Clive Madgwick Art

Landscape is a modern artwork realized by Kurt Schwitters in 1936. Mixed colored oil on canvas. Signed with monogram and dated on the lower right rec...

James Thornhill (1674-1735) Oil on canvas 12 x 14 inches; 16 ½ x 18 ½ in. Inc. frame The subject matter and inclusion of herms on both sides shows the influence of Louis...

Antique oil painting, mountain landscape. 20th century, signed. Dimensions with frame.

Antique painting, Stormy Coastal View, 19th Century, by H. Schnabel. Oil on canvas. Signed and dated lower right. Unframed. Including certificate of authenticity.

This stunning piece of art titled “Bateaux a Carnac" is a captivating original work by renowned artist Yolande Ardissoner. Ardissoner was mostly known for her playful and sophisticat...

View of Rome is an original watercolour on paper realized by Alfonso Avanessian in the 1990s. The piece is hand signed on the lower right. Frame included (59,5x70 cm). Good conditi...

A wonderful depiction of mountain lake landscape in the country side. For this beautiful depiction of the mountains, we find distinct elements that are unique to the earlier works of Marie Berger. Among other things, Marie Berger's art is notable for its surrealist elements. In Still Life with Figure in a Desert Landscape, for example, she combines the seemingly incongruous images of a foreground still life composition with the almost infinite lines of perspective of the desert environment. The final result is one of provoking imagery and emotion. With joyful colors, this piece is filled with bold brushstrokes and impressive marks. Comes housed in a gold tone wood frame decorated with finely carved botanical elements and it is ready to hang with wire on verso. Art measures 16 x 20 inches Framed measures 19 x 23 inches A native of Fort Worth, Marie Friedman Berger was born March 9, 1913, the daughter of Will and Minnie Cohen Friedman. She was a graduate of Central High School, now R. L. Paschal, and attended Washington University, St. Louis School of Art. Marie married Jack Henry Berger on June 21, 1939, in Dallas; a marriage that lasted nearly 61 years. Mr. Berger died in 2000. Marie was an internationally renowned artist. Her works have been published by the Metropolitan Art Gallery of New York and shown as one of America's only artists in Italian art galleries. She was a recipient of the annual Benedictine Art Award. For many years she worked along side her late husband operating the Fashion Furniture Gallery on Camp Bowie Blvd. Marie Berger was a longtime member of Beth-El Congregation and she was also a full member of the Texas Fine Arts Association (Regional Director) and the Texas Watercolor Society. Among the awards presented to her for her art were the Benedictine Award, New York, and the Texas Fine Arts Jurors Award. She also owned and managed the Marie Berger Gallery, Fort Worth, which promoted the works of many rising American and Mexican artists during the 1950's and 1960's. She studied at Texas Christian University, and then at the St. Louis School of Fine Art and at Washington University, Missouri, which was founded as the Saint Louis School and Museum of Fine Arts in 1879 as part of Washington University in St. Louis. Her most common media is the use of oil, acrylic, watercolor, etching, lithograph, collagraph. During her successful career, she exhibited internationally at such institutions as the Bateau Lavar Gallery, Rome, the Rassagna permanente d'arte contemporanea, Veterbo, Italy, the Laguna Gloria, Austin, Texas, the Oklahoma Art...

Ancient monuments is an original painting realized by Vinzenz Fischer (1729-1810) in the late 18th century. Mixed colored oil painting on canvas. This beautiful artwork represents ...

A strong modernist oil painting depicted in 1962 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful repre...

Maritime oil painting 19th century, by Prof. Alfred Jensen. Ship and boat at sea. Around 1900. Signed lower left. Unframed Age-related condition. Alfre...

A strong modernist oil painting depicted in 1963 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful repre...

A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...