Bevan Ramsay is a Canadian contemporary artist and sculptor, born in 1977. He completed his first post-graduate degree in Fine Arts, in 1994 and trained as a cabinet-maker and completed an apprenticeship in antique restoration. His artistic practice focuses on the dialogue between expectation and frustration, in which there can be no clear resolution. By exploring contradictory perspectives of a subject, his sculptures and installations do not seek unity, but rather admit paradox as a basic feature of human experience. He is a native of Montréal and is currently based in Norfolk, Connecticut.
Meat #2 Contemporary Oil Painting on Canvas, 48x48 Inches, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Contemporary Diptych Sculpture: Glass, Porcelain, and Wood Elements
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Glass, Porcelain, Wood
Meat #4 Contemporary Oil Painting on Canvas, 48x48 Inches, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Oil, Canvas
The Dance Mixed Media Sculpture, Contemporary, Unframed, 41x16 in
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Mixed Media
Trinity Contemporary Figurative Photography on Paper, 2010-
By Bevan Ramsay
Located in Montreal, Quebec
Following his first post-secondary degree in Fine Arts in 1994, he trained as a cabinet-maker and completed an apprenticeship in antique restoration. He was co-founder of a successfu...
Photographic Paper
My Father Came Over From England Sculpture, Contemporary, 21st Century
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Wood, Plaster
Contemporary Plaster Bust of Barack Obama and Bill Cosby, 21st Century
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster
Talk to Me Contemporary Sculpture, Mixed Media, 2010+, Unframed
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Stone, Metal
Meat #3 Contemporary Oil Painting on Canvas, Circa 2010, Unframed
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Oil, Canvas
Meat #1: Contemporary Still-Life Oil Painting, Unframed, 2010
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Oil, Canvas
Bone China 8 Contemporary Sculpture, Mixed Media, Unframed, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...
Foam, PVC, Lacquer, Paper, Mixed Media
Bone China 4 Contemporary Sculpture, Mixed Media, Unframed, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...
Foam, PVC, Lacquer, Paper, Mixed Media
$700
H 10 in W 10 in
Contemporary Sculpture Wall Installation Red White Snake Animal Porcelain
By Bethany Krull
Located in Buffalo, NY
Duo (2022) by Bethany Krull. Porcelain, glaze, aluminum.
Metal
$3,360
H 52 in W 13 in D 13 in
Sculpture of Rabbit crawling up wood ladder: 'Talking about Hard Things'
By Elizabeth Jordan
Located in New York, NY
Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...
Wire
Fortress America
By Kat Flyn
Located in New Orleans, LA
assemblage sculpture: vintage wood fort with hand-painted graffiti, a vintage handmade wood carving of Uncle Sam & Trump, confederate flag scrap blindfold, metal chains, 4 vintage fl...
Mixed Media
$1,249
H 19.69 in W 19.69 in
Sunflowers Oil on Canvas Painting, Expressionist Style, 50x50 cm
Located in Sitges, Barcelona
Natalia Pankova (1965) - Sunflowers - Oil on canvas Oil measurements 50x50 cm. Frameless. This striking piece by Natalia Pankova, a renowned contemporary Russian painter, captures the energy and vitality of a sunflower bouquet in her signature expressionist style. Pankova uses a vibrant palette and dynamic brushstrokes, creating a powerful balance between structure and emotion. The artist draws clear inspiration from masters such as Vincent van Gogh, whose use of color and expressive approach to still life revolutionized the art world, and Paul Cézanne, celebrated for his structural and geometric treatment of still life. Additionally, echoes of Wassily Kandinsky's expressionism can be seen, particularly in the harmonious interplay of shapes and colors. The painting is not framed, offering the buyer the freedom to select a frame that best suits their personal style and space. Perfect for collectors or contemporary art enthusiasts looking for a vibrant and unique piece. An excellent addition to any collection! Natalia Yuryevna Pankova (Russian: Наталия Юрьевна Панкова, Gorky, June 28, 1965) is a Russian painter. Natalia Pankova was born in the city of Gorky in 1965. She finished her studies at the Gorky Art Institute and the Moscow External University of Humanities. Master in art criticism. Member of the Union of Artists of Russia. President of the Directorate of the Nizhny Novgorod Fund “Russian Art” Representative advisor of the Ministry of Foreign Affairs of Russia in the city of Nizhny Novgorod for cultural affairs. Natalia Pankova's paintings are in the collections of the Nizhny Novgorod State Art Museum The Museum of Fine Arts of the Republic of Mordovia “S.D. “Erzia” The Chuvash State Art Museum The National Museum of Fine Arts of Algeria Margaret Thatcher Alain Juppé Sergei Kiriyenko Boris Nemtsov Irina Jakamada Frits Philips Mstislav Rostropovich and Galina Vishnevskaya Yuri Bashmet Vladimir Spivakov Bank of Russia He has been exhibiting his work since 1988, during which time he has participated in more than 70 individual exhibitions of artists in Russia and abroad. Among which stand: 1989: Exhibition hall of the Association of Creators “Black...
