Charles Huard Prints and Multiples

Émile Bertrand's poster for Jules Massenet's Cendrillon, advertising the première performance at the Théâtre National de l'Opéra-Comique, Paris. 1899. Color lithograph. On linen. De...

Pretty woman  is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by L...

The revelation is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi(Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by L...

'Uniformen ausserdeutscher Staaten' (Uniforms of non-German states) German chromolithograph, circa 1910. Central vertical fold as issued. 245mm by 305mm (sheet)

The pirate in love is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories”...

Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...

Adam and Eve is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La...

Color lithograph, 1896. On Linen. Signed on the plate. Ref: Dad Plakat 501; American Poster Renaissance, Margolin p. 74 American Painter and Illustrator. Charles Herbert Wo...

'Queen of Rewa' Portrait of seated Fijian woman, draped from the waist in tapa cloth, holding a fan, wearing jewelry and an elaborate headdress. From Narrative of the United States...

Copper-line engraving by Massard after Charles Monnet (1732-1808). Theseus returns from the Calydonian hunt and is met by the river god Achelous. From...

Paul Wunderlich Altweibersommer 1982 Color Lithograph on B.K. Rives Edition: 381 of 400 Image Size: 8 × 18.25 inches (20.32 × 46.36 cm) Mat Size: 17 × 27 inches (43.18 × 68.58 cm) Signed and numbered in pencil Paul Wunderlich (1927–2010) was a German painter, printmaker, and sculptor, widely recognized for his refined, often enigmatic figurative compositions. A key figure in postwar German art, Wunderlich developed a highly distinctive visual language that blends elements of Surrealism, Symbolism, and Art Nouveau with a strong emphasis on line, form, and surface. Closely associated with the Hamburg University of Fine Arts—both as a student and later as a professor—Wunderlich gained early recognition for his lithographic work. His career, however, was not without controversy; in the early 1960s, some of his prints were temporarily confiscated due to their erotic content, which at the time was deemed provocative. This tension between sensuality and restraint would remain a defining characteristic of his oeuvre. Wunderlich’s work frequently centers on the human figure—particularly the female form—rendered with elongated proportions, smooth contours, and a sculptural precision that borders on the idealized. His compositions often evoke mythological or allegorical themes, exploring dualities such as beauty and danger, intimacy and distance, and control and vulnerability. The surfaces of his works are typically polished and highly controlled, reflecting his exceptional technical command. As a printmaker, Wunderlich achieved particular mastery in lithography, producing richly layered images with subtle tonal gradations and crisp, elegant line work. His editions are widely collected and remain an important part of the European printmaking tradition of the late 20th century. Paul Wunderlich lithograph...

"Diane Chasseresse" is an original color lithograph signed by the artist Gaston de Latenay. It is edition 36/100, which is written in the lower right...