Cloutier Serveware, Ceramics, Silver and Glass

Decorative ceramic pitcher / vase by the Cloutier brothers (circa 1970s). An outer surface decorated in the Cloutier's trademark soft mauve with an e...

French Free Form Glazed Ceramic Bowl or Vide Poche, Signed. Beautiful mid-20th Century French free form metallic glaze bowl or vide poche possibly from Vallauris or Biot, France. Th...

- Czechoslovakia, 1960s - Good original condition - Marked jr.

A ceramic pitcher by Jacques Innocenti to Vallauris. Perfect original conditions. Handwritten signature under the base "Innocenti Vallauris", circa 1960.

Earthenware plate with matt grey glaze depicting a bull by the celebrated French ceramicist Robert Picault, Vallauris, South of France. Signed to base. THE PLATE IS NOT SOLD WITH T...

Beautiful wabi-sabi coil-built extra-large decorative ceramic bowl, for serving or display. The heavily textured surface is formed and glazed ...

Robert Picault (1919 - 2000) French ceramist in Vallauris Robert Picault has contributed to the revival of culinary ceramics by updating traditional local forms decorated with li...

Beautiful large stoneware bowl by Danish artist Conny Walther. Made in 1970s. Great colour plate in this glaze. Other mentionable ceramic artists fro...

Take tradition to evolve, transform, and innovate are all part of Omar Hernández’s work. Born in a pottery town he was taught from a young age the fundamentals. It was later when Oma...

English Majolica pitcher with flowers, circa 1890 Measures: H 6", L 5.5" et 3.5".  

Large Cup or vide poche by Robert and Jean Cloutier (1930-2015) with famous "Red Cloutier" enamel Signed Cloutier RJ France on back Bibliographie: "les Frères Cloutier" by P. Favar...

Made by Japanese ceramic artist Makoto Yabe (1947-2005), this stoneware vase features a globular body supported by a round pedestal foot. A similarly shaped neck extends to a rimmed mouth opening. Robust in form with thick wall, the vase is noted for its irregular cloved form. The surface is covered in a beige-yellow glaze, on top of which, dark brown strokes and thick white feldspar slip were artistically applied in a splashed and washed pattern. Together with some random shallow incision lines, they form an abstract painting with textured surface where some slip forms small droplets at the end of the stroke. The work was created in traditional Japanese manner and reflects the beauty of Wabi Sabi, a Zen aesthetic for the imperfect perfection. The base was incised with the artist's cipher. "Makoto Yabe's work beautifully exemplifies the transmission of Japanese ceramics to the West. Born in Fukushima, Japan, Yabe began studying ceramics in Kyoto at the age of nine. He completed his training at the age of 24, with a four-year apprenticeship under Jinmatsu Uno and Sango Uno. Yabe then came to Boston, where he was an integral member of the local ceramic community, yet he maintained his Japanese roots. As an instructor of ceramics, Yabe worked in the Boston area at numerous schools and universities, touching the lives of all his students and expanding their knowledge and appreciation of studio ceramics." Biography sited from Pucker Gallery...