Cleve Gray Abstract Paintings

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Sergio Nates Untitled, 2015 Acrylic on canvas Unframed dimensions: 21.75 x 23 inches Framed dimensions: 22.75 x 24 x 1.875 inches This one-of-a-kind acrylic painting on canvas inclu...

Murray Hantman (1904-1999). Untitled, ca. 1950-55. Oil on canvas measures 20 x 26 inches, 26 x 32 inches in silver leaf vintage frame.. Signed lower right. Excellent condition with ...

PATRICK WILSON (b. 1970, Redding, CA) received his Bachelor of Arts degree at the University of California, Davis in 1993 and his Masters of Fine Art degree at Claremont Graduate University in Claremont, CA in 1995. For abstract painter Patrick Wilson, aesthetic beauty and visual pleasure are primary concerns. Using drywall tools, paint rollers, and masking tape, Wilson layers lines, squares, and rectangles in meticulously balanced compositions that, with the use of vivid color, evoke a palpable sense of light. Despite Wilson’s assiduous process, he also works intuitively, responding to his compositions as they evolve. “The key value of abstraction to me is its openness,” he explains. “The best abstraction isn’t didactic, it’s experiential.” He has had numerous solo exhibitions, including Miles McEnery Gallery, New York, NY; Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Evolving Geometries: Line, Form, and Color,” Center for the Arts at Virginia Tech, Blacksburg, VA; “Steak Night,” Susanne Vielmetter Los Angeles Projects, Culver City, CA; “Patrick Wilson: Pull,” University Art Museum, California State University Long Beach, Long Beach, CA; “Slow Motion Action Painting,” Marx & Zavattero, San Francisco, CA; and “Slow Food,” Curator’s Office, Washington, D. C. Recent group exhibitions include "Do You Think it Needs a Cloud," Miles McEnery Gallery, New York, NY; “20 Years Anniversary Exhibition,” Vielmetter Los Angeles, Los Angeles, CA; “The Responsive Eye Revisited: Then, Now, and In-Between,” Miles McEnery Gallery, New York, NY; “Michael Reafsnyder & Patrick Wilson”, Miles McEnery Gallery, New York, NY; “Pivotal: Highlights from the Collection,” Orange County Museum of Art, Newport Beach, CA; “On the Road...

Stephen Edlich Ouverture, with Cypress Forms, 1982 Signed, dated and titled on the stretcher Acrylic paint, mixed media, and burlap on canvas 60 x 40 inches An artist who worked in the post-cubist and constructivist traditions, Stephen P. Edlich gained a considerable amount of acclaim in the 1970s and 1980s for his collages, sculpture, and paintings. His promising career was cut short due to his untimely death at age 45 in 1989. Edlich was born in New York City. He received his undergraduate degree with a major in fine arts studies from New York University in 1967. During his college years, he traveled to London, where he met the art dealer Victor Waddington and created his first white on white collage. In that same year, he attended a major exhibition of the work of Ben Nicholson, which would be influential source in his art. Edlich returned to England in 1967, where he met Barbara Hepworth and Patrick Heron in London and traveled to St. Ives, Cornwall, long a favorite artists' haunt. Edlich began creating acrylic reliefs...

All the custom charges are included in the final price agreed. Turquoise, beige, red, lines, blue, fluid, movement. Abstract expressionist painting, large-scale contemporary artw...

1974 Magna acrylic on canvas 6 1/2 x 6 1/2 in. (16.5 x 16.5 cm) Unique Signed and titled, verso Framed, pristine condition

Onirisme organique (Diptych), 146 × 114 cm each panel, Acrylic on raw canvas. Total size of the two panels: 146 × 228 cm. At Escat Gallery, we are committed to maintaining the highe...

Colorful abstract composition by Michael William Eggleston (American, 20th Century). Bold colors and shapes interlock to form a high-contrast composition. Sections of orange, yellow,...

Adhering collage elements to panels on which he can also paint, Cutlip gives just the right heft to his compositions, a balancing act that many who work in this vein never perfect,” ...

