Camille Pissarro was one of the most influential members of the French Impressionist movement and the only artist to participate in all eight Impressionist exhibitions.
Born in July of 1830 on the island of Saint Thomas in the Danish West Indies, Camille was the son of Frédéric and Rachel Pissarro. At the age of 12, he went to school in Paris, where he displayed a penchant for drawing. He returned again to Paris in 1855, having convinced his parents to allow him to pursue a career as an artist rather than work in the family import/export business. Camille studied at the Académie Suisse alongside Claude Monet, and, during this time, he met Paul Cézanne, Édouard Manet and Pierre-Auguste Renoir.
In 1869, Camille settled in Louveciennes. The outbreak of the Franco-Prussian War in 1870 prompted him to move to England, and, with Monet, Camille painted a series of landscapes around Norwood and Crystal Palace, while studying English landscape painting in the museums. Upon returning a year later at the end of the War to Louveciennes, Camille discovered that only 40 of his 1,500 paintings — almost 20 years’ work — remained undamaged.
Camille settled in Pontoise in the summer of 1871, remaining there and gathering a close circle of friends around him for the next 10 years. He reestablished relationships with Cézanne, Manet, Monet, Renoir and Edgar Degas, expressing his desire to create an alternative to the Salon, so that their group could display their own unique styles. Camille married Julie Vellay, with whom he would have seven children. Cézanne repeatedly came to stay with them, and, under Camille’s influence, he learned to study nature more patiently, even copying one of Camille’s landscapes in order to learn his teacher’s technique.
The first Impressionist group exhibition, initiated by Monet in 1874, earned the Impressionists much criticism for their art. While mainly interested in landscape, Camille introduced people — generally, peasants going about their rural occupations — and animals into his works, and they often became the focal point of the composition. It was this unsentimental and realistic approach, with the complete absence of any pretense, which seemed to stop his work from finding appreciation in the general public.
One of the few collectors who did show interest in Camille’s work was a bank employee named Paul Gauguin, who, after acquiring a small collection of Impressionist works, turned to Camille for advice on becoming a painter himself. For several years, Gauguin closely followed his mentor, and, although their friendship was fraught with disagreement and misunderstandings, Gauguin still wrote shortly before Camille’s death in 1906: “He was one of my masters, and I do not deny him.”
In the 1880s, Camille moved from Pontoise to nearby Osny, before Eragny, a small village much further from Paris. At a time when he was dissatisfied with his work, in 1885, Camille met both Paul Signac and Georges Seurat. He was fascinated by their efforts to replace the intuitive perceptive approach of the Impressionists with a “Divisionist” method, or scientific study of nature’s phenomena based on optical laws. Despite having reached his mid-50s, Camille did not hesitate to follow the two young innovators. The following year, he passed on this new concept to Vincent Van Gogh, who had just arrived in Paris and was keen to learn of the most recent developments in art. However, after a few years, Camille felt restricted by Seurat’s theories and returned to his more spontaneous technique while retaining the lightness and purity of color acquired during his Divisionist phase.
In the last years of his life, Camille divided his time between Paris, Rouen, Le Havre and Eragny, painting several series of different aspects of these cities, with varying light and weather effects. Many of these paintings are considered among his best and make for an apt finale to his long and prodigious career.
When Camille Pissarro died in the autumn of 1903, he had finally started to gain public recognition. Today his work can be found in many of the most important museums and collections throughout the world.
Find original Camille Pissarro art on 1stDibs.
(Biography provided by Stern Pissarro Gallery)
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Vachère au Bord de l'Eau
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
Drypoint, Etching
"Vachere au Bord de l'Eau" original etching on japon paper
By Camille Pissarro
Located in Henderson, NV
Medium: original etching and drypoint. This rare and beautiful impression on japon paper is one of 50 printed for the deluxe edition of the Gazette des Beaux Arts. Published in Paris...
Etching
"Paysans portant du foin" original etching
By Camille Pissarro
Located in Henderson, NV
Medium: original etching and drypoint. Catalogue reference Delteil 126. Printed on laid paper in 1900 and published in Paris by Henri Floury as the frontispiece for Gustave Geffroy's...
