David Yarrow Art

The Fox and Hound Los Angeles, California - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbere...

The New Kids On The Block Svalbard, Norway - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated an...

80 Degrees North Svalbard, Norway - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Ava...

The Power Of The Dog The Rocky Mountains - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: ...

NEW TESTAMENT South Sudan, 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 80 inches 49 x 114 inches "All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was. The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role. It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst. But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail. But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold. The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”. My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle. I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every week I see monochrome photographs of the big elephants...

NEW TESTAMENT South Sudan, 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 80 inches 49 x 114 inches "All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was. The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role. It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst. But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail. But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold. The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”. My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle. I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every week I see monochrome photographs of the big elephants...

Hostile Territory Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Available si...

Wagon Wheel Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on th...

1880 Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 39 x 78 inches 53 x 111 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I have had the idea of this image in my mind for a couple of years. Looking through stills of John Ford’s iconic film, Stagecoach, there was one image from the filming in 1939 that popped up on my screen time and time again - the stagecoach moving right to left with the unmistakable monoliths of Monument Valley in the background. There is no indication as to whether John Wayne was inside the stagecoach, but that mattered little, this was the perfect visual in what many have described as the perfect western. The location of the old still from Stagecoach is on private land right on the Arizona/Utah border not far from the Monument Valley visitor centre and my production team secured permission to film there. It struck me, given the direction of travel was westerly, if we used a wagon as opposed to a stagecoach, we could use the first rays of light to dramatic effect as they diffract through the foreground content. The trick would then be to find a dip in the terrain which would allow for the monolith to pop out above the wagon and horses...

Cloud 9 Aspen, Colorado, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Editi...

“Marvel” is a commanding limited edition fine art photograph by David Yarrow, capturing the raw intensity and stealth of a black panther advancing directly toward the viewer. Shot in...

66 Degrees North Námafjall Geothermal Area, Iceland - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 54 inches 67 x 76 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Developing a concept that ticks the boxes creatively and then executing that concept are emphatically two different jobs, which is why making a picture is a longer process than taking a picture. Many years ago, the exceptional work of British photographer Tim Flach, drew my attention to the hot springs of Myvatn in the north of Iceland. This remote area is geologically angry and in deep winter it is fairly inhospitable, but in the summer, it becomes something of a tourist resort for the local Icelandics and all too crowded for how we operate. We would always choose inhospitable over crowded. I have filmed here in the winter in the past, but struggled to do justice to the uniquely raw ecosystem. As always there is an element of knowing how to get it right by initially getting it hopelessly wrong. In particular, this is not a safe place without engaging locals, because the ground underneath, much like Yellowstone in Wyoming, is not to be taken for granted. To be brave and work close to the geysers needs permits and guides. But in 2022, we finally had our rewards. The weather plays such a big role in the field; no more so than up here at 66 degrees north where the Norse Gods granted my wish for strong winds and good light. It was the wind that amplified the trail of steam and allowed me to work a comfortable distance from the source without losing the effect. It was then up to me to work the strong late afternoon light to the best of my advantage. The end result is a strong image and certainly authentic. Its stripped back and visceral mood lives and breathes the wildest of Icelandic sagas. There are horse...

Mamas Don't Let Your Babies Grow Up To Be Cowboys Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the f...

It Was the Whiskey Talking Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 ...

Hot Chicks Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition ...

The Sheriff's Daughter Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the f...

The Residents Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available si...

The Quick and The Dead Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and number...

Beach Bums Anguilla, Caribbean - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Availabl...

Dead Man's Chest Anguilla, Caribbean - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the fro...

Catwalk Dinokeng, South Africa - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Availabl...

The Old Man And The Sea Anguilla and South Africa - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated...

Succession Dinokeng, South Africa - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Avail...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 54 inches 67 x 76 inche...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 79 inches 56 x 94 inches 67 x 114 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. Narrative: "The concept of this photograph has been bouncing around in my head for over a year. We prepared for many months as it was clear to me that if we were to pay homage to The Wolf of Wall Street...

South Africa, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 49 ...

I am Black Panther Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 74 in...

Other sizes and high-end frame on request. On the road again - the supermodel Cindy Crawford in a car with a wolf David Yarrow is a famous British fine-art photographer and one of ...

Nude Model gracefully crouching down in the desert to pet a cheetah, photographed by David Yarrow in 2020. All prints are limited edition. Available in multiple sizes. High-end frami...

The Untouchables II Amboseli, Kenya - 2017 Available Sizes: *Standard (AP2) with a 3" mat is in stock and available for immediate shipment* Standard Edition of 12 Image Size: 37" ...

Persons of Interest Montana, USA - 2021 Available sizes: Standard Edition of 20 Unframed Size: 37" x 66" Framed Size (with a 5" mat): 52" x 81" Large Edition of 20 Unframed Size: 56" x 100" Framed Size (with a 5" mat): 71" x 115" A Small Artist Proof may be available upon request. Price includes David Yarrow's custom black ash frame with white linen archival mat and UV protective acrylic. The print is also available unframed and with custom framing options. Please inquire. Archival Pigment Print. All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. David Yarrow's narrative on "Persons of Interest": "Even those that don’t follow the NFL, or have an interest in the performing arts, know and admire Ciara and Russell Wilson for what they stand for and what they do for others. They are both legends in their respective careers, but their legacy may lie in what they have done to champion and support good causes helping others living less than ideal lives. For this shoot, I took the Seattle...

Django Montana, USA - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 67 inches 67 x 96 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "My fear of the mundane has no immediate cure and my commitment to western revisionism probably aggravates the condition as this is a well-trodden genre with no room for being dull. As soon as I had convinced the Seattle Seahawks...