Budd Hopkins, American (1931-2011) 'City Sun II', 1969 Oil painting on canvas. Hand signed and dated lower left. Verso: Artist, title, and year in pencil on stretcher. Dimensions: 36" H x 52" w. Frame: 37.25" h x 53.25" w. Budd Hopkins was one of the leading proponents of the "hard-edge" abstract minimalist school of painting in the 1950s and 1960s, Budd Hopkins (born 1931) created works that show the strong influence of Jackson Pollock and other leading painters of the Abstract Expressionism movement. Hopkins' paintings are now in numerous major collections, including the San Francisco Museum of Art, the Guggenheim Museum in New York, and the Hirshhorn Collection in Washington, DC. Recently, he has also been recognized for his research into the matter of UFOs and one of his books, "The Intruders", printed by Random House, was on the New York Times best-seller list and was the basis for a television show on CBS. Born in 1931, he is a graduate of Linsly Military Institute (now Linsly School) in 1949 and Oberlin College in 1953. He first displayed artistic abilities when, as a child recovering from a long-term illness, he began to create sculptures of ships made out of modeling clay. But it wasn't until he arrive at Oberlin that he made a serious study of art. Later, Hopkins included abstracted figures in his sculptural pieces. While moving away from Abstract Expressionism, Hopkins retained in his work the use of intense colors and hard-edged forms. His works of the 1980s, including Temples and Guardians, featured these "sentinels" who were, according to Hopkins, "participating in a frozen ritual, fixed – absolutely – within a privileged space..." Though Hopkins denied any connection, some critics viewed these ritualistic pieces as an extension of Hopkins' fascination with alien beings. Hopkins viewed his sculpted guardians not as human per se, but as magical, fierce, noble robots of the unconscious. He settled in New York after obtaining his degree and has had a residence there ever since. He and his wife, April Kingsley, and their daughter, Grace, divide their time between their home at Cape Cod, Mass., and that in New York City. In his work, he travels widely. He has exhibited in England, Finland, Italy and Switzerland. In 1963, Hopkins was selected by the Columbia Broadcasting System as one of the 15 painters featured in the network's first television special on American art. In 1958, Art News picked him as one of 12 Americans for exhibition in Spoleto, Italy, in the "Festival of Two Worlds." His brilliance has won him a number of fellowships and awards. In 1972, the West Virginia Arts and Humanities Council awarded him its Commission Prize. In 1976, he received the John Simon Guggenheim Fellowship for Painting and in '79 he received a fellowship from the National Endowment of the Arts. He also won a special project grant from the New York State Council on the Arts in 1982. He was friends with Robert Ryman and many of the other 10th street avant garde artists. He was an original member of March Gallery which showed Alice Baber, Elaine de Kooning, Mark di Suvero, Lester Johnson, Matsumi Kanemitsu. His work was handled by Poindexter Gallery. (a major gallery founded in 1955 in New York City by Elinor Poindexter. The gallery specialized in sculpture, abstract, and figurative art and featured the works of such artists as Richard Diebenkorn, Jules Olitski, Nell Blaine, Al Held, Willem de Kooning, Franz Kline, Earl Kerkam, Milton Resnick and Robert De Niro, among others. His art has been featured in the Metropolitan Museum of Art, Museum of Modern Art, Bronx Museum of Art, Brooklyn Museum, Whitney Museum, Corcoran Gallery, Guggenheim Museum, Queens Museum in New York, and the Public Library of New York. He was included in Young America 1960: Thirty American Painters Under Thirty-Six buy Lloyd Goodrich at the Whitney Museum of American Art in NYC. Artists included: Sonia Gechtoff, Edward Giobbi, Ron Gorchov, James Harvey, Budd Hopkins, Wolf Kahn, Alex Katz, Robert Natkin, Rudy Pozzatti, Dean Richardson, Frank Roth, William Wiley, and Noriko Yamamoto...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...