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Camille Pissarro Art

French, 1830-1903

Camille Pissarro was one of the most influential members of the French Impressionist movement and the only artist to participate in all eight Impressionist exhibitions.

Born in July of 1830 on the island of Saint Thomas in the Danish West Indies, Camille was the son of Frédéric and Rachel Pissarro. At the age of 12, he went to school in Paris, where he displayed a penchant for drawing. He returned again to Paris in 1855, having convinced his parents to allow him to pursue a career as an artist rather than work in the family import/export business. Camille studied at the Académie Suisse alongside Claude Monet, and, during this time, he met Paul Cézanne, Édouard Manet and Pierre-Auguste Renoir.

In 1869, Camille settled in Louveciennes. The outbreak of the Franco-Prussian War in 1870 prompted him to move to England, and, with Monet, Camille painted a series of landscapes around Norwood and Crystal Palace, while studying English landscape painting in the museums. Upon returning a year later at the end of the War to Louveciennes, Camille discovered that only 40 of his 1,500 paintings — almost 20 years’ work — remained undamaged.

Camille settled in Pontoise in the summer of 1871, remaining there and gathering a close circle of friends around him for the next 10 years. He reestablished relationships with Cézanne, Manet, Monet, Renoir and Edgar Degas, expressing his desire to create an alternative to the Salon, so that their group could display their own unique styles. Camille married Julie Vellay, with whom he would have seven children. Cézanne repeatedly came to stay with them, and, under Camille’s influence, he learned to study nature more patiently, even copying one of Camille’s landscapes in order to learn his teacher’s technique.

The first Impressionist group exhibition, initiated by Monet in 1874, earned the Impressionists much criticism for their art. While mainly interested in landscape, Camille introduced people — generally, peasants going about their rural occupations — and animals into his works, and they often became the focal point of the composition. It was this unsentimental and realistic approach, with the complete absence of any pretense, which seemed to stop his work from finding appreciation in the general public.

One of the few collectors who did show interest in Camille’s work was a bank employee named Paul Gauguin, who, after acquiring a small collection of Impressionist works, turned to Camille for advice on becoming a painter himself. For several years, Gauguin closely followed his mentor, and, although their friendship was fraught with disagreement and misunderstandings, Gauguin still wrote shortly before Camille’s death in 1906: “He was one of my masters, and I do not deny him.”

In the 1880s, Camille moved from Pontoise to nearby Osny, before Eragny, a small village much further from Paris. At a time when he was dissatisfied with his work, in 1885, Camille met both Paul Signac and Georges Seurat. He was fascinated by their efforts to replace the intuitive perceptive approach of the Impressionists with a “Divisionist” method, or scientific study of nature’s phenomena based on optical laws. Despite having reached his mid-50s, Camille did not hesitate to follow the two young innovators. The following year, he passed on this new concept to Vincent Van Gogh, who had just arrived in Paris and was keen to learn of the most recent developments in art. However, after a few years, Camille felt restricted by Seurat’s theories and returned to his more spontaneous technique while retaining the lightness and purity of color acquired during his Divisionist phase.

In the last years of his life, Camille divided his time between Paris, Rouen, Le Havre and Eragny, painting several series of different aspects of these cities, with varying light and weather effects. Many of these paintings are considered among his best and make for an apt finale to his long and prodigious career.

When Camille Pissarro died in the autumn of 1903, he had finally started to gain public recognition. Today his work can be found in many of the most important museums and collections throughout the world.

Find original Camille Pissarro art on 1stDibs.

(Biography provided by Stern Pissarro Gallery)

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Artist: Camille Pissarro
"Paysans portant du foin" original etching
By Camille Pissarro
Located in Henderson, NV
Medium: original etching and drypoint. Catalogue reference Delteil 126. Printed on laid paper in 1900 and published in Paris by Henri Floury as the frontispiece for Gustave Geffroy's...
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Early 1900s Impressionist Camille Pissarro Art

Materials

Etching

"Vachere au Bord de l'Eau" original etching on japon paper
By Camille Pissarro
Located in Henderson, NV
Medium: original etching and drypoint. This rare and beautiful impression on japon paper is one of 50 printed for the deluxe edition of the Gazette des Beaux Arts. Published in Paris...
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1890s Impressionist Camille Pissarro Art

