Brazilian Contemporary Art by Celia Eid - L'île
By Celia Eid
Located in Paris, IDF
L’Ile - 110 x 110 cm - oil on canvas - 2019
2010s Abstract Celia Eid Paintings
Canvas, Oil
Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. Eid graduated from the School of Communication and Arts at the University of São Paulo.
Eid collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp and Edusp. In 1993, she won the Jabuti Prize for the best book cover and the best graphic project of the year in the publishing industry. In 1994, Eid published the book BD Penare. After a two-year contract at the video post-production house, Casa Blanca, she moved on to digital arts and animation cinema.
Having lived in France since 1997, Eid worked on short pieces of contemporary music, often performed by the ensemble Aleph. Le rire du Coq, with music by Dominique Clément, and Gymel, with a soundtrack by Sébastien Béranger — both directed by Eid — were presented at several of the world’s digital art and music festivals. Eid won the prize for best interactive film at the Internet film festival, Fluxus, with her animation Silent.
Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small light ball into the sculpture, which triggers a change in the video. Dislocations has been broadcast by several video festivals and has also been presented live in Paris, São Paulo, Stockton (USA), and Strasbourg.
Alongside her personal projects, Eid has run cartoon workshops for young children in partnership with institutions such as the Forum des Images or Le Cube. She has also created several sets for dance performances for the Compagnie Picomètre.
Brazilian Contemporary Art by Celia Eid - L'île
By Celia Eid
Located in Paris, IDF
L’Ile - 110 x 110 cm - oil on canvas - 2019
Canvas, Oil
Brazilian Contemporary Art by Celia Eid - Vertébral
By Celia Eid
Located in Paris, IDF
Vertébral - 110 x 130 cm - oil on canvas - 2018
Canvas, Oil
Brazilian Contemporary Art by Celia Eid - Bleu sur L'Herbe
By Celia Eid
Located in Paris, IDF
Bleu sur L'Herbe - 110 x 130 cm - oil on canvas - 2018
Canvas, Oil
Brazilian Contemporary Art by Celia Eid - Sans Limite
By Celia Eid
Located in Paris, IDF
Sans Limite - 100 x 80 cm - oil on canvas
Canvas, Oil
Brazilian Contemporary Art by Celia Eid - De l'Autre Côté
By Celia Eid
Located in Paris, IDF
De l'Autre Côté - 2020 - oil on canvas - 70 x 80 cm
Canvas, Oil
Brazilian Contemporary Art by Celia Eid - Clair
By Celia Eid
Located in Paris, IDF
Clair - 70 x 60 cm - oil on canvas - 2019
Canvas, Oil
$390
H 13 in W 9.45 in D 0.79 in
"For Granted I." (quiet, floral, soft, natural, abstract, antique French linen)
By Nicholas Evans
Located in Paris, IDF
"For Granted I.", 2024, Paris, France "For Granted I." is a quiet, rich and cerebral abstract painting using a subtle but powerful color palette of brown, magenta, purple, green and...
Oil, Acrylic, Canvas
$450
H 16.15 in W 13 in D 0.79 in
"Doves for the Dorians I" (pink, green, white, Greek warrior. sword, painting)
By Nicholas Evans
Located in Paris, IDF
The Dorians played a significant role in the development of the Greek city-states during the Bronze Age -- and Doves are widely recognized as symbols of peace, primarily in the bibli...
Canvas, Dye, Oil, Acrylic
$1,423
H 21.66 in W 18.12 in D 0.79 in
Holy Split I Mixed Media Original Painting on Canvas, Abstract Landscape, 2026
By Nicholas Evans
Located in Paris, IDF
HOLY SPLIT I 2026 Paris, France HOLY SPLIT I is an ethereal mixed medium painting on canvas depicting a surreal dreamlike rift in a serene landscape. Abstract fuchsia forms suggesti...
Cotton Canvas, Oil, Acrylic, Pencil
$550
H 16.15 in W 10.63 in D 0.79 in
"Wraiths Petals" (abstract, dark, flora, floral landscape, black, pink, green)
By Nicholas Evans
Located in Paris, IDF
WRAITHS, PETALS 2024 Paris, France "Wraiths, Petals" is a dark, flora, atmospheric painting that blends organic forms with abstraction. Created using a mix of oil paint, oil stick, ...
Oil Crayon, Dye, Cotton Canvas, Ink, Oil, Acrylic
$850
H 21.66 in W 18.12 in D 0.79 in
"An Urgent Man" (Abstract, Black & White, Figurative Oil Painting, Neutral Tone)
By Nicholas Evans
Located in Paris, IDF
AN URGENT MAN 2020 Paris, France Oil and acrylic on canvas portray a ‘derbyed’ man attempting to shed the weighted armor of his obligations and persona. A very loose nod to the character from René Magritte’s 1964 painting, ‘The Son of Man...
Canvas, Oil, Acrylic
Oliviers
By Roger Mühl
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, titled and inventoried verso. 19.75 x 21 in. 23.25 x 24.25 in. (framed) ...