Etching
Paysage avec batteuse a Montfoucault
By Camille Pissarro
Located in Palm Desert, CA
"Paysage avec batteuse a Montfoucault (Landscape with Thresher at Montfoucault)" is a pastel by French Impressionist Camille Pissarro. The artwork is signed lower right, "C. Pissarro". The framed piece measures 20 1/2 x 25 x 2 3/4 in. Camille Pissarro was born on July 10th 1830 on the Caribbean Island of St. Thomas. He live...
Paper, Pastel, Board
Portraits of Men and Women by Camille Pissarro - Drawing, work on paper, art
By Camille Pissarro
Located in London, GB
Portraits of Men and Women by Camille Pissarro (1830-1903) Charcoal on paper 11.3 x 11.4 cm (4 ¹/₂ x 4 ¹/₂ inches) Stamped with initials upper left, C.P. This work is accompanied by...
Paper, Charcoal
Camille Pissarro Etching on Paper, Modern, Unsigned, 1906, Framed, Les Faneuses
By Camille Pissarro
Located in Washington, DC
Artist: Camille Pissarro Title: Les Faneuses Portfolio: l'Histoire des Peintres Impressionistes Medium: Etching on cream laid paper Date: 1906 Edition: 1000 Frame Size: 19 1/2" x 17"...
Etching
"Marche a la Volaille, a Gisors, " Original figurative Etching signed
By Camille Pissarro
Located in Milwaukee, WI
"Marche a la Volaille, a Gisors" is an original etching by Camille Pissarro. It depicts a dense crowd in black and white. This is edition 34/43 from Loys Delteil 98, 2nd State. 14" ...
Etching
COUPLE DE PAYSANS
By Camille Pissarro
Located in Portland, ME
Pissarro, Camille. COUPLE DE PAYSANS. D.125. Etching and aquatint on laid paper. Unsigned. From the posthumous edition of 10 printed in 1923. 4 3/4 x 3 1/8 inches, 118 x 78 mm. (plat...
Etching, Aquatint
Fête du Jubilé de la Reine à Bedford Park, Londres
By Camille Pissarro
Located in New York, NY
A superb, dark and evenly-printed impression of this very scarce lithograph by Camille Pissarro and George W. Thornley. Printed in light brown on Chine appliqué. The deluxe edition o...
Lithograph
"Marché aux Légumes, à Pontoise" original etching
By Camille Pissarro
Located in Henderson, NV
Medium: original etching and and aquatint with drypoint. Catalogue reference: Delteil 97. Executed in 1891, this lovely impression is from the edition on cream wove paper published i...
Etching
Marche aux Legumes a Pontoise
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830- 1903) MARCHE AUX LEGUMES A PONTOISE, 1891 (D. 97ii/ii) Etching and aquatint, Unsigned as published in Le Peintre-graveur Illlustre: Pissarro, Sisley,...
Aquatint
Au marché by Camille Pissarro - Work on paper, crayon, paper, Impressionist art
By Camille Pissarro
Located in London, GB
Au marché by Camille Pissarro (1884-1903) Black crayon on paper 19 x 16 cm (7 ¹/₂ x 6 ¹/₄ inches) Stamped lower left, C.P. (Lugt 613) This work is accompanied by a letter confirming...
Paper, Crayon
$3,419
Portrait of a man wearing a bowler hat by Camille Pissarro - Drawing, Charcoal
By Camille Pissarro
Located in London, GB
*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Portrait of a man wearing a bowler hat by Ca...
Paper, Charcoal
Grand'mère - Portrait de la femme de l'artiste - Lithograph 1895
By Camille Pissarro
Located in Roma, IT
Hand Signed in pencil lower right, titled lower left, inscribed “N°2”. On Chine Appliqué paper, one of only 10 known impressions Catalogue Prouté 1973 n.179. Prov. Paul Prouté, Paris...
Lithograph
L’île Lacroix, à Rouen
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1er...
Drypoint, Etching, Aquatint
$10,150
19th century black and white etching aquatint outdoors figurative animal print
By Camille Pissarro
Located in Milwaukee, WI
"Vachere au Bord de L'Eau" is an original etching and aquatint by Camille Pissarro, the 8th state. It can be found in the catalogue raisonne Delteil #93. It features a woman sitting ...
