life arrangements that are intentionally out of focus. He received his B.F.A. from The Cooper Union in 1964 and has since had over 50 solo exhibitions both in the United States and abroad. His paintings are held in numerous museum collections including the Solomon R. Guggenheim Museum in New York, Virginia Museum of Fine Arts in Richmond, Virginia, and the Metropolitan Museum of Art in New York. In 1973 Nancy Hoffman introduced me to Ben Schonzeit in the backroom of her gallery on West Broadway. She had been open less than a year, and Ben was one of the artists in her original stable. His large Crab Blue It had arrived from his studio a few days earlier and was leaning against the wall. I thought at the time it was one of the most impressive, virtuosic Photorealist works I had seen. That first encounter was more than a quarter of a century ago and I have always considered it to be one of the quintessential, tour de force paintings of American Photorealism. In the early seventies one could stand on West Broadway on any pleasant, sunny weekday and see less than a dozen people on the street between the Nancy Hoffman Gallery and OK Harris Works of Art. Almost all of the SoHo galleries, such as Leo Castelli, Paula Cooper, Ward-Nasse, and Ivan Karp’s Hundred Acres, could be visited in an afternoon. At night the streets were almost deserted. With the exception of Andy Warhol, there were no art world superstars. More importantly, none of the artists expected to achieve celebrity status. That was a phenomenon of the eighties and nineties. There were a only a handful of restaurants and watering holes, such Elephant and Castle, Fanelli’s, the Spring Street Bar and Prince Street Bar. Fanelli’s closed on weekends, which was a holdover from their sweatshop clientele during lunch and ragtag group of artists in the evenings. In those early days of SoHo, the drafty, raw sweatshop spaces with their large windows, rough floors, and service elevators provided large, inexpensive living quarters and studios for many artists. Unlike today, there were no boutiques. The area was not chic and with the exception of Lowell Nesbett’s showplace, the lofts were not glamorous. Schonzeit was in the same living and working space the he now occupies when I first visited him, but SoHo was a very different time and place. When the National Endowment of the Arts recommended me to curate America 1976, which turned into one of the major visual arts projects for the Bicentennial, Ben Schonzeit was on the first list of participants I made up for the U.S. Department of the Interior. His large diptych, Continental Divide, was one of the most memorable works produced for the exhibit. I stopped by his studio four or five times while it was in progress and have visited him many times over the years. We have maintained a very cordial working relationship and friendship over the past three decades. I saw The Music Room exhibit in 1978 and realized at the time that the vigorously rendered mural sized canvases and mirror and related works represented a major catharsis in his painting. In many ways, it and the other paintings and drawings based on the same image represented a sharp, decisive break with the tenets of Photorealism, or at least the photo-replicative aspects that had been so widely heralded in America and abroad in the mid-seventies. Over the years we have continued to work together. He has been in almost all of the major exhibitions I have curated here and abroad and in almost all of the books I have written. I am familiar with his studio habits, his quiet, internalized restlessness that manifests itself in the hundreds of small, unknown drawings and watercolors, doodles on napkins during lunch, and imaginary landscapes. I also know that he would rather do a painting than think or talk about it. Over the years I have followed the shifts in his studio procedure from the monumental airbrushed fruit and vegetable paintings to the most recent bouquets of flowers and decorative paintings. Our discussions of these matters tends to lapse into a verbal shorthand at this point. The following essay is based on both my longstanding familiarity and admiration for his work and involvement with contemporary realism and figurative painting. A booklet of color xeroxes with notes made up by Schonzeit was extremely helpful. In addition to several interviews, much of the information unfolded through a lengthy series of Emails. Due to our different working habits these were composed and sent out very late at night and answered by Ben the following morning. They dealt with the specifics of many of the paintings, generalities, his background and childhood in Brooklyn, and occasional bits of art world gossip. And there were odd discoveries. Prior to discussing his witty, tongue in cheek painting of Buffalo Bill, I did not know or had long forgotten that William Cody...