Canvas, Oil
$2,250
H 20 in W 24.25 in D 2.75 in
"Silicon Valley", Reinforced Plaster Sculpture, Altered Human Figure, Portrait
By Jedediah Morfit
Located in Philadelphia, PA
"Silicon Valley" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 20"h x 24.25"w x 2.75"d framed, and is shipped...
Fiberglass, Plaster, Wood, Paint
$456Sale Price|20% Off
H 6.89 in W 2.76 in D 1.97 in
Women figure. I 2013, porcelain, h 17, 5 cm
By Ilona Romule
Located in Riga, LV
Women figure. I 2013, porcelain, h 17,5 cm by Ilona Romule, leading sculptor in Latvia ''Women Figure" in porcelain is a small-scale sculpture that emb...
Porcelain
$7,000Sale Price|30% Off
H 48 in W 30 in D 1.5 in
"Blue Vase" - Impressionist Blue and Pink Flower Vase Still-Life Oil Painting
Located in Carmel, CA
Lesley Anne Spowart (American, born 1957) "Blue Vase" 2016 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right and back of the painting. Lesley Anne Spowart’s "Blue...
Oil, Canvas, Stretcher Bars
No Name 55, Mixed Media Painting on Linen
By Andrea Gallotti
Located in New York City, NY
Italian painter Andrea Gallotti’s practice is rooted in the quiet rigor of repetition, a deliberate return to a gesture so simple it borders on the childlike, yet so subtle that its ...
Canvas, Mixed Media, Oil
$2,000
H 20 in W 11 in D 6 in
"I Like When You Call Me Senhorita III, Contemporary Resin Sculpture"
By Mauro Oliveira
Located in LOS ANGELES, CA
**NEW YEAR FINAL 90 DAYS SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** The Senhorita...
Resin, Plaster, Wood, Glue, Acrylic
$10,000
H 48 in W 48 in D 1.5 in
"Sunlight After Storm" by Ming Ming - Blue, Orange and Green Flowers Still-Life
By Ming Ming
Located in Carmel, CA
Ming Ming Liang (Chinese, born 1964) "Sunlight After Storm" 2024 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In "Sunlight After Storm", Min...
Canvas, Oil, Stretcher Bars
$1,500
H 19.69 in W 27.56 in D 1.58 in
Russian Contemporary Art by Yuriy Demiyanov - Chrysanthemum
By Yuriy Demiyanov
Located in Paris, IDF
Oil on canvas Yuriy Demiyanov is a Russian Impressionist painter born in 1964 in Zadonsk, Lipetsk Oblast. A graduate of the Lipetsk State Pedagogical Institute, he specialized in oi...
Canvas, Oil
$99,000
H 78 in W 144 in D 2 in
"Feast" - Very Large Epic Figurative Expressionist Surrealist Abstract Scene
By Steven H. Rehfeld
Located in Carmel, CA
Steven H. Rehfeld (American, born 1954) "Feast" 2021 Oil paint, Canvas, Stretcher bars The artist signed the back of the painting. "Feast" by Steven H. Rehfeld emerges as a triumpha...
Oil, Stretcher Bars, Canvas
You could tell he had the red spirit in him
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster
I like knowing that change is possible
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster