Carlos Abascal Art

This painting was owned by Comte Robert de Montesquiou (1855–1921), Paris Literature: Jane Roberts, Jacques-Émile Blanche (2012), pg. 47 (color illus.), p. 191. Included as no. R...

An exceptional post-impressionist view of Florence, Italy by Carl Schmitz-Pleis (1877-1943). In the spring of 1910 Schmitz-Pleis and fellow friend/artist Walter Hugo Ophey travelled...

Gabriel Godard (1933-2023) The Red Bush, 1979 Oil on canvas Artwork: 28 x 20 1/2 in. l 71 x 52 cm Framed: 31 1/2 x 24 in. l 80 x 61 cm Signed lower left Condition: Perfect condition...

Marie Lucie Nessi-Valtat South of France, ca. 1950 Oil on canvas mounted on panel 13 x 16 1/10 in l 33 x 41 cm Frame size: 15 1/3 x 18 1/2 in. 39 x 47 cm Marie-Lucie Nessi Valtat w...

Vaudeville Theatre by Edouard Cortes was painted circa 1955-60 and signed lower left. It is oil on canvas measuring 18x22 in original unlined condition....

Marie-Lucie Nessi Valtat South of France, ca. 1950 Oil on canvas mounted on board 13 3/4 x 10 2/3 in l 35 x 27 cm Frame size: 15 3/4 x 12 2/3 in l 40 x 32 cm Marie-Lucie Nessi Valta...

Léon Frédéric (1856-1940) A Summer landscape signed at the lower left Oil on canvas transfered on panel 29 x 44 cm Framed : 39 x 54.5 cm in good condition, However, there is a cr...

Theatre de Sara Bernhart et Place de Chatelet by Edouard Cortes was painted circa 1935-40 and signed lower right. It is an oil on canvas measuring 13x18...

Mediterranean Beach Picnic Scene with Figures Spanish Impressionist Coastal Oil Painting on Panel c.1990 Artist: Joan Vives Maristany (Spanish) Title: Merienda en la playa Date: c.1990 Medium: Oil on panel Dimensions (image): Height: 15.5 cm (6.11 in); Width: 32 cm (12.6 in) Signature: Signed lower left Condition: Good overall condition consistent with age and medium Frame: Unframed Origin: Spain Style: Impressionist Mediterranean coastal scene Period: Late 20th century (1990–1999) Subject: Beach picnic with figures, Mediterranean shoreline gathering scene, small horizontal coastal oil painting Charming Mediterranean beach picnic scene painted with loose impressionist brushwork capturing a relaxed group gathered along the shoreline. The elongated horizontal composition reinforces the sense of coastal space and movement, while the quick painterly execution suggests plein-air observation typical of late 20th-century Spanish seaside painting traditions. Small-format coastal scenes with figures remain especially attractive to international collectors seeking authentic Mediterranean imagery that works easily in modern interiors or salon-style wall arrangements. Its compact scale and lively composition make it an ideal decorative yet collectible Spanish coastal painting. Joan Vives Maristany is a Spanish painter associated with late 20th-century Mediterranean impressionist...

Maurice Asselin (1882-1947) Notre-Dame, Paris Signed lower left, Oil on canvas 50 x 61 cm In good condition In its original frame : 61 x 72 cm It is really interesting to reme...

Léon Frédéric (1856-1940) A Seascape, Heyst signed at the lower right Oil on canvas transfered on panel 21 x 26.5 cm Framed under glass : 38.5 x 45 cm Certificate from the artist'...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...