Billy Schenck Prints and Multiples

Roy Lichtenstein Moonscape Silkscreen from Banner, 1969 Silkscreen on fold out card. WIth additional (removable) sleeve with greeting and text from the Roy Lichtenstein Foundation 9 ...

Edition Details: Year: 2021 Class: Art Print Status: Official Numbered Run: 73/150 Technique: Screen Print Paper: Thick Cream Speckletone Size: 24 X 18 Markings: Numbered "Shepard F...

This original mechanical screen print of Lichtenstein's Modern Painting of Sun Rays was published by the New York Graphic Society in 1972. Capturing the vibrant and iconic style of L...

Max Epstein, Canadian (1932 - 2002) - Anchored Flotilla Days Gone By, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP 295, Image Size: 18.5 x 27.5 inc...

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

Born in Stoke-on-Trent in 1953, Frederick Phillips studied Fine Art at Burslem College of Art when Arthur Berry was Head of the Fine Art (Painting) ...

Garden Blackcap by Kate Heiss [2021] limited_edition Linocut Edition number 30 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:0.5cm Sold Unframe...

5-color silkscreen on 2-ply museum board. edition of 60 hand signed and numbered. American, 1955-2014 Born in 1955, Tom Slaughter’s career began in 1983 with his first exhibition at the Drawing Center in New York City. Since, he has had more than 20 solo shows in cities including San Francisco, Miami, London, Vancouver, Cologne and Fukuoka, Japan. Slaughter had worked extensively with master printer, Jean Russell at Durham Press, creating numerous limited edition prints using his signature bold primary colors. He worked as a printmaker in collaboration with Durham Press for 25 years, and his editions are included in the permanent collections of MoMA and the Whitney Museum of American Art. He illustrated twelve children’s books, including “Boat Works,” “Do You Know Which Ones will Grow? ” – a 2011 Notable American Library Association book of the year – and collaborations with Marthe Jocelyn such as “ABC x 3,” “Same Same,” and “123.” These books have been translated into six languages. Slaughter also worked for the last ten seasons as the Art Director for the New Victory Theater. As a designer, he created everything from t-shirts to skateboard decks, beach towels as well as a line of wallpaper for Cavern Home. Tom Slaughter, an artist, designer, and illustrator, passed away on October 24, 2014. In his Pop-inflected prints, drawings, illustrations, paintings, and design work Tom Slaughter exudes a love of life. He makes few distinctions between his various artistic endeavors; “I paint, draw, cut paper, use a computer, and even an iPhone—it’s all the same hand,” he says. In a 2001 print...

Artist Name: Peter Max House in the Clouds Year: 1971 Medium Type: Silkscreen, on Arches Paper Size-Width Size-Height: 22” x 30” Signed Edition Size: signed in pencil and numbered...

Haystack #5 Color lithograph and screen print, 1969 Signed and dated in pencil (see photo) From: Haystack Series (seven plates) see photo of entire portfolio Signed and dated in pencil Edition: 100 (74/100) Publisher: Gemini G.E.L., Los Angeles, CA, with their blaindstamp Reference: Paul Bianchini No. 33e Corlett and Fine 69 Condition: Excellent Fresh colors Small paper imperfection in bottom margin near the edge of the sheet Image size: 13 1/4 x 23 3/8 inches Sheet size: 20 ¾ x 30 ¾ inches Frame size: 23 ½ x 33 ¾ inches This is one of the finest images in the portfolio, inspired by Claude Monet's famous series of Haystack paintings...

This Blue Dog work consists of a Cajun landscape with trees, grass and a lone canoe sitting on a river. This pop art animal original oil on canvas is hand-signed by the artist. Arti...

Celebrating the moments where the light for the day draws to a close. Emma Reynolds, printmaker, is available for sale online and in our art gallery at W...