Colin Graeme Roe Art

Emil Ferdinand Heinrich VOLKERS Oil painting on canvas signed and dated A fantastic painting for all sporting and equestrian collectors. Picture Size: 10 x 13" (26 x 33cm) Framed ...

Circle of Henriëtte Ronner-Knip (Dutch-Belgian, 1821–1909) Portrait of Companion Dogs and Cats Oil on canvas, circa 1890 Signed lower right Painted in the closing decades of the nin...

19th century English landscape of Children picking flowers in a field or meadow. Henry Hadfield Cubley was born in Newark, Nottinghamshire in 1858. Henry was the nephew of William C...

A lively 1950s Mid-Century Modern Western landscape painting with cowboys wrangling cattle by famed Chicago artist, Francis Chapin. Most likely a working study for a larger painting...

W. S. Forest English, circa 1850 Study of Two Horses and Goats Before Farmland Oil on canvas Signed lower right Presented in its original richly carved and gilded frame A finely o...

Charles Dudley British, Late 19th – Early 20th Century The Three Graces: Portrait of Three Jack Russell Terriers, circa 1900 Oil on canvas Signed lower right Original frame A charm...

Francis Mabel Hollams (1877–1963) The Farrier’s Visit, circa 1925 Oil on canvas, monogrammed lower right. Presented in its original gilt frame. Francis Mabel Hollams was one of Britain’s most accomplished painters of horses and domestic animals during the late nineteenth and early twentieth centuries. A gifted sporting artist, she studied under the distinguished equestrian painter Lucy Kemp-Welch and went on to establish a successful career exhibiting at London’s foremost institutions, including the Royal Academy, the Royal Institute of Oil Painters, the Royal Society of British Artists and the Walker Art Gallery in Liverpool. Her paintings are celebrated for their exceptional draughtsmanship, sensitive observation and genuine understanding of animal character, qualities that have secured her place among the finest female sporting artists of her generation. The Farrier’s Visit beautifully encapsulates the quiet rhythms of rural England during the years when the working horse remained indispensable to everyday agricultural life. Hollams depicts a magnificent grey Shire horse standing patiently outside a traditional brick stable as the village farrier carefully replaces one of its shoes. The scene is entirely unforced and deeply authentic, celebrating the mutual trust between horse and craftsman, a relationship forged through generations of skilled husbandry. The monumental presence of the Shire horse dominates the composition, yet Hollams avoids sentimentality, instead conveying its immense strength through calm composure and gentle dignity. Every detail, from the worn leather harness to the weathered stable doors and simple blacksmith’s tools...

Attributed to Edwin Loder (British, fl. mid–late 19th Century) Mother Dog and Puppies in a Stable Interior Oil on canvas, unsigned English School, circa 1880 Presented in a period-st...

George Armfield (1808-1893) Antique Signed Oil Painting Picture size 20 x 24" / 51 x 61cm Frame size 32.5 x 36" / 82.5 x 91.5" GEORGE (SMITH) ARMFIELD Exhibition Period 1836 – 1875...

Arthur Sydney Watson British (1881-1931) Near Loch Tay, Perthshire Medium: Oil on canvas Framed size: 18 x 24 Inches Unframed size: 13 x 19 Inches Signed lower right and inscribed...

Frances Mabel Hollams Signed and dated 1898 Picture Size: 29 x 37" (74 x 94cm) Framed Size: 38 x 46" (97 x 117cm) Oil on canvas Most of her work are painted beautifully on panel...

Alfred Grenfell Haigh British, (1880-1963) Braydon Oil on canvas, signed & dated 1913, further inscribed Braydon Image size: 22.5 inches x 29.5 inches Size including frame: 28.5 in...