The Daily News Santa Clarita, California - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 66 inches 67 x 95 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Proof again that Cindy Crawford is gold dust for a photographer. She looks quite sensational in this “film noir” piece taken at the very location made famous by her Pepsi commercial in 1992. My idea was to build a 1950s set and shoot at night; not just to add drama and contrast, but also to legitimise the period evening glam look. One I knew Cindy would excel in. In the weeks running up to the shoot, I played around with a few possible narratives and I was drawn to the concept of a film set within a film set. I had long admired Peter Lindberg...

Americana Santa Clarita, California - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Ava...

American Beauty Santa Clarita, California - 2021 Available sizes: Standard Edition of 20 Image Size: 40" x 37" Framed Size (with a 5" mat): 55" x 52"...

1992 Santa Clarita, California - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 67 inches 67 x 95 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. Joe Pytka’s 1992 Pepsi Ad with Cindy Crawford is iconic; indeed, it is probably one of the most celebrated commercials of all time. So much so, that there have been many retakes and parodies. As we all know, it featured a 26-year-old Crawford pulling up to the Halfway Café in a red sports car wearing a white tank top and jean shorts. Two young boys stare as the supermodel buys a Pepsi from a vending machine and drinks it down. For some time I had yearned to do my own interpretation of the advert with a still photograph and I secured Cindy’s involvement, who in turn secured Pepsi’s approval (given the implicit tribute, why would Pepsi say “no”?). The Halfway House...

Brutus Alaska, USA - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: S...

Pebble Beach Alaska, USA - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edi...

Bearish Alaska, USA 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 ...

More Usual Suspects 2021 Available sizes: Standard Edition of 12 + 3 APs Unframed Size: 34" x 67" Framed Size: 49" x 82" Large Edition of 12 + 3 APs ...

American Idol II Yellowstone National Park - 2017 Available Sizes: Standard Edition of 12 Image Size: 39" x 37" Framed Size (with a 5" mat): 54" x 52" Large Edition of 12 Image S...

Mars Attacks! Sea of Cortez, Mexico - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the f...

Apache Texas, USA - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x...

The Shift Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 53 inches 67...

The Last Supper In Texas Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 44 x...

Ain't My First Rodeo Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 57 inches 67 x 81 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "The mythical cowboy, whose image has been shaped by history, fiction and folklore, is unquestionably America’s predominant symbolic native son. For many people across the world, a cowboy is the most American thing they can think of. For that we should be thankful. Much better this noun than a Big Mac...

Drovers Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 44 x 84 inches 57 x...

The Thundering Herd Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 43 x 78 i...

Bonnie Creede, Colorado, USA - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available ...

Drive Moab, Utah - 2021 Available sizes: Large Edition of 20 Image Size: 56" x 85" Framed Size (with a 5" mat): 71" x 100" Standard Edition of 20 Image Size: 37" x 56" Framed Size...

The Snow Patrol Telluride, Colorado - 2021 Available Sizes: Standard Edition of 12 Image Size: 37" x 59" Framed Size (with a 5" mat): 52" x 74" Large Edition of 12 Image Size: 56"...

Durango Durango, Colorado - 2021 Available Sizes: Standard Edition of 12 Image Size: 37" x 71" Framed Size (with a 5" mat): 52" x 86" Large Edition of 12 Image Size: 52" x 100" Fr...

Wyoming Available Sizes: Standard Edition of 12 Image Size: 28" x 67" Framed Size (with a 5" mat): 43" x 82" Large Edition of 12 Image Size: 42" x 100" Framed Size (with a 5" mat)...

Between a Rock and a Hard Place Available Sizes: Standard Edition of 12 Image Size: 37" x 56" Framed Size (with a 5" mat): 52" x 71" Large Edition of 12 Image Size: 56" x 84" Fram...

Go West Young Man Telluride, Colorado - 2021 Available Sizes: Standard Edition of 12 Image Size: 37" x 56" Framed Size (with a 5" mat): 52" x 71" Large Edition of 12 Image Size: 56" x 84" Framed Size (with a 5" mat): 71" x 99" A Small Artist Proof may be available upon request. Price includes David Yarrow's custom black ash frame with white linen archival mat and UV protective acrylic. The print is also available unframed and with custom framing options. Please inquire. Archival Pigment Print. All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. David Yarrow's narrative on "Go West Young Man": "As we search the length and breadth of America for shooting locations, we are drawn to roads that lead the eye but are then halted by something monumental. This formula offers a closed end theatre from which to tell stories. The best urban example of this is perhaps La Salle Street in Chicago, which concludes with the Chicago Board of Trade. It is one of the most iconic views in any American city and, of course, Chicago is the showcase of American architecture. Sam Mendes made full use of this in “The Road to Perdition”. Forrest Gump Point in Monument Valley is the American West at its majestic best and offers the same narrative of a journey’s end, albeit amidst the towering monoliths of Arizona. But perhaps my favourite setting for this box office effect is the old mining town of Telluride resting at 9,000ft in the mountains of southwestern Colorado. I would contend that looking east down Main Street on a clear day is one of the most visually thrilling sights in all of America. There is a timelessness to the street with the grandest and most imposing of backdrops. Of course, Telluride is now a glamorous Ski resort and my instincts were to shoot here in the winter; the mountain pops...

No Currency Telluride, Colorado - 2021 Available Sizes: Standard Edition of 12 Image Size: 37" x 59" Framed Size (with a 5" mat): 52" x 74" Large Edition of 12 Image Size: 56" x 8...

The Bills Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available si...

Vantage Point Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Available sizes: St...

Blazing Saddles Moab, Utah - 2021 Available Sizes: Standard Edition of 12 Image Size: 37" x 58" Framed Size (with a 5" mat): 52" x 73" Large Edition...

The American Dream Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size...