Other Medium, Lithograph, Pencil
Lamps, Surrealist Black and White Etching by Ben Schonzeit
By Ben Schonzeit
Located in Long Island City, NY
Artist: Ben Schonzeit, American (1942 - ) Title: Lamps Year: 1979 Medium: Etching, signed and numbered in pencil Edition: 14/125 Image Size: 19.5 x 17 inches Size: 28 x 25 in. (71.12...
Etching
"Lamps (White)", 1979, Intaglio by Ben Schonzeit
By Ben Schonzeit
Located in Long Island City, NY
Artist: Ben Schonzeit, American (1942 - ) Title: Lamps (White) Year: 1979 Medium: Intaglio, signed and numbered in pencil Edition: 14/125 Size: 28.5 x 25 in. (72.39 x 63.5 cm)
Intaglio
Yankee Flame, Colorful Pop Art Collotype by Ben Schonzeit
By Ben Schonzeit
Located in Long Island City, NY
Artist: Ben Schonzeit, American (1942 - ) Title: Yankee Flame from the Portfolio, America: The Third Century Year: 1976 Medium: Collotype, signed and numbered in pencil Edition: 200 ...
Lithograph
Yankee Flame
By Ben Schonzeit
Located in Aventura, FL
Collotype on paper. Hand signed and dated on front by Ben Schonzeit. Hand numbered 147/200. Artwork size 30 x 22.25 inches. From America: The Third Century portfolio. Published...
Paper
The Bubble Blower
By McDermott & McGough
Located in New York, NY
Known for their work in painting, photography, sculpture, and film, McDermott & McGough comprises visual artists David McDermott and Peter McGough, who formed their partnership on th...
Photogravure
$24,470
H 29.53 in W 38.98 in
19th Century American School - Gentleman with Groom, Horse and Hounds by a House
Located in London, GB
AMERICAN SCHOOL (CIRCA 1840) A Gentleman with Groom, Horse and Greyhounds outside a Country House Oil on canvas Framed 75 by 99 cm., 29 ½ by 39 in. (frame size 87 by 113 cm., 34 ¼...
Oil
$3,600
H 29 in W 23 in
Keith Haring Fun Gallery exhibition poster 1983 (vintage Keith Haring)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Fun Gallery 1983: Original 1983 Keith Haring illustrated exhibition poster published on the occasion of Haring's historic 1983 show at the Fun Gallery in the East Village. A classic array of early Haring imagery that reveals red and black interlocking figures. A rare example in very good overall vintage condition. Offset lithograph in colors on smooth wove paper. 23 x 29 inches. Only some minor signs of handling; in otherwise very good overall vintage condition with strong colors; one of the better examples we've come across. Stored away from light; never mounted or framed. Unsigned from an edition of unknown; scarce. Catalog Raisonne: Keith Haring: Posters (Prestel Publishing). References: Included in the collection of the Cooper Hewitt, Smithsonian Design Museum. About the Fun Gallery: Historic, short-lived, East Village gallery known for giving Keith Haring, Basquiat & Kenny Scharf some of their first solo shows. “FUN Gallery was a place where neighborhood kids, downtown artists, b-boys, rock, film, and rap stars mixed with museum directors art historians and uptown collectors at wild openings featuring artists like Futura, Fab 5...
Lithograph, Offset
$400Sale Price|20% Off
H 9 in W 9 in
Keith Haring lithographic insert 1982 (Keith Haring Tony Shafrazi 1982)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Lithograph 1982: Double-sided lithographic insert from the seminal spiral bound, 1982 Tony Shafrazi catalog published on the occasion of Haring's first gallery solo exhi...
Lithograph, Offset
$318Sale Price|25% Off
H 15 in W 11 in
Vintage 1970s Alexander Calder lithograph (Calder three legged man)
By Alexander Calder
Located in NEW YORK, NY
Vintage original 1970s Alexander Calder Lithograph: 11x15 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Portfolio: Derriere le Miroir. Derrièr...
