Captain Greenvile Collins

A very beautiful 17th century Baptismal Font from the South of France beautifully carved from marble. Minimalist lines give this piece a calming feel. Wil...

A 17th century or earlier brass alms dish or alms plate.

Cross of caravaca XVII century. Very beautiful cross of caravaca made in bronze. 17th Century. Measurements: 14X6 cm. Good condition.

ST/619 - "Old Geographical Atlas of Italy - Topographic map of ex-Principality of Monaco" - ediz Vallardi - Milano - A somewhat special edition ---  

Great image of a colour chart Unframed. Chromo-lithograph Published, C.1900 The measurement is the paper size of the print Free shipping.

Cross of caravaca xvii century Very beautiful cross of Caravaca made in bronze. 17th century. Measurements: 12 x 6cm Good condition.

Artist: Pedro Friedeberg (Mexican, 1936-) Title:Le Tombeau D'Hemingway Year: 1963 Medium: Ink and watercolor on paper: Size: 14 3/4 x 19 1/2 plus 3 inch frame Mark: upper lef...

Transport yourself to the wonder and romance of early flight with this pair of hand-colored antique engravings, each depicting the world’s first hot air balloon ascents in 18th-centu...

Great map of Ancient Greece. Showing the region of Thessaly, including Mount Olympus Drawn by J.D. Barbie Du Bocage Copper plate engraving by P.F Tardieu Original hand color...

CROSS OF CARAVACA XVII CENTURY BEAUTIFUL CARAVACA CROSS FROM THE 17TH CENTURY IN BRONZE. MEASURES: 12.5X5.5 CM. IN GOOD CONDITION good condition

Antique Anatomical Wall Chart Depicting the Human Skeleton A rare 19th century anatomical wall chart depicting the human skeleton. On the sides On the...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...