Copeland Pottery

A vibrant Neoclassical Revival decorative bowl in the 'Greek' pattern made by Copeland Spode in the late 19th century. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. This Copeland Spode Greek...

A section of the Palladian motif artfully and elegantly frames the rim of this soup bowl. The composition expresses a fully-formed Palladian window, the forms articulated in black leaving the frame to be defined as negative space bound. Colour – Black on white. Size – 8″ (20cm) Composition – silk screen printed onto Bone China. Made in Stoke-on-Trent, England Product Care • Bone China can...

A section of the Palladian motif artfully and elegantly frames the rim of this soup bowl. The composition expresses a fully-formed Palladian window, t...

A section of the Palladian motif artfully and elegantly frames the rim of this soup bowl. The composition expresses a fully-formed Palladian window, t...

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...

A fox hunting set with all items listed below in the additional comments section.

COPELAND SPODE - Greek Revival transfer decorated ceramic cabinet plate in brown - featuring panels of Greek Gods and antique urns within a Greek key border - signed on the back (bac...

George Jones Majolica Sardine box on a turquoise-blue ground, English, ca. 1870, the box molded with green acanthus leaves, with matching underplate, the lid molded and applied with ...

Classical Elegance: A Set of Four Spode ‘Greek Pattern’ Openwork Dessert Plates Staffordshire, England, Early 19th Century This exquisite set of four dessert plates represents the h...

Greek Revival Dining: Set of 10 Spode "Phliasian Horseman" Soup Plates (c. 1806–1820) A fine set of 10 early 19th-century blue and white transfer-printed pottery soup plates by Spo...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant and refined English octagonal ceramic tray; on the white background, soft and rich blue decorations have been executed using the transferware method; in the center we find the poetic and graceful representation of the Severn River and the town of Bridgnorth (the name of this decoration is "Severn"), while the edges of the tray are adorned with sumptuous and spectacular flower and leaf decorations. The Severn River is the longest river in the United Kingdom (350 km), rising in Wales and flowing into the Bristol Channel; Bridgnorth is an ancient Saxon settlement; observing the view of the river and town from his castle at Bridgnorth King Charles I Stuart (1600-1649) said "the most beautiful sight in all my kingdom". On the back of the tray there are 3 imprinted marks including one with final number 14, then we find in the center a blue mark, these indicate to us exactly that the tray was produced in Stoke-on-Trent by the Copeland-Spode company in 1914 (see mark no.1079 p.172 of "Encyclopaedia of British Pottery and Porcelain Mark). The Spode firm was founded in the heart of the Potteries - Stoke-on-Trent by Josiah Spode in 1770. Josiah Spode is most famous for developing the specific design technique that meant underglaze transfers could be printed on earthenware. Later, focusing on porcelain production, Josiah Spode pioneered the development of a new form of porcelain, originally called "Stoke China...

A semi-antique set of 10 Copeland Spode New Stone (made 1920-1960) dinner plates having a navy a armorial central medallion adorned with a bird of prey and a navy and gold leaf aroun...