Lithograph
$1,150
H 8.75 in W 5.75 in
Basquiat at Vrej Baghoomian gallery 1989 (Basquiat Red Warrior announcement)
By Jean-Michel Basquiat
Located in NEW YORK, NY
Basquiat: Vrej Baghoomian gallery New York, 1989: Vintage original folding announcement card to Jean-Michel Basquiat at Vrej Baghoomian Gallery New York: 10/21 to 11/25, 1989. Pictured on front side is an image of Basquiat's iconic, 'Red Warrior.' A rare, highly collectible Basquiat ephemera piece that works well in any collection. Off-set printed gallery announcement. 8.75 x 5.75 inches (folded closed). Light signs of handling; otherwise very good overall vintage condition. Published by Vrej Baghoomian Gallery, New York, 1989. Unsigned from an edition of unknown. Scarce. Jean-Michel Basquiat rose to success during the 1980s. Basquiat’s paintings are largely responsible for elevating graffiti artists into the realm of the New York gallery scene. His spray-painted crowns and scribbled words referenced everything from his Haitian and Puerto Rican heritage, to political issues, pop-culture icons, and Biblical verse. The gestural marks and expressive nature of his work not only aligned him with the street art of Keith Haring and Kenny Scharf, but also the Neo-Expressionists Julian Schnabel and David Salle. “If you wanna talk about influence, man, then you've got to realize that influence is not influence,” he said of his process. After quickly rising to fame in the early 1980s, Basquiat was befriended by many celebrities and artists, including Andy Warhol, with whom he made several collaborative works. At only 27, his troubles with fame and drug addiction led to his tragic death from a heroin overdose on August 12, 1988 in New York, NY. The Whitney Museum of American Art held the artist’s first retrospective from October 1992 to February 1993. Related Categories: Basquiat Tony Shafrazi. Basquiat ephemera. Basquiat poster. Basquiat prints...
Lithograph, Offset
$23,996Sale Price|20% Off
H 17.5 in W 23.5 in
Rene Magritte, My Mother Goose, 1968 (after)
By René Magritte
Located in Southampton, NY
This exquisite lithograph after Rene Magritte (1898–1967), titled Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...
Lithograph
$1,800
H 24 in W 33 in
Düsseldorf (German Cities) by Dieter Roth monuments vintage postcard light blue
By Dieter Roth
Located in New York, NY
Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...
Lithograph, Screen
$22,800Sale Price|20% Off
H 28.5 in W 21 in
Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13)
By Salvador Dalí
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989) Title: Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cybernetic lobster phone, Imaginatio...
Mixed Media, Drypoint, Lithograph, Screen
1970s Alexander Calder lithograph (Calder prints)
By Alexander Calder
Located in NEW YORK, NY
1970s Alexander Calder Lithograph from Derriere le Miroir: Medium: Lithograph in colors. 1975. Dimensions: 15 x 22 inches. Center fold-line as issued; v...
Lithograph
$875
H 32 in W 24 in
Keith Haring, Fill Your Head with Fun! Start Reading! (Keith Haring prints)
By Keith Haring
Located in NEW YORK, NY
Keith Haring, Fill Your Head with Fun! Start Reading! 1988: Vintage original Keith Haring illustrated poster produced for the New York Public Library system in 1988 to promote litera...
Lithograph, Offset
$500
H 9 in W 9 in
Keith Haring lithographic insert 1982 (Keith Haring Tony Shafrazi 1982)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Lithograph 1982: Double-sided lithographic insert from the seminal spiral bound, 1982 Tony Shafrazi catalog published on the occasion of Haring's first gallery solo exhi...
Lithograph, Offset
Beige & White Flowers (floral still life)
By Ben Schonzeit
Located in Wilton Manors, FL
Ben Schonzeit (b.1942). Beige & White Flowers, 2001. Oil on linen, 46 x 62 inches. Signed, titled, dated on verso. Excellent, clean condition. Unframed. A pioneer of the Photorealist movement, Ben Schonzeit has been recognized by the legendary art dealer Louis Meisel...
Linen, Oil
Sold
H 43 in W 48 in D 3 in
Roses with Dutch Landscape, Photorealist Lithograph by Ben Schonzeit
By Ben Schonzeit
Located in Long Island City, NY
Artist: Ben Schonzeit, American (1942 - ) Title: Roses with Dutch Landscape Year: 1990 Medium: Lithograph, signed, dated, and numbered in pencil Edition: 66/72 Image Size: 38 x 44 ...
Lithograph