Canvas, Oil
Untitled
By John Opper
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, signed and dated verso. 62.25 x 56.25 in. 64 x 58 in. (framed) Custom framed in a natural cherry wood floater. Provenance Washburn Gallery, New York Behnke Doherty Gallery, Washington Depot, CT Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art. After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States. In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums. By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum. In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York. During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front. During World War II, Opper worked for a ship design company creating drawings for piping systems used in PT boats...
Canvas, Oil
$390
H 13 in W 9.45 in D 0.79 in
"For Granted II." (flora, quiet, soft, natural, abstract, antique French linen)
By Nicholas Evans
Located in Paris, IDF
"For Granted II.", 2024, Paris, France "For Granted II." is a quiet, rich and cerebral abstract painting using a subtle but powerful color palette of brown, magenta, purple, green a...
Oil, Acrylic, Canvas
Abstract Orange, Yellow, Pink
By Frederick Conway
Located in New Orleans, LA
Frederick Conway (1900-1973) was a painter, educator, and lecturer. Conway was born in Saint Louis, Missouri, and studied at the Saint Louis School of...
Canvas, Oil
$1,750
H 25.6 in W 21.26 in D 1.38 in
"Habitual II" (flora, rich, cerebral, abstract, black & white, antique canvas)
By Nicholas Evans
Located in Paris, IDF
"Habitual II", 2023, Paris, France This rich and cerebral abstract painting uses a subtle but powerful color palette of brown, pink, and white oil paints and wood stain to create visual texture and depth. The artist selected a French, antique postal...
Canvas, Oil Crayon, Oil Pastel, Oil
L'Aube menacée
By Yasse Tabuchi
Located in PARIS, FR
powerful abstract composition defined by a restrained, almost monochromatic palette of blacks, greys, and subtle earthy tones. The surface is richly worked, with sweeping gestures an...
Canvas, Oil
Abstract Triptych
By Stuart Bigley
Located in Germantown, NY
Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...
Acrylic Polymer, Canvas, Oil
Sold
H 15.75 in W 15.75 in D 0.79 in
Brazilian Contemporary Art by Celia Eid - Untitled 2
By Celia Eid
Located in Paris, IDF
Oil on Canvas, Framed 41 x 41 x 3 cm Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...
Canvas, Oil
Sold
H 11.82 in W 11.82 in D 1.19 in
Brazilian Contemporary Art by Celia Eid - Petit Vert
By Celia Eid
Located in Paris, IDF
Oil on Canvas Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...
Canvas, Oil
Brazilian Contemporary Art by Celia Eid - Mauve
By Celia Eid
Located in Paris, IDF
Oil on Canvas Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...
Canvas, Oil
Sold
H 23.63 in W 27.56 in D 1.19 in
Brazilian Contemporary Art by Celia Eid - Untitled 3
By Celia Eid
Located in Paris, IDF
Oil on Canvas Celia Eid is a Brazilian artist born in 1952 who lives and works between Paris, France and São Paulo, Brazil. She graduated from the School of Communication and Arts of the University of São Paulo. She has collaborated with the newspaper O Estado de São Paulo and with several publishing houses: Scipione, Unesp, Edusp. In 1993, she won the Jabuti award for the best cover book and the best graphic project of the year concerning the publishing industry. In 1994 she published the book / comic Penare. After a two-year contract at the Casa Blanca video post-production house, she moved on to digital arts and animation. Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack by Sébastien Béranger, has been presented at several digital art and music festivals around the world. Celia Eid won Best Interactive Film at the Fluxus Internet Film Festival with her animation Silent. Dislocations, created in 2010 with the music of Sébastien Béranger, is a piece for solo piano, electroacoustic music and sculpture. The pianist interacts with the video by throwing a small luminous ball into the sculpture, which triggers a change in the video. Dislocations was broadcast by several video festivals and was also presented live in Paris, São Paulo, Stockton (USA) and Strasbourg. Alongside his personal projects, Eid has led cartoon workshops for young children, in partnership with institutions such as the Forum des Images or Le Cube...
Canvas, Oil
Sold
H 15.75 in W 15.75 in D 1.58 in
Brazilian Contemporary Art by Celia Eid - Untitled
By Celia Eid
Located in Paris, IDF
Untitled - 2020 - oil on canvas - 40 x 40 x 4 cm sold with American box - 45 x 45 x 5 cm
Canvas, Oil
Sold
H 15.75 in W 15.75 in D 1.58 in
Brazilian Contemporary Art by Celia Eid - Untitled
By Celia Eid
Located in Paris, IDF
Untitled - 2020 - oil on canvas - 40 x 40 x 4 cm sold with American box - 45 x 45 x 5 cm
Canvas, Oil
Sold
H 27.56 in W 23.63 in D 1.58 in
Brazilian Contemporary Art by Celia Eid - La Montagne
By Celia Eid
Located in Paris, IDF
La Montagne - 70 x 60 cm - oil on canvas - 2019 - 2 000€
Canvas, Oil