Etching, Aquatint
Paysanne au Puits (Peasant Woman at the Well)
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Paysanne au Puits (Peasant Woman at the Well), etching and aquatint, 1891, signed, titled and numbered (3 etat no 2). Refer...
Etching, Aquatint
Grand-mere (effet de lumiere)
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Grand-mere (effet de lumiere), etching and drypoint, 1889, signed in pencil lower right, titled lower left, inscribed “No 3 – ...
Drypoint, Etching
Enfants Causant (Children Talking)
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1831-1903), etching, 1889, signed, titled and inscribed “No. 6 Epreuve de Artiste.” Reference: Delteil 89, third state (of 3). On tan laid paper. In good condition...
Etching
Paysannes Dans un Champ de Haricots
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Paysannes Dans un Champ de Haricots, etching, aquatint, maniere grise; 1891, titled, signed, annotated 1er etat no. 10, also marked with a large Z by th...
Etching, Aquatint
Le Pont de Pierre, a Rouen
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Le Pont de Pierre, a Rouen, etching and drypoint, 1887. Reference: Delteil 66, second state (of 2). Signed lower right in pencil, annotated lower left ...
Drypoint, Etching
Paysanne Donnant a Manger a un Enfant
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Paysanne Donnant a Manger a un Enfant, etching on zinc, 1874, signed in pencil lower right and inscribed lower left “No 1 – 1er etat”, also titled in p...
Epoxy Resin
$4,250
Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro
By Camille Pissarro
Located in London, GB
Grand’mère (effet de lumière) (La Mère de l’artiste) by Camille Pissarro (1830-1903) Etching 17.1 x 25.3 cm (6 ³/₄ x 10 inches) Stamped lower right, C.P. an...
Etching
Narrow Street in Rouen (Petite Rue Nationale, a Rouen)
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...
Drypoint, Etching, Aquatint
Femme a la Barriere (Woman at the Gate)
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Femme a la Barriere (Woman at the Gate), etching and drypoint, 1889, signed in pencil with the initials CP lower right (annotated “imprime par C.P.”), a...
Drypoint, Etching
Price Upon Request
La Briqueterie Delafolie à Éragny - Impressionist Oil on Canvas Painting, 1884
By Camille Pissarro
Located in Palm Desert, CA
Camille Pissarro’s "La Briqueterie Delafolie à Éragny (1884") offers a vivid rural scene from Éragny. The painting has never been to auction, instead gracing numerous exhibitions in ...
Canvas, Oil
$2,461
H 9.06 in W 11.03 in D 0.2 in
Three Old Oaks by Cornelia Fitzroy, Landscape, Nature drawing, Botanical
Located in Deddington, GB
Three Old Oak by Cornelia Fitzroy [2022] original and hand signed by the artist Pastel on Paper Image size: H:23 cm x W:28 cm Complete Size of Unframed Work: H:23 cm x W:28 cm x D:0.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Three Old Oaks is an original pastel drawing on paper by Cornelia Fitzroy. Cornelia FitzRoy is a Norfolk landscape plein air...
Paper, Pastel
Italian Boat at Sunrise
By Sidney Mackenzie Litten
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...
Handmade Paper, Etching, Drypoint
$8,206
H 11.88 in W 8.88 in D 1 in
Giovanni Boldini drawing of a lady, Italian 19th Century
By Giovanni Boldini
Located in Petworth, West Sussex
Giovanni Boldini (Italian, 1842-1931) Etude de femme au ruban noir Signed with atelier stamp (lower left), further inscribed, signed and dated by Emilia Boldini (the artist’s wife) `no 77 le_ atelier Boldini. Emilia Boldini Carbona 1931’ (on the reverse) Black crayon on paper 11.7/8 x 8.7/8 in. (30 x 22.5 cm.) Emilia’s inscription on the reverse from the year of his death. Giovanni Boldini was an Italian genre and portrait painter who lived and worked in Paris for most of his career. According to Time magazine, he was known as the "Master of Swish" because of his flowing style, exemplified by the confident strokes in this fine example. Boldini was born in Ferrara, the son of a painter of religious subjects, and in 1862 went to Florence for six years to study and pursue painting. He only infrequently attended classes at the Academy of Fine Arts, but in Florence, met other realist painters known as the Macchiaioli, who were Italian precursors to Impressionism. Their influence is seen in Boldini's landscapes which show his spontaneous response to nature, although it is for his portraits that he became best known. Moving to London, Boldini attained success as a portraitist, painting notable members of society including Lady Holland and the Duchess of Westminster...