Materials

Etching

Paysage avec batteuse a Montfoucault
By Camille Pissarro
Located in Palm Desert, CA
"Paysage avec batteuse a Montfoucault (Landscape with Thresher at Montfoucault)" is a pastel by French Impressionist Camille Pissarro. The artwork is signed lower right, "C. Pissarro". The framed piece measures 20 1/2 x 25 x 2 3/4 in. Camille Pissarro was born on July 10th 1830 on the Caribbean Island of St. Thomas. He live...
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1870s Impressionist Camille Pissarro Art

Materials

Paper, Pastel, Board

Marche aux Legumes a Pontoise
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830- 1903) MARCHE AUX LEGUMES A PONTOISE, 1891 (D. 97ii/ii) Etching and aquatint, Unsigned as published in Le Peintre-graveur Illlustre: Pissarro, Sisley,...
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1890s Impressionist Camille Pissarro Art

Materials

Aquatint

Les Faneuses
By Camille Pissarro
Located in Washington, DC
Artist: Camille Pissarro Title: Les Faneuses Portfolio: l'Histoire des Peintres Impressionistes Medium: Etching on cream laid paper Date: 1906 Edition: 1000 Frame Size: 19 1/2" x 17"...
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Early 1900s Modern Camille Pissarro Art

Materials

Etching

Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro
By Camille Pissarro
Located in London, GB
Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro (1830-1903) Etching 17.1 x 25.3 cm (6 ³/₄ x 10 inches) Stamped lower right, C.P. an...
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1890s Impressionist Camille Pissarro Art

Materials

Etching

"Marche a la Volaille, a Gisors, " Original figurative Etching signed
By Camille Pissarro
Located in Milwaukee, WI
"Marche a la Volaille, a Gisors" is an original etching by Camille Pissarro. It depicts a dense crowd in black and white. This is edition 34/43 from Loys Delteil 98, 2nd State. 14" ...
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1890s Impressionist Camille Pissarro Art

Materials

Etching

La Bonne faisant son Marché
By Camille Pissarro
Located in New York, NY
A superb, richly-inked impression of this scarce drypoint printed in dark brownish black on cream laid paper. Second state (of 4), with the drypoint work on the windows upper right. ...
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1880s Impressionist Camille Pissarro Art

Materials

Laid Paper, Drypoint

La rentrée du Berger by Camille Pissarro - Etching
By Camille Pissarro
Located in London, GB
La rentrée du Berger by Camille Pissarro (1830-1903) Etching 7.6 x 10.9 cm (3 x 4 ¹/₄ inches) Stamped with initials C.P. lower left, and numbered 13/18 lower right This work was crea...
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1880s Impressionist Camille Pissarro Art

Materials

Etching

Fête du Jubilé de la Reine à Bedford Park, Londres
By Camille Pissarro
Located in New York, NY
A superb, dark and evenly-printed impression of this very scarce lithograph by Camille Pissarro and George W. Thornley. Printed in light brown on Chine appliqué. The deluxe edition o...
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1890s Impressionist Camille Pissarro Art

Materials

Lithograph

Vachère au Bord de l'Eau
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
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1890s Impressionist Camille Pissarro Art

Materials

Drypoint, Etching

"Marche aux Legumes, a Pointoise" original etching
By Camille Pissarro
Located in Henderson, NV
Medium: original etching and and aquatint with drypoint. Catalogue reference: Delteil 97. Executed in 1891, this lovely impression is from the edition on cream wove paper published i...
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Early 20th Century Impressionist Camille Pissarro Art

Materials

Etching

Grand'mère - Portrait de la femme de l'artiste - Lithograph 1895
By Camille Pissarro
Located in Roma, IT
Hand Signed in pencil lower right, titled lower left, inscribed “N°2”. On Chine Appliqué paper, one of only 10 known impressions Catalogue Prouté 1973 n.179. Prov. Paul Prouté, Paris...
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1890s Post-Impressionist Camille Pissarro Art

Materials

Lithograph

COUPLE DE PAYSANS
By Camille Pissarro
Located in Portland, ME
Pissarro, Camille. COUPLE DE PAYSANS. D.125. Etching and aquatint on laid paper. Unsigned. From the posthumous edition of 10 printed in 1923. 4 3/4 x 3 1/8 inches, 118 x 78 mm. (plat...
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1920s Camille Pissarro Art

