Blair Tate Abstract Sculptures

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that startle in their intricacy an...

Bas-relief I is a wall sculpture made from maple wood by the artist Alban Lanore. The pieces in the Bas-reliefs series extend the artist’s exploration of geometry, balance and compos...

Indigo 2 is a meditation on depth, movement, and the quiet drama of form. Created with hand-dyed linen on linen, this work embodies the physicality and elegance of Hedden’s Fold Seri...

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that startle in their intricacy an...

Friedrich Gräsel Bochum 1927 - 2013 Osnabrück Untitled, 1968 PVC Monogrammed and dated "68" on the reverse 68 x 59 cm Catalogue raisonné 534 Authenticity guaranteed in writing. The ...

Original monochrome wall sculpture exploring texture, repetition and organic growth through densely intertwined sculptural forms. This unique wall sculpture belongs to Elizabeth Art...

TAKI-KASURI FOLDS from Chloe Hedden’s Fold Series explores the tension between softness and structure through the poetic manipulation of handmade Japanese fabric on linen. In this sc...

Minimal Biomorphic Abstract Sculpture in Hemp Fiber, Contemporary Organic Art By Silvana Ilieva This work was selected for the curated exhibition Artists in Focus at Sofia Art Fair...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

In Indigo 1, Chloe Hedden invites us into a meditative field of texture, movement, and hue. Part of her Fold series, this work uses hand-dyed linen in deep, inky indigo tones that ri...

My Mother's Tears Inundation is a deeply emotive work from Chloe Hedden’s Fold Series, composed of hand-dyed linen in soft, stormy tones. A pale, silvery veil of fabric envelops the ...