Paper, Crayon
Coenties Slip
By Charles Frederick William Mielatz
Located in Middletown, NY
Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...
Etching, Drypoint, Handmade Paper
$1,770
H 24.41 in W 31.5 in
Provence : Sainte Victoire Mountain - Etching and aquatint engraved by J. Villon
By Paul Cézanne
Located in Paris, IDF
Paul CÉZANNE (after) Provence : Sainte Victoire Mountain Etching and aquatint Engraved by Jacques Villon after the painting of Cezanne Signature printed in the plate On Arches vellu...
Etching, Aquatint
$1,500
H 22.5 in W 30.25 in
Large French Judaica Lithograph Carborundum Etching Jewish Hebrew Embossing
By Théo Tobiasse
Located in Surfside, FL
Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by the artist Publisher Nahan Gallery, New Orleans Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theodore Tobiasse...
Etching, Lithograph
$3,700
H 28 in W 22 in D 0.75 in
Salvador Dali "Expulse Comme un Megot..." Etching
By Salvador Dalí
Located in Astoria, NY
Salvador Dali (Spanish, 1904-1989), "Expulse Comme un Megot Par Les Magots" [Flung Out Like a Fag-End by The Big Wigs], Drypoint Etching with Pochoir coloring, 1974, from After 50 Ye...
Paper, Drypoint, Etching
"Juges" from the suite "Les Fleurs du Mal""
By Georges Rouault
Located in San Francisco, CA
This artwork titled "Juges" from the suite "Les Fleurs du Mal" created in 1937/38, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958....
Aquatint
$475
H 14 in W 12 in D 1 in
Gerald Brockhurst (1890-1978) "Fabian" Pencil Signed Etching c.1921
By Gerald Leslie Brockhurst
Located in San Francisco, CA
Gerald Brockhurst (1890-1978) Pencil Signed Etching "Fabian" c.1921 Fine etching by noted artist Gerald Brockhurst. Titled "Fabian" from an edition of 76. This etching is in excel...
Etching
Escultor y escultura
By Pablo Picasso
Located in OPOLE, PL
Pablo Picasso (1881-1973) - Escultor y escultura Etching from 1965. Edition of 255. Dimensions of work: 48 x 38 cm. Imprimée à Mougins. Référence : Bloch 1187; Baer 1156. The w...
Etching
$1,416
H 17.72 in W 15.75 in
The Absinthe Drinker - Original Etching (Guerin #9 Fisher #9)
By Édouard Manet
Located in Paris, IDF
Edouard MANET The Absinthe Drinker, 1860 Original etching Printed signature in the plate On Japan paper 45 x 40 cm (c. 18 x 16 inch) REFERENCES : Catalog raisonnes Guerin n°9 and F...
Etching
$849
H 11.82 in W 15.75 in D 0.04 in
Pine Trees . Pastel landscape painting, blue, green, forest, impressionism
By Olga Ibadullayeva
Located in Oslo, NO
In this "Pine Trees" soft pastel work, the artist utilizes a dramatic, high-contrast palette to capture a dense stand of pine trees. The composition is defined by the strong vertical...
Paper, Pastel
"Sketch of a Cart Pony"
By Camille Pissarro
Located in Astoria, NY
Camille Pissarro (Danish/French, 1830-1903), "Sketch of a Cart Pony", Graphite on Paper, stamped with the initials "C.P." lower right (Lugt 613e), silvered wood frame, with Coleman A...
Paper, Graphite
!["Marche aux Legumes, a Pontoise" [Vegetable Market at Pontoise]](https://a.1stdibscdn.com/camille-pissarro-prints-works-on-paper-marche-aux-legumes-a-pontoise-vegetable-market-at-pontoise-for-sale/a_28452/1754323270315/305_1_master.jpg?width=240)
!["Marche aux Legumes, a Pontoise" [Vegetable Market at Pontoise]](https://a.1stdibscdn.com/camille-pissarro-prints-works-on-paper-marche-aux-legumes-a-pontoise-vegetable-market-at-pontoise-for-sale-picture-2/a_28452/a_167362121754323366999/305_2_master.jpg?width=240)
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H 17.5 in W 14.75 in D 1 in
"Marche aux Legumes, a Pontoise" [Vegetable Market at Pontoise]
By Camille Pissarro
Located in Astoria, NY
Camille Pissarro (Danish/French, 1830-1903), "Marche aux Legumes, a Pontoise" [Vegetable Market at Pontoise], Etching and Drypoint, circa 1891, apparently unsigned, silvered wood fra...