Materials

Etching, Aquatint

19th century black and white etching aquatint outdoors figurative animal print
By Camille Pissarro
Located in Milwaukee, WI
"Vachere au Bord de L'Eau" is an original etching and aquatint by Camille Pissarro, the 8th state. It can be found in the catalogue raisonne Delteil #93. It features a woman sitting ...
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1890s Realist Camille Pissarro Art

Materials

Etching, Aquatint

Baigneuse vue de dos
By Camille Pissarro
Located in Barbizon, FR
Etching , fifth state , numbered 14/50, signed with stamp used for the edition of 50 by Lucien Pissarro on 1920. provenance : collection Henri PETIET , stam...
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1890s Impressionist Camille Pissarro Art

Materials

Etching

"Sketch of a Cart Pony"
By Camille Pissarro
Located in Astoria, NY
Camille Pissarro (Danish/French, 1830-1903), "Sketch of a Cart Pony", Graphite on Paper, stamped with the initials "C.P." lower right (Lugt 613e), silvered wood frame, with Coleman A...
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19th Century Impressionist Camille Pissarro Art

Materials

Paper, Graphite

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Previously Available Items
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Camille Pissarro (Danish/French, 1830-1903), "Marche aux Legumes, a Pontoise" [Vegetable Market at Pontoise], Etching and Drypoint, circa 1891, apparently unsigned, silvered wood fra...
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An important etching and aquatint on black on laid paper, by Camille Pissarro (1830-1903) "Repos du Dimanche dans le Bois" (A Peaceful Sunday in the Woods), 1891. A numbered Edition ...
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Camille Pissarro "Paysanne" (Double sided work)
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CAMILLE PISSARRO French, 1830–1903 Vacher dans un pré à Éragny (Cowherd in a Meadow at Éragny), 1890 Signed and dated lower left Oil on canvas 15” x 18-1/4” unframed 24” x 27” fram...
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18th Century Camille Pissarro Art

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Canvas, Oil

Original Camille Pissarro etching "Haymakers - Les Faneuses"
By Camille Pissarro
Located in Hinsdale, IL
PISSARRO, CAMILLE (1830 -1903) "HAYMAKERS –LES FANEUSES" Delteil 94, c. 1890 Etching in bistre-brown ink Only State known, edition 500 As published in Die Impressionisten, Duret, Be...
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Etching by Impressionist artist Camille Pissarro 'Côte Sainte-Catherine à Rouen'
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The Rouen etchings by Camille Pissarro were conceived in 1883 and completed in early 1884 when Camille Pissarro visited Paris and made use of the printing facilities there. Côte Sai...
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Camille Pissarro art for sale on 1stDibs.

Find a wide variety of authentic Camille Pissarro art available for sale on 1stDibs. You can also browse by medium to find art by Camille Pissarro in etching, aquatint, drypoint and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Impressionist style. Not every interior allows for large Camille Pissarro art, so small editions measuring 4 inches across are available. Customers who are interested in this artist might also find the work of James Jacques Joseph Tissot, Jean-Gabriel Domergue, and Pierre-Auguste Renoir. Camille Pissarro art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $850 and tops out at $285,000, while the average work can sell for $10,000.

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Questions About Camille Pissarro Art
  • 1stDibs ExpertOctober 30, 2024
    How much a Pisarro painting is worth depends on its condition, historical significance, size and other characteristics. In 2014, his Boulevard Montmartre, Matinee De Printemps sold for more than £19.9 million at auction in London. Camille Pissarro was one of the most influential members of the French Impressionist movement and the only artist to participate in all eight Impressionist exhibitions. When he died in 1903, he had finally started to gain public recognition. Today, his work can be found in many of the most important museums and collections in the world. Find a collection of Camille Pisarro art on 1stDibs.
  • 1stDibs ExpertFebruary 13, 2024
    Camille Pissarro was born in the Danish West Indies to Jewish parents of Portuguese and French descent. At the age of 12, he went to school in Paris, where he displayed a penchant for drawing. Pissarro would go on to become one of the most influential members of the French Impressionist movement and the only artist to participate in all eight Impressionist exhibitions. On 1stDibs, shop a variety of Camille Pissarro art.
  • 1stDibs ExpertApril 5, 2022
    Camille Pissarro was a Dutch-French painter whose primary style of painting was French Impressionism, although he explored a variety of styles, including Realism and Neo-Impressionism. His brilliant canvasses are covered with splashes of pure pigment in energetic brushstrokes. Find a collection of Camille Pissarro art from top sellers on 1stDibs.

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