Etching
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H 32.25 in W 36.5 in D 4.75 in
Le Pont-Royal, temps gris lumineux by Camille Pissarro
By Camille Pissarro
Located in New Orleans, LA
Camille Pissarro 1830-1903 French Le Pont-Royal, temps gris lumineux Signed and dated "C. Pissarro 1903" (lower left) Oil on canvas Representing the culmination of Camille Pissar...
Canvas, Oil
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H 9.5 in W 11.75 in D 1.5 in
Antique French Etching Aquatint Drypoint "Epos du Dimanche dans le Bois" 5 of 18
By Camille Pissarro
Located in Portland, OR
An important etching and aquatint on black on laid paper, by Camille Pissarro (1830-1903) "Repos du Dimanche dans le Bois" (A Peaceful Sunday in the Woods), 1891. A numbered Edition ...
Etching
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H 12 in W 9 in D 1.5 in
Antique Etching Aquatint "Vachère au Bord de L'Eau" Edition # 75 of Edition 100
By Camille Pissarro
Located in Portland, OR
An important etching and aquatint in black on laid paper, by Camille Pissarro (1830-1903), "Vachere au Bord de l'Eau" (cowherder at the water’s edge) 8th state numbered Edition # 75 ...
Etching, Drypoint
"Paysans portant du foin" original etching
By Camille Pissarro
Located in Henderson, NV
Medium: original etching and drypoint. Catalogue reference Delteil 126. Printed in 1900 and published in Paris by H. Floury as the frontispiece for Gustave Geffroy's "La Vie Artistiq...
Etching
"Faneuses d'Eragny" original etching
By Camille Pissarro
Located in Henderson, NV
Medium: original etching and drypoint. Executed in 1897, this impression is from the rare 1897 portfolio "Art et Nature" by Leon Roger-Miles, published in Paris by Boudet in an editi...
Etching, Drypoint
Femmes Nues
By Camille Pissarro
Located in New York, NY
A very good impression of this scarce lithograph printed in black on light tan Chine appliqué. Numbered 2/18 in pencil, and with the artist's initials ink stamp, lower left recto.
Lithograph
Marché
By Camille Pissarro
Located in Palm Desert, CA
A painting by Camille Pissarro. "Marché" is an impressionist architectural painting, watercolor, pencil, and charcoal on paper in a pale palette of grays and greens by Blue Chip, Fre...
Charcoal, Watercolor, Pencil
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H 24 in W 27 in D 2.5 in
Camille Pissarro "Paysanne" (Double sided work)
By Camille Pissarro
Located in Los Angeles, CA
Camille Pissarro ( 1830-1903 ) Paysanne (Double sided work), 1890 Charcoal and black crayon on paper 24.5 x 18.75 inches (622 x 476 mm) Framed size: 35.5 x 30 x 2 Inches Signed with ...
Charcoal, Crayon
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H 24 in W 27 in
Camille Pissarro "Vacher dans un pré à Éragny" (Cowherd in a Meadow at Éragny)
By Camille Pissarro
Located in Los Angeles, CA
CAMILLE PISSARRO French, 1830–1903 Vacher dans un pré à Éragny (Cowherd in a Meadow at Éragny), 1890 Signed and dated lower left Oil on canvas 15” x 18-1/4” unframed 24” x 27” fram...
Canvas, Oil
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H 18 in W 15 in D 1 in
Original Camille Pissarro etching "Haymakers - Les Faneuses"
By Camille Pissarro
Located in Hinsdale, IL
PISSARRO, CAMILLE (1830 -1903) "HAYMAKERS –LES FANEUSES" Delteil 94, c. 1890 Etching in bistre-brown ink Only State known, edition 500 As published in Die Impressionisten, Duret, Be...
Etching